Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A colorful wedding scene with a dark-skinned bride in red and a groom in black at center, their backs to the viewer. A minister cloaked in black stands between them, a dense wall of flowers or perhaps a floral pattern behind him. The group is flanked by two figures and panels of geometric stained glass.

The Wedding

1948

Jacob Lawrence American, 1917–2000

United States

“I paint the things I have experienced,” Jacob Lawrence once said. In The Wedding, Lawrence depicted both the solemnity and the joy of a marriage ceremony and the coming together of families. Positioning the figures with their backs to the viewer, Lawrence’s composition invites us to participate in the couple’s major life event. Although the preacher’s face is only partially defined, he appears to look down with great seriousness as the two contemplate their vows. The large, colorful urns overflowing with flowers signify happiness and may also represent the future prosperity of this union.

Lawrence depicted the histories and events of black Americans—whether through individual compositions such as The Wedding that commemorated the everyday activities of his fellow Harlem residents, or through series of paintings that explored subjects ranging from the Great Migration to the story of Harriet Tubman.

Egg tempera on hardboard

African American artists

African Diaspora

SAIC Alumni and Faculty

Arts of the Americas