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A work made of painted beech, modern upholstery.

Armchair (one of a pair), c. 1770/80

A work made of etching and drypoint with foul biting in black ink on cream paper.

The Little Lagoon, 1879/80

James McNeill Whistler

A work made of drypoint in black ink on cream laid paper laid down on cream wove paper.

Islands: Evening, 1879/80

James McNeill Whistler

Porcelain fluted cup and saucer with scalloped rims decorated with flowers, leaves and geometrical pattern.

Coffee Cup and Saucer, 1775/80

Worcester Porcelain Factory

A work made of earthenware.

Vase, 1840–80

Artist unknown

A work made of etching, drypoint and open bite in black ink on ivory laid paper.

The Palaces, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting in brown ink on ivory laid paper.

Riva, No. 2, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting, with drypoint cancellation, in dark brown ink on ivory laid paper.

San Giorgio, 1879/80

James McNeill Whistler

A work made of etching and drypoint, with drypoint cancellation, in black ink on ivory laid paper.

Lagoon - Noon, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper.

Long Lagoon, 1879/80

James McNeill Whistler

A work made of etching and drypoint in black ink on off-white japanese paper.

Ponte del Piovan, 1879/80

James McNeill Whistler

A work made of etching, drypoint and open bite in dark brown ink on ivory laid paper.

The Palaces, 1879/80

James McNeill Whistler

A work made of soft-paste porcelain with polychrome enamels and gilding.

Teacup, Coffee Cup, and Saucer, 1775/80

Worcester Porcelain Factory

A work made of etching and drypoint with foul biting in dark brown ink on ivory laid paper.

The Little Mast, 1879/80

James McNeill Whistler

A work made of albumen print, stereo.

Bull St. from Madison Square, 1860/80

J. N. Wilson

A work made of stipple color lithograph on cream wove paper.

Sarasvati, 1878/80

Artist unknown

A work made of lead-glazed earthenware (creamware).

Milk Jug, 1765/80

A work made of gelatin silver print.

New York, East 80s, View from Welfare Island over the East River, 1966

David Plowden

A work made of silk, gold and silver gilt strips wound around silk fiber core, warp-float faced 7:1 satin weave with supplementary brocading wefts tied by supplementary binding warps in 3:1 twill interlacing and self-patterned by areas of plain weave.

Panel (formerly a Curtain from a Sedan Chair), c. 1720

A work made of gelatin silver print.

Model: 1964 Renault Dauphine-Four, R-1095. Body Type & Seating; 4-dr sedan-4 to 5 persons Engine Type: 14/52 Weight: 1397 lbs. Price: $1495, 00 USD (original) ENGINE DATA: Base Four: inline, overhead-valve four-cylinder. Cast iron block and aluminum head W/removable cylinder sleeves. Displacement: 51.5 cu. in. (845 oc.) Bore and Stroke: 2.28 x 3.15 in. (58 x 80 mm). Compression ration: 7.25:1 Brake Horsepower: 32 (SAE) at 4200 rpm. Torque: 50 lbs. at 2000 rpm. Three main bearings. Solid valve lifters. Single downdraft carburetor. CHASSIS DATA: Wheelbase: 89 in. Overall length: 155 in. Height: 57 in. Width: 60 in. Front thread: 49 in. Rear thread: 48 in. Standard Tires: 5.50 x 15 TECHNICAL: Layout: rear engine, rear drive. Transmission: four speed manual. Steering: rack and pinion. Suspension (front): independent coil springs. Suspension (back); independent with swing axles and coil springs. Brakes: front/rear disc. Body construction: steel unibody. PRODUCTION DATA: Sales: 18,432 sold in U.S. in 1964 (all types). Manufacturer: Regie Nationale des Usines Renault; Billancourt, France. Distributor: Renault Inc., New York, NY., U.S.A. Serial number: R-10950059799 Engine Number: Type 670–05 # 191563 California License Plate number: UOU 087 Vehicle ID number: 0059799 (For R.R.V.) Los Angeles, California January 15, 2000 (Nr. 6), 2000

Christopher Williams

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