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  • Art Institute Chicago
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A work made of cotton, rayon, and fiberglass, plain weave.

Panel (Furnishing Fabric), 1945/80

Else Regensteiner

A work made of cotton, rayon, mohair and metal-foil-laminated-in-cellulouse-acetate-film-wrapped cotton, 2:2 twill weave.

Panel (Furnishing Fabric), 1945/80

Else Regensteiner

A work made of cotton, linen, wool, rayon and acetate, plain weave.

Sample (Furnishing Fabric), 1945/80

Else Regensteiner

A work made of wool, cotton, linen and rayon, plain weave derived float weave.

Sample (Furnishing Fabric), 1945/80

Else Regensteiner

A work made of linen, jute and rayon, plain weave, open work.

Sample (Furnishing Fabric), 1945/80

Else Regensteiner

A work made of wool, cotton, linen, rayon, and acetate; plain weave with supplementary wefts bound in twill interlacing.

Desert Sand (Sample)(Upolstery Fabric), 1945/80

Else Regensteiner

A work made of gelatin silver print.

Untitled, 1977/80

Milton Rogovin

A work made of gelatin silver print.

Untitled, 1977/80

Milton Rogovin

A work made of albumen print, stereo.

Court-house Savannah, 1860/80

J. N. Wilson

A work made of drypoint in black ink on ivory laid paper.

Little Salute, 1879/80

James McNeill Whistler

A work made of cancelled copper plate.

Fruit Stall, 1879/80

James McNeill Whistler

A work made of cancelled copper plate.

The Bridge, Santa Marta, 1879/80

James McNeill Whistler

A work made of cancelled copper plate.

Riva, No. 2, 1879/80

James McNeill Whistler

A work made of cancelled copper plate.

Long Lagoon, 1879/80

James McNeill Whistler

A work made of cancelled copper plate.

Ponte del Piovan, 1879/80

James McNeill Whistler

A work made of cancelled copper plate.

The Garden, 1879/80

James McNeill Whistler

A work made of cancelled copper plate.

The Rialto, 1879/80

James McNeill Whistler

A work made of cancelled copper plate.

Lagoon - Noon, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting, with drypoint cancellation, in dark brown ink on ivory laid paper.

Fruit Stall, 1879–80

James McNeill Whistler

A work made of etching and drypoint with foul biting, with drypoint cancellation, in dark brown ink on ivory laid paper.

San Giorgio, 1879/80

James McNeill Whistler

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