Curator

  • Art Institute Chicago
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A work made of albumen print, stereo.

The northern wall of the Grand Cañon of the Colorado, near the foot of To-ro-weap valley. The rounded rocks of the foreground are sand-stone, No. 14 from the series "Geographical Explorations and Surveys West of the 100th Meridian", 1872

William H. Bell

A work made of etching and drypoint, with drypoint cancellation, in black ink on ivory laid paper.

Quiet Canal, 1879/80

James McNeill Whistler

A work made of silk, satin weave with twill interlacings of secondary binding warps and patterning and brocading wefts.

Panel, 1860/80

Mathevon et Bouvard

A work made of silk and cotton, satin weave, cut and uncut voided velvet.

Panel, 1860/80

Mathevon et Bouvard

A work made of etching and drypoint with foul biting in black ink on cream laid paper.

San Giorgio, 1879/80

James McNeill Whistler

A work made of silk and cotton, satin weave, cut and uncut voided velvet.

Panel, 1860/80

Mathevon et Bouvard

A work made of gelatin silver print.

Pro-Shariatmadari Demonstrations, Tabriz, 1979/80

Gilles Peress

A work made of albumen print, stereo.

The Cañon of Kanab Creek, near its junction with the Grand Cañon of the Colorado. In the foreground is a dripping spring affording a shower bath. Temperature, 69° Fahr, No. 8 from the series "Geographical Explorations and Surveys West of the 100th Meridian", 1872

William H. Bell

A work made of albumen print, stereo.

View in the Grand Cañon of the Colorado River, No. 12 from the series "Geographical Explorations and Surveys West of the 100th Meridian", 1872

William H. Bell

A work made of gold, hardstone, enamel, copper, glass, and pearls.

Snuff Box: Portrait of Saxon Prince, c. 1775/80

Johann Christian Neuber

A work made of chromogenic print, from the portfolio "st. louis and the arch" (1980).

The Arch from the top of the Civil Courts Building, 1977/80

Joel Meyerowitz

A work made of steel, gold, copper, and wood.

Smallsword, 1670/80

A work made of color woodblock print; edition 72/80.

Saddle, 1963

Nakayama Tadashi

A work made of painted beech, modern upholstery.

Armchair (one of a pair), c. 1770/80

A work made of wood engraving on cream wove japanese paper.

Castle, Small Castle, plate 80 and 81 from The Wood Engravings of Leonard Baskin, 1952, printed 1961

Leonard Baskin

A work made of engraving on laid paper.

Saint Anthony, c. 1580-1600

Dominicus Custos

A work made of photogravure, plate 11 from the book "the old closes & streets of glasgow" (1900).

Close No. 80 High Street, 1868

Thomas Annan

A work made of gelatin silver print.

A295, from the series "Diary of Elizabeth and James Dixon (1840-41)/ Connecticut Landscapes, 1977–86", 1979, printed 1979/80

James Welling

A work made of red chalk, with black chalk, on tan laid paper.

Sketches of Putti, Legs, n.d.

Ercole Procaccini, the younger

A work made of etching and drypoint, with drypoint cancellation, in black ink on ivory laid paper.

Quiet Canal, 1879/80

James McNeill Whistler

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