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A work made of etching in black on cream wove paper.

Mill Creek, Cincinnati, 1879-80

John Henry Twachtman

A work made of wool, cotton, linen, rayon, and acetate; plain weave with supplementary wefts bound in twill interlacing.

Desert Sand (Sample)(Upolstery Fabric), 1945/80

Else Regensteiner

A work made of watercolor and opaque watercolor on cream laid paper.

Megasoma Elephas or Megaceras Jason and Six Other Insects, 1640/80

Pieter Holsteyn, the younger

A work made of watercolor and opaque watercolor on cream laid paper.

A Horseshoe Crab, 1640/80

Pieter Holsteyn, the younger

A work made of black felt-tip pen with carbon transfer on cream wove paper.

Untitled, 1970s/80s

June Leaf

A work made of 3 lithographs in black on ivory wove paper.

Untitled, 1970/80

Saul Steinberg

A work made of color woodcut on cream japanese paper.

Active Duty, 1978-80

Saul Steinberg

A work made of etching and drypoint with foul biting in brownish black, with selective wiping of plate tone, on cream laid paper.

Riva, No. 2, 1879/80

James McNeill Whistler

A work made of wool, cotton, rayon, silk, wild silk and metal-foil-laminate-in-cellulose-acetate film, bands of plain weave and of 2:2 twill weave.

Panel (Drapery Fabric), 1945/80

Else Regensteiner

A work made of cotton, rayon and silver-foil-laminated-in-cellulose-acetate film, plain weave.

Panel (Drapery Fabric), 1945/80

Else Regensteiner

A work made of cotton, rayon, and fiberglass, plain weave.

Panel (Furnishing Fabric), 1945/80

Else Regensteiner

A work made of cotton, rayon, mohair and metal-foil-laminated-in-cellulouse-acetate-film-wrapped cotton, 2:2 twill weave.

Panel (Furnishing Fabric), 1945/80

Else Regensteiner

A work made of cotton, linen, wool, rayon and acetate, plain weave.

Sample (Furnishing Fabric), 1945/80

Else Regensteiner

A work made of wool, cotton, linen and rayon, plain weave derived float weave.

Sample (Furnishing Fabric), 1945/80

Else Regensteiner

A work made of linen, jute and rayon, plain weave, open work.

Sample (Furnishing Fabric), 1945/80

Else Regensteiner

A work made of drypoint in black ink on ivory laid paper.

Little Salute, 1879/80

James McNeill Whistler

A work made of cancelled copper plate.

Fruit Stall, 1879/80

James McNeill Whistler

A work made of cancelled copper plate.

The Bridge, Santa Marta, 1879/80

James McNeill Whistler

A work made of cancelled copper plate.

Riva, No. 2, 1879/80

James McNeill Whistler

A work made of cancelled copper plate.

Long Lagoon, 1879/80

James McNeill Whistler

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