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A work made of etching, drypoint and roulette work with foul biting in black ink on ivory laid paper.

The Doorway, 1879/80

James McNeill Whistler

A work made of charcoal and fabricated black chalk, with touches of white chalk, on greenish gray wove paper, perimeter mounted to millboard.

Study of a Singer, 1878/80

Hilaire Germain Edgar Degas

A work made of salted paper print.

Grand Temple d'Isis à Philoe, Vue Générale Prise du Nord; Nubie, plate 80 from the album "Egypte, Nubie, Palestine et Syrie" (1852), 1849/51, printed 1852

Maxime Du Camp

A work made of drypoint and mezzotint in black and reddish-brown ink on cream wove paper.

Kronos, Rheia, and the Two Old Men, from Cycle: Antique, 1981

Jirí Anderle

A work made of gelatin silver prints (two matted together), from "united states geological survey," and "rephotograpic survey project" (1977–1980).

McPheter Lake, Uinta Mountain, Utah, 1869 and 1979

Gordon Bushaw

A work made of chromogenic print, from the portfolio "st. louis and the arch" (1980).

The Arch, 1977/80

Joel Meyerowitz

A work made of albumen print.

Fairfax Court House, Virginia, with Union Soldiers in Front and on the Roof, 1863

Mathew Brady

A work made of color woodblock print; oban.

Manzan of the Chojiya, from the series "Models for Fashion: New Designs as Fresh as Young Leaves (Hinagata wakana no hatsu moyo)", c. 1778/80

Isoda Koryusai

A work made of etching and drypoint with foul biting in black ink on cream laid paper.

The Bridge, Santa Marta, 1879/80

James McNeill Whistler

A work made of linen, needle lace.

Border, 1770s/80s

A work made of silk, pusher machine lace imitation of "blonde matte" bobbin lace.

Stole, 1870s/80s

A work made of silk, silvered-metal strips, and silvered-metal-strip-wrapped silk (frisé), plain weave with supplementary patterning warps and supplementary brocading wefts.

Fragment, 1770/80

A work made of silk, embroidered.

Picture of the Cathedral at Lincoln, England, 1870/80

A work made of silk and mohair, bobbin straight lace; (made in horizontal strips).

Flounce, 1870s/80s

A work made of cotton, machine-made net; embroidered with cotton and linen in darning and wave filling stitches.

Scarf, 1820s/80s

A work made of etching and drypoint with foul biting in dark brown ink on ivory laid paper.

Fruit Stall, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting in dark brown ink on cream laid paper.

San Giorgio, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting in dark brown ink on ivory laid paper.

The Fishing Boat, 1879/80

James McNeill Whistler

A work made of etching and drypoint in dark brown ink on cream asian laid paper.

Lagoon - Noon, 1879/80

James McNeill Whistler

A work made of etching, drypoint and open bite in black ink on ivory laid paper.

The Palaces, 1879/80

James McNeill Whistler

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