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A work made of etching and drypoint with foul biting in black ink on ivory laid paper.

Quiet Canal, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting in dark brown ink on ivory laid paper.

The Riva, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting in black ink on cream laid paper.

Nocturne: Furnace, 1879/80

James McNeill Whistler

A work made of gelatin silver print.

Untitled, from the series "The Garage", 1970/80

Mikki Ferrill

A work made of chromogenic print, from the portfolio "st. louis and the arch" (1980).

From Route 40 at 20th, 1977/80

Joel Meyerowitz

A work made of gelatin silver prints (two matted together), from "united states geological survey," and "rephotograpic survey project" (1977–1980).

Shoshone Falls, Full Lateral View on Upper Terrace, 1868 and 1978

Mark Klett

A work made of gelatin silver print.

Newberry County Court House, Newberry, SC, 1969/80, printed July 1981

Jim Dow

A work made of cotton, plain weave; batik printed.

Kain Sarong (Skirt), c. 1945/80

A work made of glass, blown and stipple engraved.

Wine Glass, c. 1760/80

A work made of glass; blown, cut, stained red and engraved.

Wine Glass, c. 1850/80

A work made of painted beech, modern upholstery.

Armchair (one of a pair), c. 1770/80

A work made of iron, steel, silver, and wood.

Smallsword with Portraits of Monarchs from the Bourbon Dynasty, c. 1770/80

A work made of gelatin silver print.

New York, East 80s, View from Welfare Island over the East River, 1966

David Plowden

A work made of drypoint in black ink on cream laid paper laid down on cream wove paper.

Islands: Evening, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting in black ink on cream paper.

The Little Lagoon, 1879/80

James McNeill Whistler

A work made of etching, drypoint and open bite in dark brown ink on ivory laid paper.

The Palaces, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting, with drypoint cancellation, in dark brown ink on ivory laid paper.

San Giorgio, 1879/80

James McNeill Whistler

A work made of etching and drypoint, with drypoint cancellation, in black ink on ivory laid paper.

Lagoon - Noon, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper.

Long Lagoon, 1879/80

James McNeill Whistler

A work made of silk, satin damask weave.

Fragment, 1360/80

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