Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
Painting of a performance inside a circus ring. A man wearing a suit holds a whip in his hand and looks towards a woman with red hair riding a gray horse and wearing a green dress. Audience members wearing suits and top hats watch from red and white benches on the side.

Equestrienne (At the Cirque Fernando), 1887/88

Henri de Toulouse-Lautrec

A work made of pen and blue ink on white wove paper.

Three Sketches of a Male Nude, c. 1955

Walter Stein

A work made of graphite on cream wove paper.

Charles François Mallet, Civil Engineer, 1809

Jean Auguste Dominique Ingres

A work made of pen and black ink on buff laid paper, laid down on artist's mount comprised of cream wove card ruled in pen and black ink.

Rock-Cut Temple, December 30, 1925

Paul Klee

A work made of graphite on buff wove paper.

View of Saint Peter's in Rome, n.d.

Jean Auguste Dominique Ingres

A scene of India in vibrant yellows, oranges, greens, blues and reds. A white castle is in the background with a noble under a green umbrella and people trying to see him. Many guards can be seen with various weapons.

Untitled (Ocean), 1968

Vija Celmins

A work made of graphite, with erasing and touches of smudging, on cream laid paper.

Piazza, 1914

Giorgio de Chirico

A work made of pastel on vellum.

Portrait of Marthe Marie Tronchin, 1758/61

Jean Etienne Liotard

A work made of charcoal and black chalk, with stumping and erasing, and graphite sketches and notations, on tan laid paper, laid down on heavy tan wove paper.

Academic Nude, Seen from the Back, 1862

Paul Cezanne

A work made of watercolor with rewetting and blotting, and graphite, on lightweight, slightly textured, off-white wove paper, laid down on ivory wove card.

Street Scene, 1910

John Marin

A work made of cotton, plain weave; embroidered in tent stitch.

Les Saltimbanques (The Entertainers), 1972/74

Gloria DiTomaso

A work made of gelatin silver print.

Herald Square. 34th Street and Broadway, July 16, 1936

Berenice Abbott

Three light-skinned, dark-haired ballerinas, painted in muted tones, wear off-the-shoulder yellow leotards and tutus as they huddle near each other. One adjusts her costume, while one holds her hands clasped above her head. At left is a painted screen with four pairs of feet visible underneath.

Yellow Dancers (In the Wings), 1874–76

Hilaire Germain Edgar Degas

A work made of charcoal on buff laid paper.

Reclining Male Nude, n.d.

Pierre Puvis de Chavannes

Watercolor landscape, attached to a board, of numerous white buildings with flat roofs, blue mountains in the distance.

Tetuan, Morocco, 1923

George Elmer Browne

A work made of pen and brush with brown wash, over traces of graphite, on ivory wove paper.

Concerto Spirituale [with] Messengers Boch and Abel, n.d.

Thomas Rowlandson

A work made of charcoal with stumping and graphite (recto and verso) on cream laid paper.

Bound Man (recto); Sketch of Bound Man (verso), 1917/21

John Singer Sargent

Cool-toned paper collage of a number of black figures in a room. In the left foreground, a small, female figure spins wool; behind her a larger female figure works an upright loom. A male figure strides across the frame. Three male figures stand to the side, and a figure carrying a knife enters the room through a doorway in the back. A large window in the background frames a mountainous island and a ship with white sails.

The Return of Odysseus (Homage to Pinturicchio and Benin), 1977

Romare Howard Bearden

A work made of graphite on tan wove paper.

Side by Side, c. 1928

Jacob Epstein

A work made of watercolor over traces of graphite on ivory wove paper.

An Artist at His Easel, 1914

John Singer Sargent

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