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A work made of woodcut on china paper.

Gables in Luneburg, 1924

Lyonel Feininger

A work made of aquatint, with scraping and drypoint on white wove paper.

The Hen, June 23, 1952

Pablo Picasso

Color print of a light-skinned woman sitting in front of a mirror in a red- and white-striped plushy chair, pulling her brown hair into a bun. Her breasts and torso are visible in the reflected image, while a white cloth covers her legs.

The Coiffure, 1890–91

Mary Cassatt

A work made of color screenprint on red coated paper.

Da Hairy Who Foyer - For Ya Prince, 1968

Art Green

A work made of transfer lithograph printed in black on ivory china paper laid down on white wove paper.

The Isolated Fort, 1874

Jean Baptiste Camille Corot

A group of people of varying skin tones stand in line, some of them holding baskets and bags. Behind them is a billboard with a picture of four smiling, light-skinned figures in a car, under the slogan "World's Highest Standard of Living. There's no way like the American Way."

World's Highest Standard of Living, 1937, printed later

Margaret Bourke-White

A work made of platinum-palladium print.

Rochas Mermaid Dress (Lisa Fonssagrives-Penn), Paris, 1950, printed June 1979

Irving Penn

A work made of lithograph in black on ivory wove paper.

Beautification, 1932

Max Weber

Engraving of a seated woman wearing a period fabric ruff collar that extends outward beyond her ears.

Portrait of a Sixty-year-old Woman, from Recueil d'estampes d'après les plus célèbres tableaux de la Galerie Royale de Dresde, c. 1757

Pieter Tanjé

Engraving of a man with shoulder-length curly hair and flared mustache wearing a fur hat and clutching a heavy gold chain.

Pierre Dupuis, Painter to the King, 1663

Antoine Masson

A work made of woodcut on green laid paper.

Group Portrait, Eden Bar, 1923

Max Beckmann

A work made of etching, from a zinc plate, in olive-green on white wove paper.

Two Sisters, 1908

Ernst Ludwig Kirchner

A work made of etching, aquatint, drypoint, and engraving in black on blue wove paper.

Hat and Guitar, frontispiece for the edition of fourteen etchings, 1874

Édouard Manet

A work made of offset lithograph, from the portfolio "time exposed" (1991).

Caribbean Sea, Jamaica, 1980, printed 1991

Hiroshi Sugimoto

Mezzotint of a light-skinned bearded man in left profile wearing a twisted band of fabric wrapped around his head.

Head of Executioner, from John Evelyn's Sculptura, 1755

Richard Houston

A work made of woodcut in black on cream wove paper.

The Lie, plate one from Intimacies, 1897

Félix Edouard Vallotton

Engraving of a woman with a wide collar and an intricately braided hairstyle, curls framing her face.

Portrait Bust of a Woman with a Large Collar, from Perfect School to Learn How to Draw the Entire Human Body (English translation), n.d.

Luca Ciamberlano

A work made of photogravure.

The Steerage, 1907, printed 1915

Alfred Stieglitz

A work made of color woodblock print.

Kakogawa Konami, Oboshi Rikiya and the Maidservant Suki, (Kakogawa Konami, Oboshi Rikiya, gejo Suki) from the series "Models of Love Talk: Clouds Form Over the Moon (Chiwa kagami tsuki no murakumo) ", c. 1798/1800

Kitagawa Utamaro

A work made of etching with open bite and drypoint in black ink on heavyweight cream wove paper.

The Dead Mother and Her Child, 1901

Edvard Munch

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