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A work made of steel, iron, silver, wood, and leather.

Powder Flask, 1570/80

A work made of etching and drypoint in black ink on cream laid paper.

The Little Lagoon, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting in black ink on ivory laid paper.

Doorway and Vine, 1879/80

James McNeill Whistler

A work made of linen, needle lace.

Shaped Sleeve Ruffle (Engageanté), 1770s/80s

A work made of etching and drypoint in dark brown on cream laid paper.

Salute Dawn, 1879/80

James McNeill Whistler

A work made of etching and drypoint in dark brown on ivory laid paper.

Lagoon--Noon, 1879/80

James McNeill Whistler

A work made of lead-glazed earthenware (creamware).

Coffee Pot, 1765/80

A work made of lead-glazed earthenware (creamware).

Teapot, 1765/80

A work made of lead-glazed earthenware (creamware).

Sugar Bowl, 1765/80

A work made of lead-glazed earthenware (creamware).

Pair of Wall Pockets, 1770/80

A work made of lead-glazed earthenware (creamware).

Wall Pocket, 1770/80

A work made of etching, with drypoint cancellation, in dark brown ink on cream japanese paper.

The Riva, 1879/80

James McNeill Whistler

Vasi, Candelabri, Cippi, Sarcofagi, Tripodi, Lucerne, ed Ornamenti Antichi Disegnati ed Incisi dal Cav. Gio. Batt. Piranesi, Tomo I

Vasi, Candelabri, Cippi, Sarcofagi, Tripodi, Lucerne, ed Ornamenti Antichi Disegnati ed Incisi dal Cav. Gio. Batt. Piranesi, Tomo I, 1778–80

Giovanni Battista Piranesi

A work made of etching and drypoint with foul biting, with drypoint cancellation, in dark brown ink on ivory laid paper.

Doorway and Vine, 1879–80

James McNeill Whistler

A work made of etching and drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper.

The Bridge, Santa Marta, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting, with drypoint cancellation, in dark brown ink on ivory laid paper.

Riva, No. 2, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting, with drypoint cancellation, in dark brown ink on ivory laid paper.

Nocturne: Furnace, 1879/80

James McNeill Whistler

A work made of dye imbibition print, from the portfolio "st. louis and the arch" (1980).

The Arch, 1977/80

Joel Meyerowitz

A work made of dye imbibition print, from the portfolio "st. louis and the arch" (1980).

The Arch, 1977/80

Joel Meyerowitz

A work made of dye imbibition print, from the portfolio "st. louis and the arch" (1980).

The Arch, 1977/80

Joel Meyerowitz

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