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A work made of etching and drypoint with foul biting in dark brown ink on cream laid paper.

San Giorgio, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting in dark brown ink on ivory laid paper.

The Fishing Boat, 1879/80

James McNeill Whistler

A work made of etching and drypoint in dark brown ink on cream asian laid paper.

Lagoon - Noon, 1879/80

James McNeill Whistler

A work made of cotton, linen, and silk, machine-made lace of a type known as "leavers".

Shaped Border, 1860s/80s

A work made of cotton, machine-made net; embroidered with cotton and linen in darning and wave filling stitches.

Scarf, 1820s/80s

A work made of etching, drypoint and open bite in black ink on ivory laid paper.

The Palaces, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting in black ink on ivory laid paper.

The Little Mast, 1879/80

James McNeill Whistler

A work made of etching and drypoint in black on ivory laid paper.

Nocturne: Palaces, 1879/80

James McNeill Whistler

A work made of linen and horsehair, needle lace of a type known as "point d'alençon".

Border, 1860/80

A work made of cotton, plain weave; engraved roller printed; backed with cotton, twill weave; stamped.

Pillow Cover (Furnishing Fabric), 1876/80

A work made of polychrome enamel and gilding on copper with gilt metal mounts.

Box, 1760/80

A work made of linen, needle lace.

Shaped Sleeve Ruffle (Engageanté), 1770s/80s

A work made of silk and cotton, twill weave with supplementary pile warps forming cut pile-on-pile voided velvet; band of partially uncut pile.

Panel, 1860/80

Mathevon et Bouvard

A work made of cotton, bobbin part lace of a type known as "duchesse de bruges".

Two Border Fragments, 1860s/80s

A work made of silk and silk chenille, plain weave with supplementary patterning warps tied in plain and satin interlacings, supplementary pattening wefts, and supplementary brocading wefts.

Panel, 1770/80

A work made of etching and drypoint with foul biting in black ink on off-white laid paper.

Upright Venice, 1879/80

James McNeill Whistler

A work made of tin-glazed earthenware, transfer-printed.

Tile, 1775/80

John Sadler

A work made of pewter.

Platter, 1750/80

A work made of etching and drypoint with foul biting in brownish black, with selective wiping of plate tone, on cream laid paper.

Riva, No. 2, 1879/80

James McNeill Whistler

A work made of wool, cotton, linen, rayon, and acetate; plain weave with supplementary wefts bound in twill interlacing.

Desert Sand (Sample)(Upolstery Fabric), 1945/80

Else Regensteiner

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