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A work made of silk, pusher machine lace imitation of "blonde matte" bobbin lace.

Stole, 1870/80

A work made of etching and drypoint with foul biting in dark brown ink on ivory asian laid paper altered to buff.

Upright Venice, 1879/80

James McNeill Whistler

A work made of silk and gilt-metal-strip-wrapped silk, warp-float faced 7:2 twill weave with twill interlacings of secondary binding warps and supplementary patterning and brocading wefts.

Panel, 1860/80

Mathevon et Bouvard

A work made of etching and drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper.

The Fishing Boat, 1879/80

James McNeill Whistler

A work made of gelatin silver print.

Untitled, from the series "The Garage" (1970/80), 1970/80

Mikki Ferrill

A work made of pen and brown ink with brush and brown wash (recto and verso), on ivory laid paper.

Sketches for a Lamentation and a Pietà, and of Various Figures, Heads, and an Arm (recto); Sketches of the Dead Christ, and of Various Figures and Heads (verso), 1580 (recto); 1576/80 (verso)

Jacopo Negretti, called Palma Giovane

Kastel, Howard, House, 1847 N. Sedgwick Street, Chicago, Illinois: Model

Kastel, Howard, House, 1847 N. Sedgwick Street, Chicago, Illinois: Model, 1977/79

Stanley Tigerman and Associates

A work made of nylon-wrapped-metallized-polyester film and raffia, plain weave.

Sample (Rose Sachet) (UP. 148U#6/#10/#17 with #20 & #80 raffia), 1992

Robert D. Sailors

A work made of cotton, twill weave; printed.

Panel, c. 1979/80

Elsie, Countess Lee Gozzi

A work made of gelatin silver prints (two matted together), from "united states geological survey," and "rephotograpic survey project" (1977–1980).

Edge of Storm Mountain Resevoir, Big Cottonwood Canyon, Utah, 1869 and 1978

Rick Dingus

A work made of stoneware (jasperware).

Plaque with Marcus Antonius, 1776/80

Wedgwood Manufactory

A work made of etching and drypoint with foul biting in dark brown ink on asian laid paper.

Nocturne: Furnace, 1879/80

James McNeill Whistler

A work made of porcelain with polychrome enamels.

Vase, 1875/80

Worcester Porcelain Factory

A work made of etching and drypoint with foul biting on cream japanese paper.

The Beggars, 1879/80

James McNeill Whistler

A work made of albumen print, stereo.

The "Vermillion Cliff," a typical plateau edge, as seen from Jacobs Pool, Arizona. From its top a plateau stretches to the right, and from its base another to the left. Their difference of level is 1.500 feet, and the step is too steep for scaling, No. 15 from the series "Geographical Explorations and Surveys West of the 100th Meridian", 1872

William H. Bell

A work made of gelatin silver prints (two matted together), from "united states geological survey," and "rephotograpic survey project" (1977–1980).

Green River Buttes, Green River, Wyoming, 1872 and 1978/79

Mark Klett

A work made of gelatin silver prints (two matted together), from "united states geological survey," and "rephotograpic survey project" (1977–1980).

Virginia City, Comstock Mines, 1868 and 1979

Mark Klett

A work made of woodblock- printed book; 1 vol..

Ō-masakari gozonji no aragotoaragoto, 1776 An–ei 5

A work made of etching in black on ivory laid paper.

Portrait of Gerard Dou, the Painter, 1660/80

Cottfried Schalcken

A work made of silk, plain weave with supplementary patterning warps, supplementary brocading wefts, and self-patterned by ground weft floats.

Panel, 1777/80

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