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A work made of silk and silk chenille, plain weave with supplementary patterning warps tied in plain and satin interlacings, supplementary pattening wefts, and supplementary brocading wefts.

Panel, 1770/80

A work made of cotton, linen, and silk, machine-made lace of a type known as "leavers".

Shaped Border, 1860s/80s

A work made of etching and drypoint with foul biting in dark brown ink on ivory laid paper.

Fruit Stall, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting in dark brown ink on cream laid paper.

San Giorgio, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting in dark brown ink on ivory laid paper.

The Fishing Boat, 1879/80

James McNeill Whistler

A work made of etching and drypoint in dark brown ink on cream asian laid paper.

Lagoon - Noon, 1879/80

James McNeill Whistler

A work made of cancelled copper plate.

Long Lagoon, 1879/80

James McNeill Whistler

A work made of cancelled copper plate.

Ponte del Piovan, 1879/80

James McNeill Whistler

A work made of cancelled copper plate.

The Garden, 1879/80

James McNeill Whistler

A work made of cancelled copper plate.

The Rialto, 1879/80

James McNeill Whistler

A work made of cancelled copper plate.

Lagoon - Noon, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting, with drypoint cancellation, in dark brown ink on ivory laid paper.

Fruit Stall, 1879–80

James McNeill Whistler

A work made of etching and drypoint with foul biting, with drypoint cancellation, in dark brown ink on ivory laid paper.

San Giorgio, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting, with drypoint cancellation, in dark brown ink on ivory laid paper.

Nocturne: Palaces, 1879/80

James McNeill Whistler

A work made of etching and drypoint, with drypoint cancellation, in black ink on ivory laid paper.

Long Lagoon, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting, with drypoint cancellation, in dark brown ink on ivory laid paper.

Upright Venice, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper.

The Balcony, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper.

Ponte del Piovan, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper.

The Rialto, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper.

Long Venice, 1879/80

James McNeill Whistler

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