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A work made of lead-glazed earthenware (creamware).

Teapot, 1765–80

A work made of cotton, linen, and silk, machine-made lace of a type known as "leavers".

Shaped Border, 1860s/80s

Pair of Startups (Half Boots)

Pair of Startups (Half Boots), 1870/80

A work made of silk, embroidered.

Picture of the Cathedral at Lincoln, England, 1870/80

A work made of etching and drypoint with foul biting in dark brown ink on ivory laid paper.

Fruit Stall, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting in dark brown ink on cream laid paper.

San Giorgio, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting in dark brown ink on ivory laid paper.

The Fishing Boat, 1879/80

James McNeill Whistler

A work made of etching and drypoint in dark brown ink on cream asian laid paper.

Lagoon - Noon, 1879/80

James McNeill Whistler

A work made of silk and mohair, bobbin straight lace; (made in horizontal strips).

Flounce, 1870s/80s

A work made of etching, drypoint and open bite in black ink on ivory laid paper.

The Palaces, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting in black ink on ivory laid paper.

The Little Mast, 1879/80

James McNeill Whistler

A work made of etching and drypoint in black on ivory laid paper.

Nocturne: Palaces, 1879/80

James McNeill Whistler

A work made of watercolor on ivory.

Portrait of Louis XIV in armor, 1670–80

Pierre Bordier

A work made of polychrome enamel and gilding on copper with gilt metal mounts.

Box, 1760/80

A work made of linen, needle lace.

Shaped Sleeve Ruffle (Engageanté), 1770s/80s

A work made of etching and drypoint with foul biting in black ink on off-white laid paper.

Upright Venice, 1879/80

James McNeill Whistler

A work made of pewter.

Platter, 1750/80

A work made of silk and silk chenille, plain weave with supplementary patterning warps tied in plain and satin interlacings, supplementary pattening wefts, and supplementary brocading wefts.

Panel, 1770/80

A work made of tin-glazed earthenware, transfer-printed.

Tile, 1775/80

John Sadler

A work made of cotton, plain weave; engraved roller printed; backed with cotton, twill weave; stamped.

Pillow Cover (Furnishing Fabric), 1876/80

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