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A work made of graphite on tan wove paper.

Side by Side, c. 1928

Jacob Epstein

A work made of letterpress in black on white wove paper.

Text pages from, Homage to the Square: Ten Works by Josef Albers, 1962

Josef Albers

A work made of graphite with erasing on lightweight, slightly textured, ivory wove paper (top edge trimmed).

Buildings, 1917

John Marin

A work made of tempera on board.

Carnival in Munich, 1904

Vasily Kandinsky

A work made of black chalk, on ivory laid paper, laid down on cream wove paper.

Study, c. 1686

Giuseppe Bartolomeo Chiari

A work made of gelatin silver print.

Slag Heaps in an Iron Work (Schlackenhalden in einem Eisenwerk), c. 1927, printed c. 1955–65

Albert Renger-Patzsch

A work made of cotton, plain weave; embroidered in tent stitch.

Les Saltimbanques (The Entertainers), 1972/74

Gloria DiTomaso

A work made of watercolor with graphite on white wove paper.

Man Wearing a Straw Hat, 1905/06

Paul Cezanne

A work made of watercolor on off-white wove paper.

Coot Hunter, 1941

Andrew Wyeth

A work made of charcoal, with red conté and colored crayons, touches of graphite, and scraping, heightened with white oil paint, on canvas prepared with a glue ground.

The Kerosene Lamp, 1924

Joan Miró

A work made of cotton, plain weave; embroidered with cotton and wool (camelid) in stem stitches.

Fragments (Border), 100 BCE-200 CE

Nasca

Color video still of a blond girl from the shoulders up, wearing a headband, white turtleneck, and purple plaid overshirt.

Annemiek, February 11, 1997, 1997

Rineke Dijkstra

Kirchheimer Residence, Glencoe, Illinois, Working Drawings

Kirchheimer Residence, Glencoe, Illinois, Working Drawings, 1952

Bertrand Goldberg

A work made of oil on canvas.

The Laundress, 1877–79

Pierre-Auguste Renoir

A work made of black chalk on cream laid paper.

Stacks of Wheat, 1891

Claude Monet

Large rectangular painting that is mostly black, shaded in black paint and coal dust. Many words and phrases in black paint span the canvas in horizontal lines, but they are barely legible.

Stranger in the Village #13, 1998

Glenn Ligon

A work made of red oil paint on ivory laid paper.

The Angel Departing from the Family of Tobit (?), c. 1655

Giovanni Benedetto Castiglione

A work made of watercolor, over traces of graphite, on ivory laid paper.

The Death of Dido, n.d.

School of Gerard de Lairesse

A work made of graphite with stumping, scratching and erasing on off-white wove paper, prepared with a white gouache ground (scratchboard).

The Greatest Love of Don Juan, 1879

Félicien Rops

A work made of albumen print, plate 43 from the album "photographic views of the sherman campaign" (1866).

Rebel Works in Front of Atlanta, GA, No. 5, 1864

George N. Barnard

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