Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of steel, iron, silver, wood, and leather.

Powder Flask, 1570/80

A work made of polychrome enamel and gilding on copper with metal mount.

Bonbonnière: Head of Neptune, 1760/80

A work made of polychrome enamel on copper with metal mounts.

Bonbonnière in the Shape of a Gold Finch, 1760/80

Battersea Enamel Factory

A work made of etching and drypoint in brown ink on off-white laid paper.

The Dyer, 1879/80

James McNeill Whistler

A work made of drypoint in dark brown ink on ivory laid paper.

Nocturne: Shipping, 1879/80

James McNeill Whistler

A work made of soft-paste porcelain, underglaze blue.

Jug, 1775/80

Worcester Porcelain Factory

A work made of linen, needle lace.

Shaped Sleeve Ruffle (Engageanté), 1770s/80s

A work made of dye imbibition print, from the portfolio "st. louis and the arch" (1980).

The Arch, 1977/80

Joel Meyerowitz

A work made of dye imbibition print, from the portfolio "st. louis and the arch" (1980).

The Arch, 1977/80

Joel Meyerowitz

A work made of dye imbibition print, from the portfolio "st. louis and the arch" (1980).

The Arch, 1977/80

Joel Meyerowitz

A work made of pen and brown ink, with brush and brown and gray wash, heightened with white chalk, on cream laid paper, squared in black chalk, laid down on off-white japanese paper.

The Holy Family with Saint John the Baptist, 1570/80

Follower of Federico Barocci

Vasi, Candelabri, Cippi, Sarcofagi, Tripodi, Lucerne, ed Ornamenti Antichi Disegnati ed Incisi dal Cav. Gio. Batt. Piranesi, Tomo I

Vasi, Candelabri, Cippi, Sarcofagi, Tripodi, Lucerne, ed Ornamenti Antichi Disegnati ed Incisi dal Cav. Gio. Batt. Piranesi, Tomo I, 1778–80

Giovanni Battista Piranesi

A work made of cancelled copper plate.

The Fishing Boat, 1879/80

James McNeill Whistler

A work made of cancelled copper plate.

San Giorgio, 1879/80

James McNeill Whistler

A work made of cancelled copper plate.

Upright Venice, 1879/80

James McNeill Whistler

A work made of cancelled copper plate.

Nocturne: Furnace, 1879/80

James McNeill Whistler

A work made of cancelled copper plate.

Quiet Canal, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting, with drypoint cancellation, in dark brown ink on ivory laid paper.

Doorway and Vine, 1879–80

James McNeill Whistler

A work made of etching and drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper.

The Bridge, Santa Marta, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting, with drypoint cancellation, in dark brown ink on ivory laid paper.

Riva, No. 2, 1879/80

James McNeill Whistler

<<<42 >>>