Curator

  • Art Institute Chicago
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A work made of graphite on cream wove paper.

Autumnal Still Life, 1917

Giorgio de Chirico

A work made of color screenprint on white wove paper.

Thaw, plate two from Homage to the Square: Ten Works by Josef Albers, 1962

Josef Albers

A work made of watercolor and gouache, over graphite on off-white watercolor paper.

Ascot, 1938

Raoul Dufy

A work made of graphite, colored pencils and paint on paper.

Sperlonga, 1959

Cy Twombly

A work made of watercolor, over graphite, on white watercolor paper.

Chinatown Night, 1932

C. Earle Horter

A work made of pastel and oil on linen.

Starving Spirits, 1934

Paul Klee

A work made of pen and brush and black and white gouache, on white wove paper prepared with blue gouache.

The Dogwood Thieves, 2003

John Currin

A work made of pastel and charcoal, with stumping and burnishing, on tracing paper, pieced and laid down on cardboard.

Two Dancers, c. 1893–98

Hilaire Germain Edgar Degas

A work made of brush with brown ink and brown and gray wash over traces of black chalk, on cream laid paper.

Three Men Carrying a Wounded Soldier, from the Images of Spain, Album F, 1812/20

Francisco José de Goya y Lucientes

A work made of charcoal on paper.

Drawing for Still Life #12, 1962

Tom Wesselmann

A work made of mixed media on color photograph reproduction.

Cheap Version of My Work Being Mass Produced in Czechoslavakia, 1986

Gary Brotmeyer

A work made of oil on paper mounted on panel.

The Artist in His Studio, 1865–66

James McNeill Whistler

A work made of gouache on corrugated cardboard.

Untitled (Devil), 1952

Pablo Picasso

A work made of manuscript in pen and colored inks with gilding, with fifteen miniatures in tempera on vellum, with tooled leather binding.

Stonyhurst Hours (Use of Sarum), c. 1400–10

Beaufort Saints Group

A work made of gelatin silver print.

John Watts Statue: From Trinity Churchyard, Looking Toward One Wall Street, Manhattan, February 1, 1938

Berenice Abbott

A work made of wooden box; covered with linen, plain weave; embroidered with silk floss in back, running, and satin stitches; laid work and couching; edged with silvered-metal-strip-wrapped silk and silvered-metal strips, plain weave; lined with silk, plain weave and plain weave with supplementary pile warps forming cut solid velvet; silver hardware; two glass bottles inside.

Writing Box (Needlework), 17th century

A work made of linen, plain weave; embroidered with silk and gilt-metal-strip-wrapped silk in fishbone, overcast, and running stitches.

Cover (possibly Turban Cover), 18th century

Red long sleeve garment embroidered with a large gold tree with white blossoms.

Furisode, late Edo period (1789–1868), 1801/1868

A work made of watercolor with graphite on lightweight, smooth, cream wove paper, discolored to tan, laid down on white wove card (top and lower edges trimmed).

New York with View of the Flatiron Building, 1910

John Marin

A work made of graphite on wove paper prepared with a sprayed gold ground.

Untitled (1347 Strokes), 1962

Robert Morris

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