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Study of a Horse's Head and Sketch of a Horse

Study of a Horse's Head and Sketch of a Horse, c. 1830/80

Charles Émile Jacque

Studies of Five Horses

Studies of Five Horses, c. 1830/80

Charles Émile Jacque

Studies of Five Horses

Studies of Five Horses, c. 1830/80

Charles Émile Jacque

Studies of a Sheep and a Thicket of Trees

Studies of a Sheep and a Thicket of Trees, c. 1830/80

Charles Émile Jacque

Studies of Sheep

Studies of Sheep, c. 1830/80

Charles Émile Jacque

Studies of Sheep

Studies of Sheep, c. 1830/80

Charles Émile Jacque

Studies of Sheep

Studies of Sheep, c. 1830/80

Charles Émile Jacque

Studies of Sheep

Studies of Sheep, c. 1830/80

Charles Émile Jacque

Studies of Sheep

Studies of Sheep, c. 1830/80

Charles Émile Jacque

Studies of Muttons

Studies of Muttons, c. 1830/80

Charles Émile Jacque

Studies of Lambs

Studies of Lambs, c. 1830/80

Charles Émile Jacque

Sketches of Sheep

Sketches of Sheep, c. 1830/80

Charles Émile Jacque

A work made of etching and drypoint with foul biting in dark brown ink on ivory asian laid paper.

Fruit Stall, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting in dark brown ink on ivory asian laid paper altered to buff.

The Bridge, Santa Marta, 1879/80

James McNeill Whistler

A work made of albumen print, stereo.

Bonaventure, 1860/80

J. N. Wilson

A work made of steel, gold, leather, wood, and textile.

Smallsword and Scabbard, 1770/80

A work made of linen and cotton, plain weave; copperplate printed.

Panel (Furnishing Fabric), c. 1770/80

A work made of cotton, plain weave; batik printed.

Kain Sarong (Skirt), c. 1945/80

A work made of cotton, plain weave; batik printed.

Kain Sarong (Skirt), c. 1945/80

A work made of gelatin silver print.

10-80-C-17 #7, 1954/80

Robert Rauschenberg

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