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A work made of etching and drypoint in brown ink on off-white laid paper.

The Dyer, 1879/80

James McNeill Whistler

A work made of drypoint in dark brown ink on ivory laid paper.

Nocturne: Shipping, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting in brown ink on ivory laid paper.

The Riva, 1879/80

James McNeill Whistler

Vasi, Candelabri, Cippi, Sarcofagi, Tripodi, Lucerne, ed Ornamenti Antichi Disegnati ed Incisi dal Cav. Gio. Batt. Piranesi, Tomo I

Vasi, Candelabri, Cippi, Sarcofagi, Tripodi, Lucerne, ed Ornamenti Antichi Disegnati ed Incisi dal Cav. Gio. Batt. Piranesi, Tomo I, 1778–80

Giovanni Battista Piranesi

A work made of etching, with drypoint cancellation, in dark brown ink on cream japanese paper.

The Riva, 1879/80

James McNeill Whistler

A work made of etching and drypoint in dark brown on cream laid paper.

Salute Dawn, 1879/80

James McNeill Whistler

A work made of etching and drypoint in dark brown on ivory laid paper.

Lagoon--Noon, 1879/80

James McNeill Whistler

A work made of lead-glazed earthenware (creamware).

Coffee Pot, 1765/80

A work made of lead-glazed earthenware (creamware).

Teapot, 1765/80

A work made of lead-glazed earthenware (creamware).

Sugar Bowl, 1765/80

A work made of lead-glazed earthenware (creamware).

Pair of Wall Pockets, 1770/80

A work made of lead-glazed earthenware (creamware).

Wall Pocket, 1770/80

A work made of cancelled copper plate.

The Fishing Boat, 1879/80

James McNeill Whistler

A work made of cancelled copper plate.

San Giorgio, 1879/80

James McNeill Whistler

A work made of cancelled copper plate.

Upright Venice, 1879/80

James McNeill Whistler

A work made of cancelled copper plate.

Nocturne: Furnace, 1879/80

James McNeill Whistler

A work made of cancelled copper plate.

Quiet Canal, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting, with drypoint cancellation, in dark brown ink on ivory laid paper.

Doorway and Vine, 1879–80

James McNeill Whistler

A work made of etching and drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper.

The Bridge, Santa Marta, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting, with drypoint cancellation, in dark brown ink on ivory laid paper.

Riva, No. 2, 1879/80

James McNeill Whistler

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