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A work made of etching and drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper.

Ponte del Piovan, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper.

The Rialto, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper.

Long Venice, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper.

La Salute: Dawn, 1879/80

James McNeill Whistler

A work made of etching and drypoint, with drypoint cancellation, in black ink on ivory laid paper.

Lagoon - Noon, 1879/80

James McNeill Whistler

A work made of dye imbibition print, from the portfolio "st. louis and the arch" (1980).

4th between Market and Chestnut, 1977/80

Joel Meyerowitz

A work made of lead-glazed earthenware (creamware).

Plate, 1765/80

A work made of gelatin silver print.

Untitled, 1960/80

Unknown Maker

A work made of wool, cotton, rayon, silk, wild silk and metal-foil-laminate-in-cellulose-acetate film, bands of plain weave and of 2:2 twill weave.

Panel (Drapery Fabric), 1945/80

Else Regensteiner

A work made of cotton, rayon and silver-foil-laminated-in-cellulose-acetate film, plain weave.

Panel (Drapery Fabric), 1945/80

Else Regensteiner

A work made of cotton, rayon, and fiberglass, plain weave.

Panel (Furnishing Fabric), 1945/80

Else Regensteiner

A work made of cotton, rayon, mohair and metal-foil-laminated-in-cellulouse-acetate-film-wrapped cotton, 2:2 twill weave.

Panel (Furnishing Fabric), 1945/80

Else Regensteiner

A work made of cotton, linen, wool, rayon and acetate, plain weave.

Sample (Furnishing Fabric), 1945/80

Else Regensteiner

A work made of wool, cotton, linen and rayon, plain weave derived float weave.

Sample (Furnishing Fabric), 1945/80

Else Regensteiner

A work made of linen, jute and rayon, plain weave, open work.

Sample (Furnishing Fabric), 1945/80

Else Regensteiner

A work made of wool, cotton, linen, rayon, and acetate; plain weave with supplementary wefts bound in twill interlacing.

Desert Sand (Sample of Upolstery Fabric), 1945/80

Else Regensteiner

A work made of gelatin silver print.

Forest landscape with trees and bushes, 1930/80

A work made of wool.

Panel of Wool Furnishing Damask, 1740-80

A work made of gelatin silver print.

Untitled, 1970/80

Ibrahima Sanlé Sory

A work made of 3 lithographs in black on ivory wove paper.

Untitled, 1970/80

Saul Steinberg

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