Curator

  • Art Institute Chicago
  • Harvard art museum
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Color print of a light-skinned woman sitting in front of a mirror in a red- and white-striped plushy chair, pulling her brown hair into a bun. Her breasts and torso are visible in the reflected image, while a white cloth covers her legs.

The Coiffure, 1890–91

Mary Cassatt

A work made of woodcut, with hand-coloring, in black on paper.

Visitation, from Book of Hours, n.d.

Philippe Pigouchet

A work made of dye imbibition print.

After Dinner Games, New York, 1947, printed 1959/60

Irving Penn

A work made of woodcut in black on cream wove paper.

The Other's Health, plate nine from Intimacies, 1898

Félix Edouard Vallotton

A work made of offset lithograph, from the portfolio "time exposed" (1991).

Caribbean Sea, Jamaica, 1980, printed 1991

Hiroshi Sugimoto

A work made of etching from a copper plate, in black ink, on cream wove paper.

The Bad Doctors, 1895

James Ensor

A work made of etching on copper in black on ivory wove paper.

Three Standing Nudes, With Sketches of Faces, plate nine from Le Chef d'oeuvre inconnu, 1927, printed and published 1931

Pablo Picasso

A work made of gelatin silver print.

Dovima with Elephants, Evening Dress by Dior, Cirque d'Hiver, Paris, August 1955, printed 1979

Richard Avedon

A work made of woodcut on cream wove paper.

Baltic Steamer (Ostsee Dampfer), 1918

Lyonel Feininger

A work made of woodcut on japanese kozo paper.

Cathedral, 1919–23

Lyonel Feininger

A work made of lithograph in black on ivory wove paper.

The Check Cloth Bodice, March 26, 1949

Pablo Picasso

A work made of etching on copper in black on ivory wove paper.

Painter Working Observed by Nude Model, plate eight from Le Chef d'oeuvre inconnu, 1927–28, printed and published 1931

Pablo Picasso

A work made of etching and drypoint on cream japanese paper.

House at Witebsk, plate eleven from Mein Leben, 1922, published 1923

Marc Chagall

A work made of color woodblock print; edition 4/20.

Ancient No. 1 (Mukashi No. 1), 1960

Yoshida Masaji

A work made of lithograph in black on off-white wove paper.

“Come on in, Monsieur, don't be shy. It's a living picture.... just like (you'd see) at the Porte St. Martin,” plate 62 from Les Bons Bourgeois, 1847

Honoré-Victorin Daumier

A work made of etching and drypoint printed in brown on cream wove paper.

Town at the World's End, 1919

Lyonel Feininger

A work made of etching on copper in black on ivory laid paper.

Head of a Man with a Pipe, 1912

Pablo Picasso

A work made of lithograph in black on ivory wove paper.

The Lithograph Seller, c. 1819

Nicolas Toussaint Charlet

A work made of platinum-palladium print.

Irving Penn: In A Cracked Mirror (Self-Portrait) (A), New York, 1986, printed October 1990

Irving Penn

A work made of etching with open bite and drypoint in black ink on heavyweight cream wove paper.

The Dead Mother and Her Child, 1901

Edvard Munch

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