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A work made of watercolor and gouache, over graphite on off-white watercolor paper.

Ascot, 1938

Raoul Dufy

A work made of letterpress in black on white wove paper.

Text pages from, Homage to the Square: Ten Works by Josef Albers, 1962

Josef Albers

A work made of acrylic on canvas, unframed.

Untitled, c. 1970

Ray Yoshida

A work made of graphite on cream wove paper.

Autumnal Still Life, 1917

Giorgio de Chirico

A work made of watercolor, over graphite, on white watercolor paper.

Chinatown Night, 1932

C. Earle Horter

A work made of graphite, colored pencils and paint on paper.

Sperlonga, 1959

Cy Twombly

A work made of gelatin silver print.

Slag Heaps in an Iron Work (Schlackenhalden in einem Eisenwerk), c. 1927, printed c. 1955–65

Albert Renger-Patzsch

A work made of pastel and charcoal, with stumping and burnishing, on tracing paper, pieced and laid down on cardboard.

Two Dancers, c. 1893–98

Hilaire Germain Edgar Degas

A work made of brush with brown ink and brown and gray wash over traces of black chalk, on cream laid paper.

Three Men Carrying a Wounded Soldier, from the Images of Spain, Album F, 1812/20

Francisco José de Goya y Lucientes

A work made of oil on paper mounted on panel.

The Artist in His Studio, 1865–66

James McNeill Whistler

A work made of pen and brush and black and white gouache, on white wove paper prepared with blue gouache.

The Dogwood Thieves, 2003

John Currin

A work made of pastel and oil on linen.

Starving Spirits, 1934

Paul Klee

A work made of gouache on corrugated cardboard.

Untitled (Devil), 1952

Pablo Picasso

A work made of charcoal on paper.

Drawing for Still Life #12, 1962

Tom Wesselmann

A work made of bronze.

Indian and Pronghorn Antelope, 1914

Paul Manship

Kirchheimer Residence, Glencoe, Illinois, Working Drawings

Kirchheimer Residence, Glencoe, Illinois, Working Drawings, 1952

Bertrand Goldberg

Red long sleeve garment embroidered with a large gold tree with white blossoms.

Furisode, late Edo period (1789–1868), 1801/1868

A work made of manuscript in pen and colored inks with gilding, with fifteen miniatures in tempera on vellum, with tooled leather binding.

Stonyhurst Hours (Use of Sarum), c. 1400–10

Beaufort Saints Group

A work made of watercolor with graphite on lightweight, smooth, cream wove paper, discolored to tan, laid down on white wove card (top and lower edges trimmed).

New York with View of the Flatiron Building, 1910

John Marin

Large rectangular painting that is mostly black, shaded in black paint and coal dust. Many words and phrases in black paint span the canvas in horizontal lines, but they are barely legible.

Stranger in the Village #13, 1998

Glenn Ligon

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