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A work made of polychrome enamel and gilding on copper with metal mount.

Bonbonnière: Head of Neptune, 1760/80

A work made of polychrome enamel on copper with metal mounts.

Bonbonnière in the Shape of a Gold Finch, 1760/80

Battersea Enamel Factory

A work made of silk, plain weave with supplementary patterning warps and self-patterned by complementary ground weft floats.

Panel, 1760/80

A work made of cancelled copper plate.

The Fishing Boat, 1879/80

James McNeill Whistler

A work made of cancelled copper plate.

San Giorgio, 1879/80

James McNeill Whistler

A work made of cancelled copper plate.

Upright Venice, 1879/80

James McNeill Whistler

A work made of cancelled copper plate.

Nocturne: Furnace, 1879/80

James McNeill Whistler

A work made of cancelled copper plate.

Quiet Canal, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting, with drypoint cancellation, in dark brown ink on ivory laid paper.

Doorway and Vine, 1879–80

James McNeill Whistler

A work made of etching and drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper.

The Bridge, Santa Marta, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting, with drypoint cancellation, in dark brown ink on ivory laid paper.

Riva, No. 2, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting, with drypoint cancellation, in dark brown ink on ivory laid paper.

Nocturne: Furnace, 1879/80

James McNeill Whistler

A work made of etching, with drypoint cancellation, in dark brown ink on cream japanese paper.

The Riva, 1879/80

James McNeill Whistler

A work made of lead-glazed earthenware (creamware).

Wall Pocket, 1770/80

A work made of lead-glazed earthenware (creamware).

Coffee Pot, 1765/80

A work made of lead-glazed earthenware (creamware).

Teapot, 1765/80

A work made of lead-glazed earthenware (creamware).

Sugar Bowl, 1765/80

A work made of lead-glazed earthenware (creamware).

Pair of Wall Pockets, 1770/80

Vasi, Candelabri, Cippi, Sarcofagi, Tripodi, Lucerne, ed Ornamenti Antichi Disegnati ed Incisi dal Cav. Gio. Batt. Piranesi, Tomo I

Vasi, Candelabri, Cippi, Sarcofagi, Tripodi, Lucerne, ed Ornamenti Antichi Disegnati ed Incisi dal Cav. Gio. Batt. Piranesi, Tomo I, 1778–80

Giovanni Battista Piranesi

A work made of pen and brown ink, with brush and brown and gray wash, heightened with white chalk, on cream laid paper, squared in black chalk, laid down on off-white japanese paper.

The Holy Family with Saint John the Baptist, 1570/80

Follower of Federico Barocci

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