Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of gelatin silver print.

Forest landscape with trees and bushes, 1930/80

A work made of black felt-tip pen with carbon transfer on cream wove paper.

Untitled, 1970s/80s

June Leaf

A work made of 3 lithographs in black on ivory wove paper.

Untitled, 1970/80

Saul Steinberg

A work made of color woodcut on cream japanese paper.

Active Duty, 1978-80

Saul Steinberg

A work made of graphite, colored pencil, crayon, ink and gouache on paper.

Sketchbook, 1978-80

Barbara Rossi

A work made of gelatin silver print.

Untitled, 1970/80

Ibrahima Sanlé Sory

A work made of etching on ivory laid paper.

Mystical Marriage of St. Catherine, 1625/80

Crestano Menarola

A work made of etching on ivory laid paper.

Pan (or Marsyas) and Olympus, 1670/80

Agostino Santagostino

A work made of gelatin silver print.

Untitled, 1960/80

Unknown Maker

A work made of lead-glazed earthenware (creamware).

Plate, 1765/80

A work made of cotton, plain weave; batik printed.

Kain Sarong (Skirt), c. 1945/80

A work made of internal dye diffusion transfer print.

Sitting, 1978–80, February 16, 1980

Lucas Samaras

A work made of chromogenic print, from the portfolio "harry bowers: ten photographs" (1984).

HB-5-80, 1980

Harry Bowers

A work made of etching and drypoint with foul biting in dark brown ink on cream laid paper.

Nocturne: Furnace, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting in dark brown ink on off-white laid paper.

The Two Doorways, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting in dark brown ink on ivory laid paper.

The Balcony, 1879/80

James McNeill Whistler

A work made of steel.

Demi-Shaffron, 1570/80

A work made of cotton, plain weave; batik printed.

Kain Sarong (Skirt), c. 1945/80

A work made of silk, warp-faced plain weave; embroidered with silk.

Waistcoat, 18th century

A work made of silk, satin, gauze and other weaves, some with brocaded patterns: 80 swatches; 53 designs on paper.

Manuscrit Lyonnais, 1841

Jules Marquis

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