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A work made of etching and drypoint in black ink on off-white japanese paper.

The Garden, 1879/80

James McNeill Whistler

A work made of gelatin silver print.

Untitled (Three Young Boys at the Fence of a Carnival Ride), 1929/80

Morris Huberland

A work made of cotton, needle lace of a type known as "point de gaze".

Border, 1860/80

Panel

Panel, 1860/80

Mathevon et Bouvard

A work made of drypoint in black ink on off-white laid paper.

Murano - Glass Furnace, 1879/80

James McNeill Whistler

A work made of wood engraving on chine paper.

Portrait of Mrs. Siddons, from Old English Masters, 1897, printed 1902

Timothy Cole

A work made of wood engraving on chine paper.

The Halt, from Old English Masters, 1900, printed 1902

Timothy Cole

A work made of wood engraving on chine paper.

Waterloo Bridge (a sketch), from Old English Masters, 1900, printed 1902

Timothy Cole

A work made of wood engraving on chine paper.

Hampstead Heath, from Old English Masters, 1901, printed 1902

Timothy Cole

A work made of wood engraving on chine paper.

Digging for Rats, from Old English Masters, 1901, printed 1902

Timothy Cole

A work made of wood engraving on chine paper.

Catharine of Aragon and her Maid, from Old English Masters, 1900, printed 1902

Timothy Cole

A work made of wood engraving on paper.

The Holy Family, 1914

Timothy Cole

A work made of color screenprint on white wove paper.

Chichen Itza / Sendero Hacia las Estrella (Chichen Itza / I Walk Towards the Stars), from the University of Wisconsin-Madison Print Seminar, March 1975 Portfolio, 1975

Timothy High

A work made of albumen print, from the album "geographical & geological explorations & surveys west of the 100th meridian," vol. 1.

Group of Pah-Ute Indians, Nevada, 1871

Timothy O'Sullivan

A work made of albumen print, pl. 74 from the album "gardner's photographic sketch book of the war, volume ii" (1866).

Poplar Grove Church, 1860/64

Timothy O'Sullivan

A work made of albumen print, stereo.

Indian Pueblo of Zuni, New Mexico; view from the interior. The "Pueblo" or town, encloses a quadrangular area within which are the ruins of a church built under the direction of the Jesuit missionaries. The houses are built one above the other to the height of five or six stories. The entrances are mostly from the top, the ascent and descent being made by ladders, No. 16 from the series "Geographical Explorations and Surveys West of the 100th Meridian", 1873

Timothy O'Sullivan

A work made of albumen print, stereo.

Navajo Indian Squaw, and Child, at their home, in Cañon de Chelle, No. 27 from the series "Geographical Explorations and Surveys West of the 100th Meridian", 1873

Timothy O'Sullivan

A work made of albumen print, stereo.

Central portion of Canñon de Chelle, New Mexico. This Canñon is one of the most remarkable in the west, and is noted for its beauty. The walls are of Red Sand-stone, nearly perpendicular, and at this point are 1.200 feet in height, No. 24 from the series "Geographical Explorations and Surveys West of the 100th Meridian", 1873

Timothy O'Sullivan

A work made of albumen print, stereo.

Baldy Peak, Cerro Blanco Mountains, Colorado, 14.234 feet above sea-level. Limit in altitude of vegetation about 11.000 feet, No. 46 from the series "Geographical Explorations and Surveys West of the 100th Meridian", 1874

Timothy O'Sullivan

A work made of albumen print, stereo.

Lagunas Caballo, or Horse Lakes, 14 miles, N. W. from Tierra Amarilla, New Mexico. The water of the lakes is strongly mineral and not fit for men or animals to drink, No. 44 from the series "Geographical Explorations and Surveys West of the 100th Meridian", 1874

Timothy O'Sullivan

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