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A work made of linen and cotton, plain weave; copperplate printed.

Panel (Furnishing Fabric), c. 1770/80

A work made of lithograph in black on white wove paper.

“- How do you find this saint there.... I tried to not make him look too conventional.... The bourgeois: - I quite agree, a Saint never should look short winded,” plate 80 from Les Bons Bourgeois, 1847

Honoré-Victorin Daumier

A work made of gelatin silver print.

Untitled [from Circulation, October 14, #80], 1971, printed 2017

A work made of gelatin silver print.

Untitled, 1970/80

Ibrahima Sanlé Sory

A work made of gelatin silver print.

Pressed-Metal Ceiling, Pike County Court House, Zebulon, GA, 1969/80, printed 1981

Jim Dow

A work made of drypoint in black on cream wove paper.

Shanties and Factories, 1879–80, printed 1921

John Henry Twachtman

A work made of etching in black on cream wove paper.

Autumn Landscape, 1879–80, printed 1921

John Henry Twachtman

The Procession of the Doge in the Piazza San Marco, Venice

The Procession of the Doge in the Piazza San Marco, Venice, 1565/80, printed 1590s

Jost Amman

A work made of silver.

Tetradrachm (Coin) Portraying King Ptolemy I, Ptolemaic Period (53–52 BCE), issued by King Ptolemy XII Auletes, Reign of Ptolemy XII Auletes (80–51 BCE)

Ancient Greek

A work made of golden yellow silk embroidered with a dragon in gold thread surrounded by clouds in the center, surrounded further by a border of chyrsanthemums and foliage in shades of cobalt blue and terracotta.

Panel (Furnishing Fabric), Qing dynasty (1644–1911), 1860/80

A work made of cancelled copper plate.

The Balcony, 1879/80

James McNeill Whistler

A work made of etching in black ink on ivory laid paper.

The Venetian Mast, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting in black ink on ivory laid paper.

Fruit Stall, 1879/80

James McNeill Whistler

A work made of etching with foul biting in black ink on ivory laid paper.

The Rialto, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting in black ink on off-white laid paper.

The Beggars, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting in black ink on cream laid paper.

The Little Lagoon, 1879/80

James McNeill Whistler

A work made of etching and drypoint in light brown ink on cream laid paper.

Long Lagoon, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting in black ink on ivory laid paper.

The Palaces, 1879/80

James McNeill Whistler

A work made of etching with drypoint in black ink on off-white laid paper.

The Steamboat, Venice, 1879/80

James McNeill Whistler

A work made of etching, with drypoint cancellation, in dark brown ink on ivory laid paper.

The Little Lagoon, 1879/80

James McNeill Whistler

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