Curator

  • Art Institute Chicago
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A work made of black crayon with stumping, on cream wove coated paper.

Nude Woman Bending Over, 1923–24

George Wesley Bellows

A work made of graphite with erasing on lightweight, slightly textured, ivory wove paper (top edge trimmed).

Buildings, 1917

John Marin

A work made of tempera on board.

Carnival in Munich, 1904

Vasily Kandinsky

A colorful wedding scene with a dark-skinned bride in red and a groom in black at center, their backs to the viewer. A minister cloaked in black stands between them, a dense wall of flowers or perhaps a floral pattern behind him. The group is flanked by two figures and panels of geometric stained glass.

The Wedding, 1948

Jacob Lawrence

A work made of mixed media on color photograph reproduction.

Cheap Version of My Work Being Mass Produced in Czechoslavakia, 1986

Gary Brotmeyer

A work made of black chalk, on ivory laid paper, laid down on cream wove paper.

Study, c. 1686

Giuseppe Bartolomeo Chiari

A work made of cotton, plain weave; embroidered with cotton and wool (camelid) in stem stitches.

Fragments (Border), 100 B.C./A.D. 200

Nasca

A work made of watercolor with graphite on white wove paper.

Man Wearing a Straw Hat, 1905/06

Paul Cezanne

Color video still of a blond girl from the shoulders up, wearing a headband, white turtleneck, and purple plaid overshirt.

Annemiek, February 11, 1997, 1997

Rineke Dijkstra

A work made of bronze.

Indian and Pronghorn Antelope, 1914

Paul Manship

A work made of watercolor on off-white wove paper.

Coot Hunter, n.d.

Andrew Wyeth

A work made of black chalk on cream laid paper.

Stacks of Wheat, 1891

Claude Monet

A work made of charcoal, with red conté and colored crayons, touches of graphite, and scraping, heightened with white oil paint, on canvas prepared with a glue ground.

The Kerosene Lamp, 1924

Joan Miró

A work made of red oil paint on ivory laid paper.

The Angel Departing from the Family of Tobit (?), c. 1655

Giovanni Benedetto Castiglione

A work made of linen, plain weave; embroidered with silk and gilt-metal-strip-wrapped silk in chain, crossed back, cross, running (pattern darning), satin and stem stitches; joined by silk, needle-made inserts and linen, bobbin straight lace tape; four loom widths joined.

Bedcover, 17th century

A work made of graphite with stumping, scratching and erasing on off-white wove paper, prepared with a white gouache ground (scratchboard).

The Greatest Love of Don Juan, 1879

Félicien Rops

A work made of oil on canvas.

The Laundress, 1877–79

Pierre-Auguste Renoir

A work made of letterpress in black on white wove paper.

Text pages from, Homage to the Square: Ten Works by Josef Albers, 1962

Josef Albers

A work made of graphite on cream wove paper.

Man and Woman Reading at a Table, with a Sketch of Another Figure, n.d.

Édouard Jean Vuillard

A work made of watercolor, over traces of graphite, on ivory laid paper.

The Death of Dido, n.d.

School of Gerard de Lairesse

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