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A work made of linen, needle lace.

Shaped Sleeve Ruffle (Engageanté), 1770s/80s

A work made of etching, with drypoint cancellation, in dark brown ink on cream japanese paper.

The Riva, 1879/80

James McNeill Whistler

A work made of polychrome enamel and gilding on copper with metal mount.

Bonbonnière: Head of Neptune, 1760/80

A work made of polychrome enamel on copper with metal mounts.

Bonbonnière in the Shape of a Gold Finch, 1760/80

Battersea Enamel Factory

A work made of cancelled copper plate.

The Fishing Boat, 1879/80

James McNeill Whistler

A work made of cancelled copper plate.

San Giorgio, 1879/80

James McNeill Whistler

A work made of cancelled copper plate.

Upright Venice, 1879/80

James McNeill Whistler

A work made of cancelled copper plate.

Nocturne: Furnace, 1879/80

James McNeill Whistler

A work made of cancelled copper plate.

Quiet Canal, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting, with drypoint cancellation, in dark brown ink on ivory laid paper.

Doorway and Vine, 1879–80

James McNeill Whistler

A work made of etching and drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper.

The Bridge, Santa Marta, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting, with drypoint cancellation, in dark brown ink on ivory laid paper.

Riva, No. 2, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting, with drypoint cancellation, in dark brown ink on ivory laid paper.

Nocturne: Furnace, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting in black ink on ivory laid paper.

Salute Dawn, 1879/80

James McNeill Whistler

A work made of etching and drypoint in brown ink on off-white laid paper.

The Dyer, 1879/80

James McNeill Whistler

A work made of drypoint in dark brown ink on ivory laid paper.

Nocturne: Shipping, 1879/80

James McNeill Whistler

A work made of soft-paste porcelain, underglaze blue.

Jug, 1775/80

Worcester Porcelain Factory

A work made of wool, plain weave self-patterned by areas of plain weave variation open work.

Woodbine II (Furnishing Fabric), 1970s/80s

Jack Lenor Larsen Inc.

A work made of silk, plain weave with supplementary patterning warps and self-patterned by complementary ground weft floats.

Panel, 1760/80

A work made of etching and drypoint in black ink on cream laid paper.

The Little Lagoon, 1879/80

James McNeill Whistler

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