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A work made of linen, needle lace.

Shaped Sleeve Ruffle (Engageanté), 1770s/80s

A work made of pewter.

Platter, 1750/80

A work made of etching and drypoint with foul biting in brownish black, with selective wiping of plate tone, on cream laid paper.

Riva, No. 2, 1879/80

James McNeill Whistler

A work made of cotton, bobbin part lace of a type known as "duchesse de bruges".

Two Border Fragments, 1860s/80s

A work made of silk and silk chenille, plain weave with supplementary patterning warps tied in plain and satin interlacings, supplementary pattening wefts, and supplementary brocading wefts.

Panel, 1770/80

A work made of tin-glazed earthenware, transfer-printed.

Tile, 1775/80

John Sadler

A work made of polychrome enamel and gilding on copper with gilt metal mounts.

Box, 1760/80

A work made of silk and cotton, twill weave with supplementary pile warps forming cut pile-on-pile voided velvet; band of partially uncut pile.

Panel, 1860/80

Mathevon et Bouvard

A work made of linen and horsehair, needle lace of a type known as "point d'alençon".

Border, 1860/80

A work made of cotton, plain weave; engraved roller printed; backed with cotton, twill weave; stamped.

Pillow Cover (Furnishing Fabric), 1876/80

A work made of chromogenic print, from the portfolio "harry bowers: ten photographs" (1984).

HB-5-80, 1980

Harry Bowers

A work made of internal dye diffusion transfer print.

Sitting, 1978–80, February 16, 1980

Lucas Samaras

A work made of cotton, plain weave; batik printed.

Kain Sarong (Skirt), c. 1945/80

A work made of etching and drypoint with foul biting in dark brown ink on cream laid paper.

Nocturne: Furnace, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting in dark brown ink on off-white laid paper.

The Two Doorways, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting in dark brown ink on ivory laid paper.

The Balcony, 1879/80

James McNeill Whistler

A work made of steel.

Demi-Shaffron, 1570/80

A work made of cotton, plain weave; batik printed.

Kain Sarong (Skirt), c. 1945/80

A work made of silk, warp-faced plain weave; embroidered with silk.

Waistcoat, 18th century

A work made of line block taken from a drawing on ivory wove paper.

No. 80: A l'hôpital. - Ne te plains donc pas! tu pourras y retourner, 1916

Jean Louis Forain

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