Curator

Art Institute Chicago
Harvard art museum
My Exhibition

A work made of black chalk (recto), and black and white chalk on gray prepared ground (verso), on tan wove paper.

Portrait of Fuseli (recto); Sketch of a Hand (verso), 1761/1825 (recto); 1770/80 (verso)

Henry Fuseli

A work made of gelatin silver print, from the portfolio "women are beautiful" (1981), edtion 13/80.

Untitled (Smiling Woman Passing Two Businessmen), c. 1975

Garry Winogrand

A work made of cotton, plain weave; copperplate printed.

Don Quichotte (Don Quixote) (Furnishing Fabric), c. 1785

Jean-Jacques Lagrenée

A work made of bound book of letterpress text with etched and engraved illustrations and woodcut vignettes and culs de lampe in black on ivory laid paper.

Fables choisies (volumes 3 and 4), 1756–59

Jean-Baptiste Oudry

A work made of gelatin silver print.

Iron Work, NYC 1, 1947, printed 1975/80

Aaron Siskind

A work made of silk, bobbin straight lace (in bands).

Parasol Cover, 1860s/80s

A work made of drypoint in dark brown ink on ivory laid paper.

Wool Carders, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting in black ink on ivory laid paper.

The Little Mast, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting in dark brown ink on ivory laid paper.

The Balcony, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting in black ink on ivory laid paper.

The Little Lagoon, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting in black ink on off-white laid paper.

Long Lagoon, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper.

Ponte del Piovan, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting, with drypoint cancellation, in black ink on cream laid paper.

Nocturne: Furnace, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper.

The Fishing Boat, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper.

Long Venice, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting, with drypoint cancellation, in dark brown ink on ivory laid paper.

Nocturne: Palaces, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting in black ink on ivory laid paper.

Nocturne: Furnace, 1879/80

James McNeill Whistler

A work made of drypoint with foul biting in black ink on ivory laid paper.

Little Salute, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting in black ink on cream japanese paper.

Salute Dawn, 1879/80

James McNeill Whistler

A work made of albumen print, stereo.

Fingal's Cave, 1850/80

Unknown