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A work made of cotton, bobbin part lace of a type known as "duchesse de bruges".

Two Border Fragments, 1860s/80s

A work made of pewter.

Platter, 1750/80

A work made of etching and drypoint with foul biting in dark brown ink on ivory laid paper.

Fruit Stall, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting in dark brown ink on cream laid paper.

San Giorgio, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting in dark brown ink on ivory laid paper.

The Fishing Boat, 1879/80

James McNeill Whistler

A work made of etching and drypoint in dark brown ink on cream asian laid paper.

Lagoon - Noon, 1879/80

James McNeill Whistler

A work made of cotton, machine-made net; embroidered with cotton and linen in darning and wave filling stitches.

Scarf, 1820s/80s

A work made of watercolor on ivory.

Portrait of Louis XIV in armor, 1670–80

Pierre Bordier

Pair of Startups (Half Boots)

Pair of Startups (Half Boots), 1870/80

A work made of etching and drypoint with foul biting in black ink on off-white laid paper.

Upright Venice, 1879/80

James McNeill Whistler

A work made of tin-glazed earthenware, transfer-printed.

Tile, 1775/80

John Sadler

A work made of silk, embroidered.

Picture of the Cathedral at Lincoln, England, 1870/80

A work made of silk and silk chenille, plain weave with supplementary patterning warps tied in plain and satin interlacings, supplementary pattening wefts, and supplementary brocading wefts.

Panel, 1770/80

A work made of lead-glazed earthenware (creamware).

Teapot, 1765–80

A work made of cotton, linen, and silk, machine-made lace of a type known as "leavers".

Shaped Border, 1860s/80s

A work made of silk and mohair, bobbin straight lace; (made in horizontal strips).

Flounce, 1870s/80s

A work made of linen and horsehair, needle lace of a type known as "point d'alençon".

Border, 1860/80

A work made of wool, cotton, linen, rayon, and acetate; plain weave with supplementary wefts bound in twill interlacing.

Desert Sand (Sample)(Upolstery Fabric), 1945/80

Else Regensteiner

A work made of wool, cotton, rayon, silk, wild silk and metal-foil-laminate-in-cellulose-acetate film, bands of plain weave and of 2:2 twill weave.

Panel (Drapery Fabric), 1945/80

Else Regensteiner

A work made of cotton, rayon and silver-foil-laminated-in-cellulose-acetate film, plain weave.

Panel (Drapery Fabric), 1945/80

Else Regensteiner

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