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A work made of albumen print, stereo.

Bonaventure, 1860/80

J. N. Wilson

A work made of steel, gold, leather, wood, and textile.

Smallsword and Scabbard, 1770/80

A work made of cotton, plain weave; batik printed.

Kain Sarong (Skirt), c. 1945/80

A work made of cotton, plain weave; batik printed.

Kain Sarong (Skirt), c. 1945/80

A work made of linen and cotton, plain weave; copperplate printed.

Panel (Furnishing Fabric), c. 1770/80

A work made of lithograph in black on white wove paper.

“- How do you find this saint there.... I tried to not make him look too conventional.... The bourgeois: - I quite agree, a Saint never should look short winded,” plate 80 from Les Bons Bourgeois, 1847

Honoré-Victorin Daumier

A work made of gelatin silver print.

Untitled [from Circulation, October 14, #80], 1971, printed 2017

A work made of gelatin silver print.

Untitled, 1970/80

Ibrahima Sanlé Sory

A work made of gelatin silver print.

Pressed-Metal Ceiling, Pike County Court House, Zebulon, GA, 1969/80, printed 1981

Jim Dow

The Procession of the Doge in the Piazza San Marco, Venice

The Procession of the Doge in the Piazza San Marco, Venice, 1565/80, printed 1590s

Jost Amman

A work made of drypoint in black on cream wove paper.

Shanties and Factories, 1879–80, printed 1921

John Henry Twachtman

A work made of etching in black on cream wove paper.

Autumn Landscape, 1879–80, printed 1921

John Henry Twachtman

A work made of silver.

Tetradrachm (Coin) Portraying King Ptolemy I, Ptolemaic Period (53–52 BCE), issued by King Ptolemy XII Auletes, Reign of Ptolemy XII Auletes (80–51 BCE)

Ancient Greek

A work made of golden yellow silk embroidered with a dragon in gold thread surrounded by clouds in the center, surrounded further by a border of chyrsanthemums and foliage in shades of cobalt blue and terracotta.

Panel (Furnishing Fabric), Qing dynasty (1644–1911), 1860/80

A work made of etching with foul biting in black ink on ivory laid paper.

The Rialto, 1879/80

James McNeill Whistler

A work made of etching in black ink on ivory laid paper.

The Venetian Mast, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting in black ink on ivory laid paper.

Fruit Stall, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting in black ink on off-white laid paper.

The Beggars, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting in black ink on cream laid paper.

The Little Lagoon, 1879/80

James McNeill Whistler

A work made of etching and drypoint in light brown ink on cream laid paper.

Long Lagoon, 1879/80

James McNeill Whistler

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