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A work made of partially disassembled scrapbook of drawings tipped into a printed musical score book.

The "Edward Lear" scrapbook (sketches from Italy, Greece, and the Middle East), 1830/80

Edward Lear

A work made of polychrome enamel and gilding on copper with gilt metal mounts.

Box, 1760/80

A work made of linen, needle lace.

Shaped Sleeve Ruffle (Engageanté), 1770s/80s

A work made of pewter.

Platter, 1750/80

A work made of etching and drypoint with foul biting in black ink on off-white laid paper.

Upright Venice, 1879/80

James McNeill Whistler

A work made of silk and cotton, twill weave with supplementary pile warps forming cut pile-on-pile voided velvet; band of partially uncut pile.

Panel, 1860/80

Mathevon et Bouvard

A work made of linen and horsehair, needle lace of a type known as "point d'alençon".

Border, 1860/80

A work made of dye imbibition print, from the portfolio "st. louis and the arch" (1980).

4th between Market and Chestnut, 1977/80

Joel Meyerowitz

A work made of gelatin silver print.

Untitled, 1977/80

Milton Rogovin

A work made of gelatin silver print.

Untitled, 1977/80

Milton Rogovin

A work made of cancelled copper plate.

The Bridge, Santa Marta, 1879/80

James McNeill Whistler

A work made of cancelled copper plate.

Riva, No. 2, 1879/80

James McNeill Whistler

A work made of cancelled copper plate.

Long Lagoon, 1879/80

James McNeill Whistler

A work made of cancelled copper plate.

Ponte del Piovan, 1879/80

James McNeill Whistler

A work made of cancelled copper plate.

The Garden, 1879/80

James McNeill Whistler

A work made of cancelled copper plate.

The Rialto, 1879/80

James McNeill Whistler

A work made of cancelled copper plate.

Lagoon - Noon, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting, with drypoint cancellation, in dark brown ink on ivory laid paper.

Fruit Stall, 1879–80

James McNeill Whistler

A work made of etching and drypoint with foul biting, with drypoint cancellation, in dark brown ink on ivory laid paper.

San Giorgio, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting, with drypoint cancellation, in dark brown ink on ivory laid paper.

Nocturne: Palaces, 1879/80

James McNeill Whistler

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