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A work made of etching in black ink on ivory asian laid paper.

The Doorway, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting in black ink on cream laid paper.

The Piazzetta, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting in black ink on cream japanese paper.

Salute Dawn, 1879/80

James McNeill Whistler

A work made of silk, plain weave with silvered-metal-strip-wrapped with silk supplementary facing wefts; embroidered with silk and silvered-metal-strip and wire purl in satin stitches; couching; embellished with silvered and colored metal spangles; semiprecious stones.

Panel (Dress Fabric), 1775/80

A work made of etching, drypoint and open bite in black ink on ivory laid paper.

The Palaces, 1879/80

James McNeill Whistler

A work made of soft-paste porcelain, underglaze blue.

Jug, 1775/80

Worcester Porcelain Factory

A work made of etching and drypoint in brown ink on off-white laid paper.

The Dyer, 1879/80

James McNeill Whistler

A work made of drypoint in dark brown ink on ivory laid paper.

Nocturne: Shipping, 1879/80

James McNeill Whistler

A work made of silk, bobbin straight lace (in bands).

Parasol Cover, 1860s/80s

A work made of etching and drypoint with foul biting in dark brown ink on ivory laid paper.

The Beggars, 1879/80

James McNeill Whistler

A work made of steel, iron, silver, wood, and leather.

Powder Flask, 1570/80

A work made of linen, needle lace.

Shaped Sleeve Ruffle (Engageanté), 1770s/80s

A work made of etching and drypoint in black ink on cream laid paper.

The Little Lagoon, 1879/80

James McNeill Whistler

A work made of polychrome enamel and gilding on copper with metal mount.

Bonbonnière: Head of Neptune, 1760/80

A work made of polychrome enamel on copper with metal mounts.

Bonbonnière in the Shape of a Gold Finch, 1760/80

Battersea Enamel Factory

A work made of wool, plain weave self-patterned by areas of plain weave variation open work.

Woodbine II (Furnishing Fabric), 1970s/80s

Jack Lenor Larsen Inc.

A work made of etching and drypoint with foul biting in black ink on ivory laid paper.

Doorway and Vine, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting in black ink on ivory laid paper.

Salute Dawn, 1879/80

James McNeill Whistler

A work made of dye imbibition print, from the portfolio "st. louis and the arch" (1980).

The Arch, 1977/80

Joel Meyerowitz

A work made of dye imbibition print, from the portfolio "st. louis and the arch" (1980).

The Arch, 1977/80

Joel Meyerowitz

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