Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of watercolor, over graphite, on white watercolor paper.

Chinatown Night, 1932

C. Earle Horter

A work made of ink on paper.

Auditorium Building, Working Drawings for Ornamental Plaster Work, 1886–1889

Louis H. Sullivan

A work made of graphite on cream wove paper.

Autumnal Still Life, 1917

Giorgio de Chirico

A work made of brush with brown ink and brown and gray wash over traces of black chalk, on cream laid paper.

Three Men Carrying a Wounded Soldier, from the Images of Spain, Album F, 1812/20

Francisco José de Goya y Lucientes

A work made of color screenprint on white wove paper.

Thaw, plate two from Homage to the Square: Ten Works by Josef Albers, 1962

Josef Albers

A work made of pastel and charcoal, with stumping and burnishing, on tracing paper, pieced and laid down on cardboard.

Two Dancers, c. 1893–98

Hilaire Germain Edgar Degas

A work made of bronze.

Indian and Pronghorn Antelope, 1914

Paul Manship

A work made of oil on paper mounted on panel.

The Artist in His Studio, 1865–66

James McNeill Whistler

A work made of acrylic on canvas, unframed.

Untitled, c. 1970

Ray Yoshida

A work made of graphite, colored pencils and paint on paper.

Sperlonga, 1959

Cy Twombly

A work made of pen and brush and black and white gouache, on white wove paper prepared with blue gouache.

The Dogwood Thieves, 2003

John Currin

A work made of pastel and oil on linen.

Starving Spirits, 1934

Paul Klee

A work made of gouache on corrugated cardboard.

Untitled (Devil), 1952

Pablo Picasso

A work made of charcoal on paper.

Drawing for Still Life #12, 1962

Tom Wesselmann

Red long sleeve garment embroidered with a large gold tree with white blossoms.

Furisode, late Edo period (1789–1868), 1801/1868

A work made of mixed media on color photograph reproduction.

Cheap Version of My Work Being Mass Produced in Czechoslavakia, 1986

Gary Brotmeyer

A work made of silk, warp-float faced 7:1 satin weave; appliquéd with silk, warp-float faced 7:1 satin and plain weaves; painted; embroidered with silk, silk 2:2 twill oblique interlaced tapes, gilt- and silvered-metal-strip-wrapped silk, and gilt- and silvered-metal strips, coils, wires and paillettes in satin, single satin, raised stem and a variety of buttonhole stitches; laid work and couching; feathers; glass beads and seed pearls.

Picture Depicting the Queen of Sheba before King Solomon, 1601/50

A work made of watercolor with graphite on lightweight, smooth, cream wove paper, discolored to tan, laid down on white wove card (top and lower edges trimmed).

New York with View of the Flatiron Building, 1910

John Marin

Charcoal drawing of young woman wearing headscarf, staring out expressionless.

The Artist's Mother, 1926 or 1936

Arshile Gorky

A work made of manuscript in pen and colored inks with gilding, with fifteen miniatures in tempera on vellum, with tooled leather binding.

Stonyhurst Hours (Use of Sarum), c. 1400–10

Beaufort Saints Group

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