Curator

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A work made of albumen print, stereo.

Central portion of Canñon de Chelle, New Mexico. This Canñon is one of the most remarkable in the west, and is noted for its beauty. The walls are of Red Sand-stone, nearly perpendicular, and at this point are 1.200 feet in height, No. 24 from the series "Geographical Explorations and Surveys West of the 100th Meridian", 1873

Timothy O'Sullivan

A work made of albumen print, stereo.

Baldy Peak, Cerro Blanco Mountains, Colorado, 14.234 feet above sea-level. Limit in altitude of vegetation about 11.000 feet, No. 46 from the series "Geographical Explorations and Surveys West of the 100th Meridian", 1874

Timothy O'Sullivan

A work made of albumen print, stereo.

Lagunas Caballo, or Horse Lakes, 14 miles, N. W. from Tierra Amarilla, New Mexico. The water of the lakes is strongly mineral and not fit for men or animals to drink, No. 44 from the series "Geographical Explorations and Surveys West of the 100th Meridian", 1874

Timothy O'Sullivan

A work made of albumen print, stereo.

Cañon, Valley of the Conejos River, looking south from vicinity of "Lost Lakes", No. 36 from the series "Geographical Explorations and Surveys West of the 100th Meridian", 1874

Timothy O'Sullivan

A work made of albumen print, stereo.

Beaver Lake, Conejos Cañon, Colorado, 9.000 feet above sea-level, and 30 miles from mouth of Cañon, No. 35 from the series "Geographical Explorations and Surveys West of the 100th Meridian", 1874

Timothy O'Sullivan

A work made of tin-glazed earthenware (delftware).

Vase, c. 1660–80

A work made of colored ink and paint on a printed map.

Plate 80 from The Plan of Chicago, 1909: Chicago. Diagram of City Center, Showing the Proposed Arrangement of Railroad Passenger Stations, the Complete Traction System, Including Rapid Transit, Subway, and Elevated Roads, and the Circuit Subway Line., 1909

Daniel Hudson Burnham

A work made of albumen print.

Bowes Museum, Barnard Castle, 1850/80

James Valentine

A work made of etching and drypoint in brownish black, with selective wiping of plate tone, on ivory laid paper.

Nocturne: Palaces, 1879/80

James McNeill Whistler

A work made of cancelled copper plate.

Salute Dawn, 1879/80

James McNeill Whistler

A work made of pineapple fiber, plain weave; pulled thread work in back, buttonhole, cloth, cross, darning, double running, feather, four-sided, herringbone, indian drawn ground, overcast, roumanian, single faggot and double stitches; couching and darned points and wheels; embroidered with cotton in back, buttonhole, double running, overcast, satin, padded satin, and single satin stitches; french knots.

Handkerchief, 1860s/80s

A work made of pen and brown ink on cream laid paper.

Adoration of the Magi, 1560/80

Lattanzio Gambara

A work made of etching and drypoint with foul biting in dark brown ink on ivory laid paper.

The Garden, 1879/80

James McNeill Whistler

A work made of silk and cotton, satin weave with multi-color supplementary pile warps forming cut and uncut voided velvet.

Panel, 1860/80

Mathevon et Bouvard

One Moment in Time (Kitchen)

One Moment in Time (Kitchen), 2002

Jonathan Monk

A work made of color woodblock print; hosoban, benizuri-e.

Narihira's eastern journey, second half of 18th century

Tomikawa Fusanobu (Ginsetsu)

A work made of earthenware.

Inkstand, 1850–80

East Liverpool Pottery

A work made of silver.

Salver, 1766–80

William Grigg

A work made of ebonized walnut, light-wood inlay, and gilt decoration.

Easel, 1870–80

Artist unknown

A work made of silk, satin weave with multi-color supplementary pile warps forming cut and uncut voided velvet.

Panel, 1860/80

Mathevon et Bouvard

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