Curator

Art Institute Chicago
Harvard art museum
My Exhibition

A work made of glass; colorless, free blown and cut.

Epergne, c. 1775/80

A work made of pale blue damask.

Woman's Shoes, c.1770s/80s

A work made of woodcut on paper.

Leaf from Hystoria Imperial by Pedro Mexía, plate 80 from Woodcuts from Books of the XVI Century, 1564, assembled into portfolio 1937

Unknown artist

A work made of gelatin silver print, from the portfolio "women are beautiful" (1981), edtion 13/80.

Untitled (Smiling Woman Passing Two Businessmen), c. 1975

Garry Winogrand

A work made of cotton, plain weave; copperplate printed.

Don Quichotte (Don Quixote) (Furnishing Fabric), c. 1785

Jean-Jacques Lagrenée

A work made of bound book with engravings, with etching, wood engravings and letterpress in black on ivory laid paper.

Fables choisies, mises en vers, 1756–59

Jean-Baptiste Oudry

A work made of gelatin silver print.

Iron Work, NYC 1, 1947, printed 1975/80

Aaron Siskind

A work made of etching and drypoint with foul biting in dark brown ink on ivory laid paper.

The Balcony, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting in black ink on ivory laid paper.

The Little Lagoon, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting in black ink on off-white laid paper.

Long Lagoon, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting in brown ink on ivory laid paper.

The Little Mast, 1879/80

James McNeill Whistler

A work made of etching in black ink on ivory asian laid paper.

The Doorway, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting in black ink on cream laid paper.

The Piazzetta, 1879/80

James McNeill Whistler

A work made of silk, bobbin straight lace (in bands).

Parasol Cover, 1860s/80s

A work made of drypoint in dark brown ink on ivory laid paper.

Wool Carders, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting in black ink on ivory laid paper.

The Little Mast, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper.

Ponte del Piovan, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting, with drypoint cancellation, in black ink on cream laid paper.

Nocturne: Furnace, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper.

The Fishing Boat, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper.

Long Venice, 1879/80

James McNeill Whistler