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A work made of etching, with drypoint cancellation, in dark brown ink on ivory laid paper.

The Little Lagoon, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting in black ink on ivory laid paper.

Quiet Canal, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting in dark brown ink on ivory laid paper.

The Riva, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting in black ink on cream laid paper.

Nocturne: Furnace, 1879/80

James McNeill Whistler

A work made of chromogenic print, from the portfolio "st. louis and the arch" (1980).

From Route 40 at 20th, 1977/80

Joel Meyerowitz

A work made of gelatin silver print.

Untitled, from the series "The Garage", 1970/80

Mikki Ferrill

A work made of gelatin silver print.

Newberry County Court House, Newberry, SC, 1969/80, printed July 1981

Jim Dow

A work made of cotton, plain weave; batik printed.

Kain Sarong (Skirt), c. 1945/80

A work made of glass; blown, cut, stained red and engraved.

Wine Glass, c. 1850/80

A work made of glass, blown and stipple engraved.

Wine Glass, c. 1760/80

A work made of iron, steel, silver, and wood.

Smallsword with Portraits of Monarchs from the Bourbon Dynasty, c. 1770/80

A work made of painted beech, modern upholstery.

Armchair (one of a pair), c. 1770/80

Porcelain fluted cup and saucer with scalloped rims decorated with flowers, leaves and geometrical pattern.

Coffee Cup and Saucer, 1775/80

Worcester Porcelain Factory

A work made of etching and drypoint with foul biting, with drypoint cancellation, in dark brown ink on ivory laid paper.

San Giorgio, 1879/80

James McNeill Whistler

A work made of etching and drypoint, with drypoint cancellation, in black ink on ivory laid paper.

Lagoon - Noon, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper.

Long Lagoon, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting in dark brown ink on ivory laid paper.

The Little Mast, 1879/80

James McNeill Whistler

A work made of etching and drypoint in black ink on off-white japanese paper.

Ponte del Piovan, 1879/80

James McNeill Whistler

A work made of silk, satin damask weave.

Fragment, 1360/80

A work made of etching, drypoint and open bite in black ink on ivory laid paper.

The Palaces, 1879/80

James McNeill Whistler

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