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A work made of albumen print, pl. 70 from the album "gardner's photographic sketch book of the war, volume ii" (1866).

Army Repair Shop, February 1864

Timothy O'Sullivan

A work made of albumen print, pl. 3 from the album "gardner's photographic sketch book of the war, vol. 1" (1866).

Fairfax Court-House, June 1863

Timothy O'Sullivan

A work made of albumen print, pl. 33 from the album "gardner's photographic sketch book of the war, vol. 1" (1866).

Evacuation of Aquia Creek, June 1863

Timothy O'Sullivan

A work made of albumen print, from the album "geographical & geological explorations & surveys west of the 100th meridian," vol. 1.

Snow Peaks, Bull Run Mining District, Nevada, 1871

Timothy O'Sullivan

A work made of albumen print, stereo.

View of Grand Cañon walls, near mouth of Diamond River. From water line to first shelf 1.500 feet; from shelf to top of table 3.500 feet. Distance from point of view to top of walls 3 miles, No. 6 from the series "Geographical Explorations and Surveys West of the 100th Meridian", 1871

Timothy O'Sullivan

A work made of albumen print, stereo.

Camp Beauty, Canñon de Chelle; walls 1.200 feet high, width of Cañon at this point about one fourth of a mile. This view shows the perpendicular effect wrought by the action of floods. The Artist of the Expedition, Mr. Wyant, of New York, made a study of this scene with the intention to paint it as a characteristic Canon view, No. 25 from the series "Geographical Explorations and Surveys West of the 100th Meridian", 1873

Timothy O'Sullivan

A work made of albumen print, stereo.

Explorers Column, Cañon de Chelle, Arizona. This shaft is the work of nature, and is about 900 feet in height; base about 70 by 110 feet. It stands near the center of the Cañon, and it is almost impossible to believe that it is not the work of human hands, No. 23 from the series "Geographical Explorations and Surveys West of the 100th Meridian", 1873

Timothy O'Sullivan

A work made of albumen print, stereo.

Alpine lakes, and mountain scenery, in the Cerro Blanco Mountains, Colorado, 13.000 feet above sea-level, No. 47 from the series "Geographical Explorations and Surveys West of the 100th Meridian", 1874

Timothy O'Sullivan

A work made of gelatin silver prints (two matted together), from "united states geological survey," and "rephotograpic survey project" (1977–1980).

Hot Springs, Smokey Valley, 1868 and 1979

Gordon Bushaw

A work made of gelatin silver print.

Street Scene Reflected in a Mirror, Teheran, 1979/80, printed 1985

Gilles Peress

Kanasugi Bridge and Shibaura (Kanasugibashi Shibaura), No.80 from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)"

Kanasugi Bridge and Shibaura (Kanasugibashi Shibaura), No.80 from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)", 1857

Utagawa Hiroshige

A work made of linen, raised needle lace.

Flounce, 1660/80

A work made of glass.

Vase, c. 1875/80

Thomas Webb & Sons

A work made of gelatin silver print.

Untitled, from the series "The Garage" (1970/80), 1970/80

Mikki Ferrill

A work made of gelatin silver print.

Untitled, from the series "The Garage" (1970/80), 1970/80

Mikki Ferrill

A work made of salted paper print.

Grand Temple d'Isis à Philoe, Vue Générale Prise du Nord; Nubie, plate 80 from the album "Egypte, Nubie, Palestine et Syrie" (1852), 1849/51, printed 1852

Maxime Du Camp

A work made of slate, enamel, and gilding.

Mantel Clock, 1875/80

A work made of etching and drypoint with foul biting in brown ink on ivory laid paper.

The Piazzetta, 1879/80

James McNeill Whistler

A work made of chromogenic print, from the portfolio "st. louis and the arch" (1980).

The Arch, 1977/80

Joel Meyerowitz

A work made of etching, drypoint and roulette work with foul biting in black ink on ivory laid paper.

The Doorway, 1879/80

James McNeill Whistler

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