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A work made of etching and drypoint, with drypoint cancellation, in black ink on ivory laid paper.

Lagoon - Noon, 1879/80

James McNeill Whistler

A work made of gelatin silver print.

Untitled, 1977/80

Milton Rogovin

A work made of gelatin silver print.

Untitled, 1977/80

Milton Rogovin

A work made of wool, cotton, linen, rayon, and acetate; plain weave with supplementary wefts bound in twill interlacing.

Desert Sand (Sample of Upolstery Fabric), 1945/80

Else Regensteiner

A work made of etching and drypoint with foul biting in brownish black, with selective wiping of plate tone, on cream laid paper.

Riva, No. 2, 1879/80

James McNeill Whistler

A work made of stoneware and glaze.

Vase, 1970–80

Artist unknown

A work made of bound album of 29 watercolor drawings.

Landscapes and Costume Studies, 1860/80

George Henry Boughton

A work made of partially disassembled scrapbook of drawings tipped into a printed musical score book.

The "Edward Lear" scrapbook (sketches from Italy, Greece, and the Middle East), 1830/80

Edward Lear

A work made of wool, cotton, rayon, silk, wild silk and metal-foil-laminate-in-cellulose-acetate film, bands of plain weave and of 2:2 twill weave.

Panel (Drapery Fabric), 1945/80

Else Regensteiner

A work made of cotton, rayon and silver-foil-laminated-in-cellulose-acetate film, plain weave.

Panel (Drapery Fabric), 1945/80

Else Regensteiner

A work made of cotton, rayon, and fiberglass, plain weave.

Panel (Furnishing Fabric), 1945/80

Else Regensteiner

A work made of cotton, rayon, mohair and metal-foil-laminated-in-cellulouse-acetate-film-wrapped cotton, 2:2 twill weave.

Panel (Furnishing Fabric), 1945/80

Else Regensteiner

A work made of cotton, linen, wool, rayon and acetate, plain weave.

Sample (Furnishing Fabric), 1945/80

Else Regensteiner

A work made of wool, cotton, linen and rayon, plain weave derived float weave.

Sample (Furnishing Fabric), 1945/80

Else Regensteiner

A work made of linen, jute and rayon, plain weave, open work.

Sample (Furnishing Fabric), 1945/80

Else Regensteiner

A work made of drypoint in black ink on ivory laid paper.

Little Salute, 1879/80

James McNeill Whistler

A work made of cancelled copper plate.

Fruit Stall, 1879/80

James McNeill Whistler

A work made of lead-glazed earthenware (creamware).

Plate, 1765/80

A work made of gelatin silver print.

Untitled, 1960/80

Unknown Maker

A work made of dye imbibition print, from the portfolio "st. louis and the arch" (1980).

4th between Market and Chestnut, 1977/80

Joel Meyerowitz

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