Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of albumen print, stereo.

Lagunas Caballo, or Horse Lakes, 14 miles, N. W. from Tierra Amarilla, New Mexico. The water of the lakes is strongly mineral and not fit for men or animals to drink, No. 44 from the series "Geographical Explorations and Surveys West of the 100th Meridian", 1874

Timothy O'Sullivan

A work made of albumen print, stereo.

Cañon, Valley of the Conejos River, looking south from vicinity of "Lost Lakes", No. 36 from the series "Geographical Explorations and Surveys West of the 100th Meridian", 1874

Timothy O'Sullivan

A work made of albumen print, stereo.

Beaver Lake, Conejos Cañon, Colorado, 9.000 feet above sea-level, and 30 miles from mouth of Cañon, No. 35 from the series "Geographical Explorations and Surveys West of the 100th Meridian", 1874

Timothy O'Sullivan

A work made of quarter vellum with gold stamping; paper-map sides and endpapers; original paper covers bound in.

Mon premier voyage: Tour du monde en 80 jours (My first voyage: Around the world in 80 days), Published 1936; rebound 1936-1942

Mary Reynolds

A work made of lithograph in black on ivory wove paper.

Le Jugement de Paris, 1897

Paul Pierre Jouve

A work made of drypoint in black ink on off-white laid paper.

Murano - Glass Furnace, 1879/80

James McNeill Whistler

A work made of manuscript cutting in tempera and gold leaf, with gothica textualis inscriptions in black and ruled in blue, verso, on parchment.

The Three Marys at the Tomb in a Historiated Initial "E" from a Choirbook, 1470/80

A work made of colored ink and paint on a printed map.

Plate 80 from The Plan of Chicago, 1909: Chicago. Diagram of City Center, Showing the Proposed Arrangement of Railroad Passenger Stations, the Complete Traction System, Including Rapid Transit, Subway, and Elevated Roads, and the Circuit Subway Line., 1909

Daniel Hudson Burnham

A work made of tin-glazed earthenware (delftware).

Vase, c. 1660–80

A work made of albumen print.

Bowes Museum, Barnard Castle, 1850/80

James Valentine

A work made of etching and drypoint in brownish black, with selective wiping of plate tone, on ivory laid paper.

Nocturne: Palaces, 1879/80

James McNeill Whistler

One Moment in Time (Kitchen)

One Moment in Time (Kitchen), 2002

Jonathan Monk

A work made of cancelled copper plate.

Salute Dawn, 1879/80

James McNeill Whistler

A work made of silk and cotton, satin weave with multi-color supplementary pile warps forming cut and uncut voided velvet.

Panel, 1860/80

Mathevon et Bouvard

A work made of etching and drypoint with foul biting in dark brown ink on ivory laid paper.

The Garden, 1879/80

James McNeill Whistler

A work made of pen and brown ink on cream laid paper.

Adoration of the Magi, 1560/80

Lattanzio Gambara

A work made of pineapple fiber, plain weave; pulled thread work in back, buttonhole, cloth, cross, darning, double running, feather, four-sided, herringbone, indian drawn ground, overcast, roumanian, single faggot and double stitches; couching and darned points and wheels; embroidered with cotton in back, buttonhole, double running, overcast, satin, padded satin, and single satin stitches; french knots.

Handkerchief, 1860s/80s

A work made of color woodblock print; hosoban, benizuri-e.

Narihira's eastern journey, second half of 18th century

Tomikawa Fusanobu (Ginsetsu)

A work made of earthenware.

Inkstand, 1850–80

East Liverpool Pottery

A work made of silver.

Salver, 1766–80

William Grigg

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