Curator

Art Institute Chicago
Harvard art museum
My Exhibition

A work made of etching and drypoint with foul biting in black ink on ivory laid paper.

The Little Mast, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting in dark brown ink on cream laid paper.

Ponte del Piovan, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting in dark brown ink on cream laid paper.

Long Venice, 1879/80

James McNeill Whistler

A work made of cotton, bobbin part lace of a type known as "duchesse de bruges".

Flounce (Fragment), 1860s/80s

A work made of stoneware (jasperware).

Plaque with Boys Playing, 1769/80

Wedgwood Manufactory

A work made of etching and drypoint with foul biting in dark brown ink on ivory laid paper.

The Beggars, 1879/80

James McNeill Whistler

A work made of etching, drypoint and open bite in black ink on ivory laid paper.

The Palaces, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting in brown ink on ivory laid paper.

The Little Mast, 1879/80

James McNeill Whistler

A work made of etching in black ink on ivory asian laid paper.

The Doorway, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting in black ink on cream laid paper.

The Piazzetta, 1879/80

James McNeill Whistler

A work made of albumen print, stereo.

Fingal's Cave, 1850/80

Unknown

A work made of silk, plain weave with silvered-metal-strip-wrapped with silk supplementary facing wefts; embroidered with silk and silvered-metal-strip and wire purl in satin stitches; couching; embellished with silvered and colored metal spangles; semiprecious stones.

Panel (Dress Fabric), 1775/80

A work made of cancelled copper plate.

San Giorgio, 1879/80

James McNeill Whistler

A work made of cancelled copper plate.

Upright Venice, 1879/80

James McNeill Whistler

A work made of cancelled copper plate.

Nocturne: Furnace, 1879/80

James McNeill Whistler

A work made of cancelled copper plate.

Quiet Canal, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting, with drypoint cancellation, in dark brown ink on ivory laid paper.

Doorway and Vine, 1879–80

James McNeill Whistler

A work made of etching and drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper.

The Bridge, Santa Marta, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting, with drypoint cancellation, in dark brown ink on ivory laid paper.

Riva, No. 2, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting, with drypoint cancellation, in dark brown ink on ivory laid paper.

Nocturne: Furnace, 1879/80

James McNeill Whistler