Curator

Art Institute Chicago
Harvard art museum
My Exhibition

A work made of gelatin silver print.

Iron Work, NYC 1, 1947, printed 1975/80

Aaron Siskind

A work made of gelatin silver prints (two matted together), from "united states geological survey," and "rephotograpic survey project" (1977–1980).

Historic Spanish Record of the Conquest, South Side of Inscription Rock, New Mexico, 1873 and 1978

Mark Klett

A work made of etching and drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper.

Ponte del Piovan, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting, with drypoint cancellation, in black ink on cream laid paper.

Nocturne: Furnace, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper.

The Fishing Boat, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper.

Long Venice, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting, with drypoint cancellation, in dark brown ink on ivory laid paper.

Nocturne: Palaces, 1879/80

James McNeill Whistler

A work made of drypoint in dark brown ink on ivory laid paper.

Wool Carders, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting in black ink on ivory laid paper.

The Little Mast, 1879/80

James McNeill Whistler

A work made of silk, bobbin straight lace (in bands).

Parasol Cover, 1860s/80s

A work made of etching and drypoint with foul biting in black ink on ivory laid paper.

Nocturne: Furnace, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting in dark brown ink on ivory laid paper.

The Beggars, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting in black ink on cream japanese paper.

Salute Dawn, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting in brown ink on ivory laid paper.

The Little Mast, 1879/80

James McNeill Whistler

A work made of etching in black ink on ivory asian laid paper.

The Doorway, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting in black ink on cream laid paper.

The Piazzetta, 1879/80

James McNeill Whistler

A work made of albumen print, stereo.

Fingal's Cave, 1850/80

Unknown

A work made of stoneware (jasperware).

Plaque with Boys Playing, 1769/80

Wedgwood Manufactory

A work made of etching, drypoint and open bite in black ink on ivory laid paper.

The Palaces, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting in dark brown ink on cream laid paper.

Ponte del Piovan, 1879/80

James McNeill Whistler