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A work made of color drypoint on ivory wove paper.

Fragments of Hope, 1982

Timothy L. Solien

A work made of color drypoint on ivory wove paper.

Fragments of Hope, 1982

Timothy L. Solien

A work made of color lithograph and etching on white wove paper.

Good Place, 1990

Timothy L. Solien

A work made of color lithograph and etching on white wove paper.

The All Bone, 1990

Timothy L. Solien

A work made of silk and linen, warp-float faced 7:1 satin weave with 1:2 's' or weft-float faced 1:2 twill interlacings of secondary binding warps and supplementary patterning and brocading wefts.

Panel, 1860/80

Mathevon et Bouvard

A work made of silk, satin weave, cut and uncut voided velvet.

Panel, 1860/80

Mathevon et Bouvard

A work made of cancelled copper plate.

Long Venice, 1879/80

James McNeill Whistler

A work made of gelatin silver prints (two matted together), from "united states geological survey," and "rephotograpic survey project" (1977–1980).

Quartz Mill near Virginia City, 1868 and 1979

Mark Klett

A work made of etching and drypoint with foul biting in brown ink on ivory laid paper.

Fruit Stall, 1879/80

James McNeill Whistler

A work made of silk and linen, warp-float faced 7:1 satin weave with twill interlacings of secondary binding warps and supplementary patterning and brocading wefts.

Panel, 1860/80

Mathevon et Bouvard

A work made of stoneware (jasperware).

Plaque with Nero, 1778/80

Wedgwood Manufactory

A work made of silk, satin weave with multi-color supplementary pile warps forming cut and uncut voided velvet.

Panel, 1860/80

Mathevon et Bouvard

A work made of silk and cotton, satin weave, cut and uncut voided velvet.

Panel, 1860/80

Mathevon et Bouvard

A work made of tin-glazed earthenware, transfer-printed.

Tile, 1775/80

John Sadler

A work made of gelatin silver print.

Untitled, from the series "The Garage" (1970/80), 1970/80

Mikki Ferrill

A work made of gelatin silver prints (two matted together), from "united states geological survey," and "rephotograpic survey project" (1977–1980).

Wasatch Mountains, Salt Lake City, Utah, Camp Douglas and East End of Salt Lake City, Emigration Canyon on Left, 1869 and 1978

Gordon Bushaw

A work made of nylon-wrapped-metallized-polyester film and raffia, plain weave.

Sample (Rose Sachet) (UP. 148U#6/#10/#17 with #20 & #80 raffia), 1992

Robert D. Sailors

A work made of silk, pusher machine lace imitation of "blonde matte" bobbin lace.

Stole, 1870/80

A work made of etching and drypoint with foul biting in dark brown ink on ivory asian laid paper altered to buff.

Upright Venice, 1879/80

James McNeill Whistler

A work made of silk and gilt-metal-strip-wrapped silk, warp-float faced 7:2 twill weave with twill interlacings of secondary binding warps and supplementary patterning and brocading wefts.

Panel, 1860/80

Mathevon et Bouvard

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