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A work made of etching and drypoint with foul biting, with drypoint cancellation, in dark brown ink on ivory laid paper.

Fruit Stall, 1879–80

James McNeill Whistler

A work made of etching and drypoint with foul biting, with drypoint cancellation, in dark brown ink on ivory laid paper.

San Giorgio, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting, with drypoint cancellation, in dark brown ink on ivory laid paper.

Nocturne: Palaces, 1879/80

James McNeill Whistler

A work made of etching and drypoint, with drypoint cancellation, in black ink on ivory laid paper.

Long Lagoon, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting, with drypoint cancellation, in dark brown ink on ivory laid paper.

Upright Venice, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper.

The Balcony, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper.

Ponte del Piovan, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper.

The Rialto, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper.

Long Venice, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper.

La Salute: Dawn, 1879/80

James McNeill Whistler

A work made of etching and drypoint, with drypoint cancellation, in black ink on ivory laid paper.

Lagoon - Noon, 1879/80

James McNeill Whistler

A work made of etching on ivory laid paper.

Mystical Marriage of St. Catherine, 1625/80

Crestano Menarola

A work made of etching on ivory laid paper.

Pan (or Marsyas) and Olympus, 1670/80

Agostino Santagostino

Untitled

Untitled, 1970/80

Saul Steinberg

Untitled

Untitled, 1970/80

Saul Steinberg

Untitled

Untitled, 1970/80

Saul Steinberg

Sigrid Spaeth

Sigrid Spaeth, 1970/80

Saul Steinberg

A work made of gelatin silver print.

Forest landscape with trees and bushes, 1930/80

A work made of etching in black on cream wove paper.

Mill Creek, Cincinnati, 1879-80

John Henry Twachtman

A work made of black felt-tip pen with carbon transfer on cream wove paper.

Untitled, 1970s/80s

June Leaf

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