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A work made of cotton, bobbin part lace of a type known as "duchesse de bruges".

Flounce (Fragment), 1860s/80s

A work made of steel, iron, silver, wood, and leather.

Powder Flask, 1570/80

A work made of etching and drypoint in black ink on cream laid paper.

The Little Lagoon, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting in black ink on ivory laid paper.

Doorway and Vine, 1879/80

James McNeill Whistler

A work made of linen, needle lace.

Shaped Sleeve Ruffle (Engageanté), 1770s/80s

A work made of etching and drypoint with foul biting in black ink on ivory laid paper.

Salute Dawn, 1879/80

James McNeill Whistler

A work made of dye imbibition print, from the portfolio "st. louis and the arch" (1980).

The Arch, 1977/80

Joel Meyerowitz

A work made of dye imbibition print, from the portfolio "st. louis and the arch" (1980).

The Arch, 1977/80

Joel Meyerowitz

A work made of dye imbibition print, from the portfolio "st. louis and the arch" (1980).

The Arch, 1977/80

Joel Meyerowitz

Vasi, Candelabri, Cippi, Sarcofagi, Tripodi, Lucerne, ed Ornamenti Antichi Disegnati ed Incisi dal Cav. Gio. Batt. Piranesi, Tomo I

Vasi, Candelabri, Cippi, Sarcofagi, Tripodi, Lucerne, ed Ornamenti Antichi Disegnati ed Incisi dal Cav. Gio. Batt. Piranesi, Tomo I, 1778–80

Giovanni Battista Piranesi

A work made of soft-paste porcelain, underglaze blue.

Jug, 1775/80

Worcester Porcelain Factory

A work made of etching and drypoint in brown ink on off-white laid paper.

The Dyer, 1879/80

James McNeill Whistler

A work made of drypoint in dark brown ink on ivory laid paper.

Nocturne: Shipping, 1879/80

James McNeill Whistler

A work made of cancelled copper plate.

The Fishing Boat, 1879/80

James McNeill Whistler

A work made of cancelled copper plate.

San Giorgio, 1879/80

James McNeill Whistler

A work made of cancelled copper plate.

Upright Venice, 1879/80

James McNeill Whistler

A work made of cancelled copper plate.

Nocturne: Furnace, 1879/80

James McNeill Whistler

A work made of cancelled copper plate.

Quiet Canal, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting, with drypoint cancellation, in dark brown ink on ivory laid paper.

Doorway and Vine, 1879–80

James McNeill Whistler

A work made of etching and drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper.

The Bridge, Santa Marta, 1879/80

James McNeill Whistler

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