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A work made of etching and drypoint with foul biting, with drypoint cancellation, in dark brown ink on ivory laid paper.

Upright Venice, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper.

The Balcony, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper.

Ponte del Piovan, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper.

The Rialto, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper.

Long Venice, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper.

La Salute: Dawn, 1879/80

James McNeill Whistler

A work made of etching and drypoint, with drypoint cancellation, in black ink on ivory laid paper.

Lagoon - Noon, 1879/80

James McNeill Whistler

A work made of tin-glazed earthenware, transfer-printed.

Tile, 1775/80

John Sadler

A work made of cotton, plain weave; engraved roller printed; backed with cotton, twill weave; stamped.

Pillow Cover (Furnishing Fabric), 1876/80

A work made of gelatin silver print.

Untitled, 1977/80

Milton Rogovin

A work made of gelatin silver print.

Untitled, 1977/80

Milton Rogovin

A work made of albumen print, stereo.

Court-house Savannah, 1860/80

J. N. Wilson

A work made of linen, needle lace.

Shaped Sleeve Ruffle (Engageanté), 1770s/80s

A work made of silk and cotton, twill weave with supplementary pile warps forming cut pile-on-pile voided velvet; band of partially uncut pile.

Panel, 1860/80

Mathevon et Bouvard

A work made of linen and horsehair, needle lace of a type known as "point d'alençon".

Border, 1860/80

A work made of wool.

Panel of Wool Furnishing Damask, 1740-80

A work made of watercolor and opaque watercolor on cream laid paper.

Megasoma Elephas or Megaceras Jason and Six Other Insects, 1640/80

Pieter Holsteyn, the younger

A work made of watercolor and opaque watercolor on cream laid paper.

A Horseshoe Crab, 1640/80

Pieter Holsteyn, the younger

A work made of gelatin silver print.

Untitled, 1970/80

Ibrahima Sanlé Sory

A work made of lead-glazed earthenware (creamware).

Plate, 1765/80

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