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A work made of lead-glazed earthenware (creamware).

Milk Jug, 1765/80

A work made of albumen print, stereo.

Mouth of the Paria, Colorado River; walls 2.100 feet in height, No. 11 from the series "Geographical Explorations and Surveys West of the 100th Meridian", 1872

William H. Bell

A work made of albumen print, stereo.

The mouth of Kanab Creek. The beds of the Colorado River and its tributary here lie in gorges cut by the running water to the depth of about 3.500 feet below the general surgace of the country. The highest point seen in the picture is 2.500 feet above the water, and the walls are here too steep to be scaled, No. 10 from the series "Geographical Explorations and Surveys West of the 100th Meridian", 1872

William H. Bell

A work made of silk, gold and silver gilt strips wound around silk fiber core, warp-float faced 7:1 satin weave with supplementary brocading wefts tied by supplementary binding warps in 3:1 twill interlacing and self-patterned by areas of plain weave.

Panel (formerly a Curtain from a Sedan Chair), c. 1720

A work made of gelatin silver print.

Model: 1964 Renault Dauphine-Four, R-1095. Body Type & Seating; 4-dr sedan-4 to 5 persons Engine Type: 14/52 Weight: 1397 lbs. Price: $1495, 00 USD (original) ENGINE DATA: Base Four: inline, overhead-valve four-cylinder. Cast iron block and aluminum head W/removable cylinder sleeves. Displacement: 51.5 cu. in. (845 oc.) Bore and Stroke: 2.28 x 3.15 in. (58 x 80 mm). Compression ration: 7.25:1 Brake Horsepower: 32 (SAE) at 4200 rpm. Torque: 50 lbs. at 2000 rpm. Three main bearings. Solid valve lifters. Single downdraft carburetor. CHASSIS DATA: Wheelbase: 89 in. Overall length: 155 in. Height: 57 in. Width: 60 in. Front thread: 49 in. Rear thread: 48 in. Standard Tires: 5.50 x 15 TECHNICAL: Layout: rear engine, rear drive. Transmission: four speed manual. Steering: rack and pinion. Suspension (front): independent coil springs. Suspension (back); independent with swing axles and coil springs. Brakes: front/rear disc. Body construction: steel unibody. PRODUCTION DATA: Sales: 18,432 sold in U.S. in 1964 (all types). Manufacturer: Regie Nationale des Usines Renault; Billancourt, France. Distributor: Renault Inc., New York, NY., U.S.A. Serial number: R-10950059799 Engine Number: Type 670–05 # 191563 California License Plate number: UOU 087 Vehicle ID number: 0059799 (For R.R.V.) Los Angeles, California January 15, 2000 (Nr. 6), 2000

Christopher Williams

A work made of woodcut on paper.

Leaf from Hystoria Imperial by Pedro Mexía, plate 80 from Woodcuts from Books of the XVI Century, 1564, assembled into portfolio 1937

Unknown artist

A work made of silk.

Kesa, Meiji period (1868–1912), 1870/80

A work made of black chalk (recto), and black and white chalk on gray prepared ground (verso), on tan wove paper.

Portrait of Fuseli (recto); Sketch of a Hand (verso), 1761/1825 (recto); 1770/80 (verso)

Henry Fuseli

A work made of pale blue damask.

Woman's Shoes, c.1770s/80s

A work made of glass; colorless, free blown and cut.

Epergne, c. 1775/80

A work made of gelatin silver print, from the portfolio "women are beautiful" (1981), edtion 13/80.

Untitled (Smiling Woman Passing Two Businessmen), c. 1975

Garry Winogrand

A work made of cotton, plain weave; copperplate printed.

Don Quichotte (Don Quixote) (Furnishing Fabric), c. 1785

Jean-Jacques Lagrenée

A work made of bound book with engravings, with etching, wood engravings and letterpress in black on ivory laid paper.

Fables choisies, mises en vers, 1756–59

Jean-Baptiste Oudry

A work made of gelatin silver print.

Iron Work, NYC 1, 1947, printed 1975/80

Aaron Siskind

A work made of etching and drypoint with foul biting in black ink on ivory laid paper.

Nocturne: Furnace, 1879/80

James McNeill Whistler

A work made of silk, bobbin straight lace (in bands).

Parasol Cover, 1860s/80s

A work made of etching and drypoint with foul biting in black ink on ivory laid paper.

The Little Lagoon, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting in black ink on off-white laid paper.

Long Lagoon, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting in dark brown ink on ivory laid paper.

The Balcony, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper.

Ponte del Piovan, 1879/80

James McNeill Whistler

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