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A work made of lithograph in black on off-white wove paper.

“- Aren't you getting dressed? - No... I remain like this in my swimming gear all day long, outside the swimming pool. - Even in winter? - Then I put on my hat!,” plate 28 from Croquis D'été, 1858

Honoré-Victorin Daumier

A work made of woodcut on japanese yellow-gold carbon-copy tissue.

Gelmeroda with the Fir Tree, 1918

Lyonel Feininger

A work made of zincograph in black on green imitation japanese wove paper.

Cover for Paris Intense, 1894

Félix Edouard Vallotton

A work made of chromogenic print.

Lenny, Minneapolis, Minnesota, 2002, printed 2006

Alec Soth

A work made of engraving in black on ivory laid paper.

Genius with the Alphabet, 1542

Hans Sebald Beham

A work made of color lithograph on white wove paper.

Watermelon, 1952

Rufino Tamayo

A group of people of varying skin tones stand in line, some of them holding baskets and bags. Behind them is a billboard with a picture of four smiling, light-skinned figures in a car, under the slogan "World's Highest Standard of Living. There's no way like the American Way."

World's Highest Standard of Living, 1937, printed later

Margaret Bourke-White

A work made of platinum-palladium print.

Rochas Mermaid Dress (Lisa Fonssagrives-Penn), Paris, 1950, printed June 1979

Irving Penn

A work made of etching, roulette and drypoint on white wove paper.

The Swineherd, 1843

Alexandre Gabriel Decamps

A work made of woodcut printed through rubbing in black, partially inked in red and blue on the same block, on white wove paper.

Mother Müller, 1918

Ernst Ludwig Kirchner

A work made of woodcut on china paper.

Gables in Luneburg, 1924

Lyonel Feininger

A work made of aquatint, with scraping and drypoint on white wove paper.

The Hen, June 23, 1952

Pablo Picasso

A work made of color screenprint on red coated paper.

Da Hairy Who Foyer - For Ya Prince, 1968

Art Green

A work made of transfer lithograph printed in black on ivory china paper laid down on white wove paper.

The Isolated Fort, 1874

Jean Baptiste Camille Corot

Color print of a light-skinned woman sitting in front of a mirror in a red- and white-striped plushy chair, pulling her brown hair into a bun. Her breasts and torso are visible in the reflected image, while a white cloth covers her legs.

The Coiffure, 1890–91

Mary Cassatt

A work made of photogravure.

The Steerage, 1907, printed 1915

Alfred Stieglitz

A work made of lithograph in black on ivory wove paper.

Beautification, 1932

Max Weber

A work made of etching, aquatint, drypoint, and engraving in black on blue wove paper.

Hat and Guitar, frontispiece for the edition of fourteen etchings, 1874

Édouard Manet

A work made of woodcut on green laid paper.

Group Portrait, Eden Bar, 1923

Max Beckmann

A work made of etching, from a zinc plate, in olive-green on white wove paper.

Two Sisters, 1908

Ernst Ludwig Kirchner

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