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A work made of pen and brown ink with brush and brown wash (recto and verso), on ivory laid paper.

Sketches for a Lamentation and a Pietà, and of Various Figures, Heads, and an Arm (recto); Sketches of the Dead Christ, and of Various Figures and Heads (verso), 1580 (recto); 1576/80 (verso)

Jacopo Negretti, called Palma Giovane

A work made of gelatin silver print.

Untitled, from the series "The Garage" (1970/80), 1970/80

Mikki Ferrill

A work made of cotton, twill weave; printed.

Panel, c. 1979/80

Elsie, Countess Lee Gozzi

A work made of silk, warp-faced plain weave; embroidered with silk.

Waistcoat, 18th century

A work made of stoneware (jasperware).

Plaque with Marcus Antonius, 1776/80

Wedgwood Manufactory

A work made of nylon-wrapped-metallized-polyester film and raffia, plain weave.

Sample (Rose Sachet) (UP. 148U#6/#10/#17 with #20 & #80 raffia), 1992

Robert D. Sailors

Kastel, Howard, House, 1847 N. Sedgwick Street, Chicago, Illinois: Model

Kastel, Howard, House, 1847 N. Sedgwick Street, Chicago, Illinois: Model, 1977/79

Stanley Tigerman and Associates

A work made of gelatin silver prints (two matted together), from "united states geological survey," and "rephotograpic survey project" (1977–1980).

Edge of Storm Mountain Resevoir, Big Cottonwood Canyon, Utah, 1869 and 1978

Rick Dingus

A work made of etching and drypoint with foul biting in dark brown ink on asian laid paper.

Nocturne: Furnace, 1879/80

James McNeill Whistler

A work made of porcelain with polychrome enamels.

Vase, 1875/80

Worcester Porcelain Factory

A work made of etching and drypoint with foul biting on cream japanese paper.

The Beggars, 1879/80

James McNeill Whistler

A work made of etching in black on ivory laid paper.

Portrait of Gerard Dou, the Painter, 1660/80

Cottfried Schalcken

A work made of silk and cotton, satin weave with multi-color supplementary pile warps forming cut and uncut voided velvet.

Panel, 1860/80

Mathevon et Bouvard

A work made of silk, plain weave with supplementary patterning warps, supplementary brocading wefts, and self-patterned by ground weft floats.

Panel, 1777/80

A work made of albumen print, stereo.

The Three Brothers, Inverted, 1861/80

Carleton Watkins

A work made of dye imbibition print, from the portfolio "st. louis and the arch" (1980).

7th and Chestnut, 1977/80

Joel Meyerowitz

A work made of steel, leather, and wood.

Jousting Lance with Vamplate, 1560/80, modern lance

A work made of albumen print, stereo.

The "Vermillion Cliff," a typical plateau edge, as seen from Jacobs Pool, Arizona. From its top a plateau stretches to the right, and from its base another to the left. Their difference of level is 1.500 feet, and the step is too steep for scaling, No. 15 from the series "Geographical Explorations and Surveys West of the 100th Meridian", 1872

William H. Bell

A work made of gelatin silver prints (two matted together), from "united states geological survey," and "rephotograpic survey project" (1977–1980).

Green River Buttes, Green River, Wyoming, 1872 and 1978/79

Mark Klett

A work made of chromogenic print, from the portfolio "harry bowers: ten photographs" (1984).

HB-28-80, 1980

Harry Bowers

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