Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of gelatin silver print.

Untitled, from the series "The Garage" (1970/80), 1970/80

Mikki Ferrill

A work made of etching, drypoint and roulette work with foul biting in black ink on ivory laid paper.

The Doorway, 1879/80

James McNeill Whistler

A work made of charcoal and fabricated black chalk, with touches of white chalk, on greenish gray wove paper, perimeter mounted to millboard.

Study of a Singer, 1878/80

Hilaire Germain Edgar Degas

A work made of salted paper print.

Grand Temple d'Isis à Philoe, Vue Générale Prise du Nord; Nubie, plate 80 from the album "Egypte, Nubie, Palestine et Syrie" (1852), 1849/51, printed 1852

Maxime Du Camp

A work made of drypoint and mezzotint in black and reddish-brown ink on cream wove paper.

Kronos, Rheia, and the Two Old Men, from Cycle: Antique, 1981

Jirí Anderle

A work made of albumen print.

Fairfax Court House, Virginia, with Union Soldiers in Front and on the Roof, 1863

Mathew Brady

A work made of chromogenic print, from the portfolio "st. louis and the arch" (1980).

The Arch, 1977/80

Joel Meyerowitz

A work made of color woodblock print; oban.

Manzan of the Chojiya, from the series "Models for Fashion: New Designs as Fresh as Young Leaves (Hinagata wakana no hatsu moyo)", c. 1778/80

Isoda Koryusai

A work made of gelatin silver prints (two matted together), from "united states geological survey," and "rephotograpic survey project" (1977–1980).

Wasatch Mountains, Twin Peak in Center, Lone Peak on Right, 1869 and 1978

Gordon Bushaw

A work made of gelatin silver prints (two matted together), from "united states geological survey," and "rephotograpic survey project" (1977–1980).

Austin, Nevada, 1867 and 1979

Gordon Bushaw

A work made of silk, pusher machine lace imitation of "blonde matte" bobbin lace.

Stole, 1870s/80s

A work made of silk, silvered-metal strips, and silvered-metal-strip-wrapped silk (frisé), plain weave with supplementary patterning warps and supplementary brocading wefts.

Fragment, 1770/80

A work made of linen, needle lace.

Border, 1770s/80s

A work made of etching and drypoint with foul biting in black ink on cream laid paper.

The Bridge, Santa Marta, 1879/80

James McNeill Whistler

A work made of cotton, machine-made net; embroidered with cotton and linen in darning and wave filling stitches.

Scarf, 1820s/80s

A work made of cotton, linen, and silk, machine-made lace of a type known as "leavers".

Shaped Border, 1860s/80s

A work made of silk, embroidered.

Picture of the Cathedral at Lincoln, England, 1870/80

A work made of etching and drypoint with foul biting in dark brown ink on ivory laid paper.

Fruit Stall, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting in dark brown ink on cream laid paper.

San Giorgio, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting in dark brown ink on ivory laid paper.

The Fishing Boat, 1879/80

James McNeill Whistler

<<<29303132 >>>