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A work made of etching and drypoint with foul biting in dark brown ink on ivory laid paper.

Fruit Stall, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting in dark brown ink on cream laid paper.

San Giorgio, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting in dark brown ink on ivory laid paper.

The Fishing Boat, 1879/80

James McNeill Whistler

A work made of etching and drypoint in dark brown ink on cream asian laid paper.

Lagoon - Noon, 1879/80

James McNeill Whistler

A work made of silk and mohair, bobbin straight lace; (made in horizontal strips).

Flounce, 1870s/80s

Pair of Startups (Half Boots)

Pair of Startups (Half Boots), 1870/80

A work made of cotton, machine-made net; embroidered with cotton and linen in darning and wave filling stitches.

Scarf, 1820s/80s

A work made of cotton, linen, and silk, machine-made lace of a type known as "leavers".

Shaped Border, 1860s/80s

A work made of lead-glazed earthenware (creamware).

Teapot, 1765–80

A work made of cotton, bobbin part lace of a type known as "duchesse de bruges".

Two Border Fragments, 1860s/80s

A work made of pewter.

Platter, 1750/80

A work made of drypoint in black ink on ivory laid paper.

Little Salute, 1879/80

James McNeill Whistler

A work made of cancelled copper plate.

Fruit Stall, 1879/80

James McNeill Whistler

A work made of cancelled copper plate.

The Bridge, Santa Marta, 1879/80

James McNeill Whistler

A work made of cancelled copper plate.

Riva, No. 2, 1879/80

James McNeill Whistler

A work made of cancelled copper plate.

Long Lagoon, 1879/80

James McNeill Whistler

A work made of cancelled copper plate.

Ponte del Piovan, 1879/80

James McNeill Whistler

A work made of cancelled copper plate.

The Garden, 1879/80

James McNeill Whistler

A work made of cancelled copper plate.

The Rialto, 1879/80

James McNeill Whistler

A work made of cancelled copper plate.

Lagoon - Noon, 1879/80

James McNeill Whistler

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