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A work made of lead-glazed earthenware (creamware).

Teapot, 1765/80

A work made of lead-glazed earthenware (creamware).

Sugar Bowl, 1765/80

A work made of lead-glazed earthenware (creamware).

Pair of Wall Pockets, 1770/80

A work made of lead-glazed earthenware (creamware).

Wall Pocket, 1770/80

A work made of etching and drypoint in dark brown on cream laid paper.

Salute Dawn, 1879/80

James McNeill Whistler

A work made of etching and drypoint in dark brown on ivory laid paper.

Lagoon--Noon, 1879/80

James McNeill Whistler

A work made of pen and brown ink, with brush and brown and gray wash, heightened with white chalk, on cream laid paper, squared in black chalk, laid down on off-white japanese paper.

The Holy Family with Saint John the Baptist, 1570/80

Follower of Federico Barocci

A work made of gelatin silver print.

A162, from the series "Diary of Elizabeth and James Dixon (1840-41)/ Connecticut Landscapes, 1977–86", December 25 1979, printed 1979/80

James Welling

A work made of bound edition of etchings, soft ground and spit bite on tan wove paper, bound together..

Suite of Daze, 1937

William T. Wiley

A work.

Panel, c. 1870/80

A work made of glass; cut and stipple engraved.

Wine Glass, c. 1760/80

A work made of glass; blown, cut, stained red and engraved.

Wine Glass, c. 1850/80

A work made of stone.

Cameo, c. 1870/80

A work made of cotton, plain weave; printed.

Panel (Furnishing Fabric), c. 1870/80

A work made of bast fiber, two-strand weft-twining; with cornhusk supplementary weft-twining (false-embroidery); drawstring (possibly suede).

ˀımáˀsp̉alx̣ (Flat Storage Bag), c. 1860/80

Nez Perce (Nimíipuu)

A work made of heri, jô, yô: silk and gold-leaf-over-lacquered-paper-strip, warp-float faced 2:1 ‘z’ twill weave with weft-float faced 1:2 ‘z’ twill interlacings of secondary binding warps and supplementary patterning wefts; shiten, niten: silk and gold-leaf-over-lacquered-paper-strip, warp-float faced 2:1 ‘s’ twill weave with supplementary patterning wefts, some bound in weft-float faced 1:2, and 1:5 ‘s’ twill interlacings; lining: silk, plain weave self-patterned by rows of 1:1 plain gauze crossings.

Kesa, late Edo period (1789–1868)/ Meiji period (1868–1912), 1844/80

A work made of chromogenic print.

Bergen, Norway, n.d. (c. 1960s/80s)

Eric Julber

A work made of mon side: wool, plain weave; fulled (gorofukuren); embroidered with silk and gold-leaf-on-lacqueréd-paper-strip wrapped cotton in laidwork, couching and paper padded couching; lined with silk, weft-float faced 4:1 satin weave (shusu); outer edges interlined with paper; sewn with front and lining matched in size (tachikiri awase).

Fukusa (Gift Cover), early Meiji period (1868–1912), 1870/80

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