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A work made of cancelled copper plate.

The Bridge, Santa Marta, 1879/80

James McNeill Whistler

A work made of cancelled copper plate.

Riva, No. 2, 1879/80

James McNeill Whistler

A work made of cancelled copper plate.

Long Lagoon, 1879/80

James McNeill Whistler

A work made of cancelled copper plate.

Ponte del Piovan, 1879/80

James McNeill Whistler

A work made of gelatin silver print.

Untitled, 1977/80

Milton Rogovin

A work made of gelatin silver print.

Untitled, 1977/80

Milton Rogovin

A work made of etching, drypoint and open bite in black ink on ivory laid paper.

The Palaces, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting in black ink on ivory laid paper.

The Little Mast, 1879/80

James McNeill Whistler

A work made of etching and drypoint in black on ivory laid paper.

Nocturne: Palaces, 1879/80

James McNeill Whistler

A work made of silk and silk chenille, plain weave with supplementary patterning warps tied in plain and satin interlacings, supplementary pattening wefts, and supplementary brocading wefts.

Panel, 1770/80

A work made of stoneware and glaze.

Vase, 1970–80

Artist unknown

A work made of albumen print, stereo.

Court-house Savannah, 1860/80

J. N. Wilson

A work made of bound album of 29 watercolor drawings.

Landscapes and Costume Studies, 1860/80

George Henry Boughton

A work made of partially disassembled scrapbook of drawings tipped into a printed musical score book.

The "Edward Lear" scrapbook (sketches from Italy, Greece, and the Middle East), 1830/80

Edward Lear

A work made of cotton, plain weave; engraved roller printed; backed with cotton, twill weave; stamped.

Pillow Cover (Furnishing Fabric), 1876/80

A work made of tin-glazed earthenware, transfer-printed.

Tile, 1775/80

John Sadler

A work made of etching and drypoint with foul biting in brownish black, with selective wiping of plate tone, on cream laid paper.

Riva, No. 2, 1879/80

James McNeill Whistler

A work made of linen, needle lace.

Shaped Sleeve Ruffle (Engageanté), 1770s/80s

A work made of polychrome enamel and gilding on copper with gilt metal mounts.

Box, 1760/80

A work made of silk and cotton, twill weave with supplementary pile warps forming cut pile-on-pile voided velvet; band of partially uncut pile.

Panel, 1860/80

Mathevon et Bouvard

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