Curator

Art Institute Chicago
Harvard art museum
My Exhibition

A work made of gelatin silver prints (two matted together), from "united states geological survey," and "rephotograpic survey project" (1977–1980).

Historic Spanish Record of the Conquest, South Side of Inscription Rock, New Mexico, 1873 and 1978

Mark Klett

A work made of drypoint in dark brown ink on ivory laid paper.

Wool Carders, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting in black ink on ivory laid paper.

The Little Mast, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper.

Ponte del Piovan, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting, with drypoint cancellation, in black ink on cream laid paper.

Nocturne: Furnace, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper.

The Fishing Boat, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper.

Long Venice, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting, with drypoint cancellation, in dark brown ink on ivory laid paper.

Nocturne: Palaces, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting in black ink on ivory laid paper.

Nocturne: Furnace, 1879/80

James McNeill Whistler

A work made of albumen print, stereo.

Fingal's Cave, 1850/80

Unknown

A work made of stoneware (jasperware).

Plaque with Boys Playing, 1769/80

Wedgwood Manufactory

A work made of etching and drypoint with foul biting in dark brown ink on cream laid paper.

Ponte del Piovan, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting in dark brown ink on cream laid paper.

Long Venice, 1879/80

James McNeill Whistler

A work made of cotton, bobbin part lace of a type known as "duchesse de bruges".

Flounce (Fragment), 1860s/80s

A work made of etching and drypoint with foul biting in dark brown ink on ivory laid paper.

The Balcony, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting in black ink on ivory laid paper.

The Little Lagoon, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting in black ink on off-white laid paper.

Long Lagoon, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting in brown ink on ivory laid paper.

The Riva, 1879/80

James McNeill Whistler

A work made of drypoint with foul biting in black ink on ivory laid paper.

Little Salute, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting in brown ink on ivory laid paper.

The Little Mast, 1879/80

James McNeill Whistler