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A work made of silk, satin weave with multi-color supplementary pile warps forming cut and uncut voided velvet.

Panel, 1860/80

Mathevon et Bouvard

A work made of cancelled copper plate.

Nocturne: Palaces, 1879/80

James McNeill Whistler

A work made of silk, warp-float faced 4:1 satin weave with plain and 1:3 's' or weft-float faced 3:1 twill interlacings of secondary binding warps and supplementary patterning wefts.

Panel, 1860/80

Mathevon et Bouvard

A work made of color woodblock print; edition 3/80.

View through the Sanmon Gate (Sanmon chobo), 2003

Maeda Koichi

A work made of color woodblock print; edition 5/80.

Merchant's House in Takehara, Hiroshima (Hiroshima Takehara shoka), 2004

Maeda Koichi

A work made of color woodblock print; edition 50/80.

House with Lattice Door (Koshido no ie), 2000

Maeda Koichi

A work made of woodcut in black with hand coloring on cream laid paper, laid down on cream laid paper, with inscription in pen and brown ink, laid down on cream laid paper.

Bookplate of Hildebrand von Brandenburg, c. 1470–80

A work made of gelatin silver prints (two matted together), from "united states geological survey," and "rephotograpic survey project" (1977–1980).

Karnak Ridge, Trinity Range, Nevada, 1867 and 1979

Gordon Bushaw

A work made of stoneware (jasperware).

Plaque with Robert Boyle, 1779/80

Wedgwood Manufactory

A work made of glass.

Flute, c. 1660/80

A work made of silk, satin weave with supplementary pile warps forming cut and uncut voided velvet.

Panel, 1860/80

Mathevon et Bouvard

A work made of gelatin silver prints (two matted together), from "united states geological survey," and "rephotograpic survey project" (1977–1980).

Monument Rock, Canyon de Chelly National Monument Arizona, 1873 and 1978

Mark Klett

Work 80-A-4

Work 80-A-4, 1980

Hamada Kiyoshi

A work made of etching and drypoint in black ink on ivory japanese paper.

Traghetto, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper.

The Balcony, 1879/80

James McNeill Whistler

A work made of etching and drypoint with foul biting in black ink on off-white laid paper.

The Fishing Boat, 1879/80

James McNeill Whistler

A work made of albumen print, stereo.

The Punch Bowl, Queen's Cañon, Glen Eyrie, from the series "Gurnsey's Rocky Mountain Views", 1850/80

B. H. Gurnsey

A work made of gelatin silver prints (two matted together), from "united states geological survey," and "rephotograpic survey project" (1977–1980).

Green River Canyon, Great Bend, Uinta Mountains, The Horseshoe and Green River Below the Bend from Flaming Gorge Ridge, 1872 and 1978

Mark Klett

A work made of silk and cotton, plain weave self-patterned by main warp and ground weft floats.

Vista Weave (Upholstery Fabric), 1945/80

reg/wick studio

A work made of color lithograph and etching on white wove paper.

Good Place, 1990

Timothy L. Solien

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