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A work made of color woodblock print; edition 50/80.

House with Lattice Door (Koshido no ie), 2000

Maeda Koichi

A work made of silver.

Salver, 1766–80

William Grigg

A work made of ebonized walnut, light-wood inlay, and gilt decoration.

Easel, 1870–80

Artist unknown

A work made of silk, satin weave with multi-color supplementary pile warps forming cut and uncut voided velvet.

Panel, 1860/80

Mathevon et Bouvard

A work made of cancelled copper plate.

Nocturne: Palaces, 1879/80

James McNeill Whistler

A work made of silk, warp-float faced 4:1 satin weave with plain and 1:3 's' or weft-float faced 3:1 twill interlacings of secondary binding warps and supplementary patterning wefts.

Panel, 1860/80

Mathevon et Bouvard

A work made of gelatin silver prints (two matted together), from "united states geological survey," and "rephotograpic survey project" (1977–1980).

Karnak Ridge, Trinity Range, Nevada, 1867 and 1979

Gordon Bushaw

A work made of woodcut in black with hand coloring on cream laid paper, laid down on cream laid paper, with inscription in pen and brown ink, laid down on cream laid paper.

Bookplate of Hildebrand von Brandenburg, c. 1470–80

A work made of gelatin silver prints (two matted together), from "united states geological survey," and "rephotograpic survey project" (1977–1980).

Monument Rock, Canyon de Chelly National Monument Arizona, 1873 and 1978

Mark Klett

A work made of stoneware (jasperware).

Plaque with Robert Boyle, 1779/80

Wedgwood Manufactory

A work made of glass.

Flute, c. 1660/80

A work made of gelatin silver prints (two matted together), from "united states geological survey," and "rephotograpic survey project" (1977–1980).

Green River Canyon, Great Bend, Uinta Mountains, The Horseshoe and Green River Below the Bend from Flaming Gorge Ridge, 1872 and 1978

Mark Klett

Work 80-A-4

Work 80-A-4, 1980

Hamada Kiyoshi

A work made of silk, satin weave with supplementary pile warps forming cut and uncut voided velvet.

Panel, 1860/80

Mathevon et Bouvard

A work made of color lithograph and etching on white wove paper.

Good Place, 1990

Timothy L. Solien

A work made of color lithograph and etching on white wove paper.

The All Bone, 1990

Timothy L. Solien

A work made of color drypoint on ivory wove paper.

Fragments of Hope, 1982

Timothy L. Solien

A work made of color drypoint on ivory wove paper.

Fragments of Hope, 1982

Timothy L. Solien

A work made of gelatin silver prints (two matted together), from "united states geological survey," and "rephotograpic survey project" (1977–1980).

Quartz Mill near Virginia City, 1868 and 1979

Mark Klett

A work made of etching and drypoint in black ink on ivory japanese paper.

Traghetto, 1879/80

James McNeill Whistler

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