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A work made of woodblock- printed book; 1 vol..

Ō-masakari gozonji no aragotoaragoto, 1776 An–ei 5

A work made of albumen print, stereo.

The "Vermillion Cliff," a typical plateau edge, as seen from Jacobs Pool, Arizona. From its top a plateau stretches to the right, and from its base another to the left. Their difference of level is 1.500 feet, and the step is too steep for scaling, No. 15 from the series "Geographical Explorations and Surveys West of the 100th Meridian", 1872

William H. Bell

A work made of gelatin silver prints (two matted together), from "united states geological survey," and "rephotograpic survey project" (1977–1980).

Green River Buttes, Green River, Wyoming, 1872 and 1978/79

Mark Klett

A work made of gelatin silver print.

Stairs, 1979/80, printed 1985

Gilles Peress

A work made of gelatin silver prints (two matted together), from "united states geological survey," and "rephotograpic survey project" (1977–1980).

Virginia City, Comstock Mines, 1868 and 1979

Mark Klett

A work made of color drypoint on white wove paper.

Four Member Family System, 1979–80

Steven Beyer

A work made of color woodblock print; aiban.

Viewing Maple Leaves (Momijigari), from the series "Dance Customs of Captivating Figures (Adesugata odori fuzoku)", c. 1772/80

Kitao Shigemasa

A work made of chromogenic print, from the portfolio "st. louis and the arch" (1980).

The Old Cathedral and the Arch, 1977/80

Joel Meyerowitz

A work made of hard-paste porcelain with polychrome enamels and gilding.

Figure of Bravery (Herzhaftigkeit), c. 1775/80

Wilhelm Christian Meyer

A work made of steel, iron with gilding, wood, and cord.

Cranequin (Winder) for a Crossbow, 1570/80 with a mid–17th century decoration

A work made of color drypoint on white wove paper.

Four Member Family System, 1979–80

Steven Beyer

A work made of albumen print, stereo.

Marble Cañon, one of the gorges of the Colorado here, 1.200 feet deep. The steep cliff is gray limestone and the slope below a brilliant red sandstone, No. 13 from the series "Geographical Explorations and Surveys West of the 100th Meridian", 1872

William H. Bell

A work made of etching and drypoint with foul biting in black ink on off-white laid paper.

The Bridge, Santa Marta, 1879/80

James McNeill Whistler

A work made of cotton, plain weave; copperplate printed.

Don Quichotte (Don Quixote) (Furnishing Fabric), c. 1785

Jean-Jacques Lagrenée

A work made of etching and drypoint, with drypoint cancellation, in black ink on ivory laid paper.

Quiet Canal, 1879/80

James McNeill Whistler

A work made of silk, satin weave with twill interlacings of secondary binding warps and patterning and brocading wefts.

Panel, 1860/80

Mathevon et Bouvard

A work made of silk and cotton, satin weave, cut and uncut voided velvet.

Panel, 1860/80

Mathevon et Bouvard

A work made of etching and drypoint with foul biting in black ink on cream laid paper.

San Giorgio, 1879/80

James McNeill Whistler

A work made of silk and cotton, satin weave, cut and uncut voided velvet.

Panel, 1860/80

Mathevon et Bouvard

A work made of gelatin silver print.

Pro-Shariatmadari Demonstrations, Tabriz, 1979/80

Gilles Peress

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