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Print in thick black lines of two women, pictured from the shoulders up, in front of three apartment buildings. The woman on the left wears a headwrap. She looks directly at the viewer with eyebrows raised and mouth slightly frowning. The woman on the right is in profile, looking at the other woman.

Special Houses, from The Black Woman (formerly The Negro Woman) (published 1946-47), 1946, printed 1989

Elizabeth Catlett

A work made of etching and engraving on ivory laid paper.

L'Heureux Moment (The Happy Moment), 1777

Nicolas Delaunay

A work made of soft ground etching and aquatint on cream laid paper.

Doorway to Illusion, 1919

Arthur B. Davies

A work made of woodcut in black on cream wove paper.

Swiss Peasant, 1917

Ernst Ludwig Kirchner

A work made of zincograph in black on dark yellow wove paper.

The Singers, 1893

Félix Edouard Vallotton

A work made of woodcut in black, and letterpress in black (recto and verso), on cream laid paper.

Battering Rams from De re militari (Concerning Military Matters), Plate 45 from Woodcuts from Books of the 15th Century, 1472, portfolio assembled 1929

Matteo de'Pasti

A work made of woodblock print; oban, sumizuri-e.

Daikoku revealing the contents of Hotei's bag, no. 2 from the series of 12 prints, c. 1708

Okumura Masanobu

A work made of etching and aquatint on paper.

Psyche Wandering, plate 28 from Cupid and Psyche, 1880

Max Klinger

A work made of etching and aquatint in black on cream japanese laid paper.

The Absinthe Drinker, 1867–68 or 1874

Édouard Manet

A work made of aquatint, sugar lift etching, and drypoint on ivory laid paper.

The Sparrow Hawk, from Histoire naturelle, 1936, published May 26, 1942

Pablo Picasso

A work made of gelatin silver print.

Three Asaro Mud Men, New Guinea, 1970, printed 1984

Irving Penn

Print of two children seated across from one another in a wooden seat, swinging high above the heads of onlookers.

The Boat Swing, 1924

Eileen Alice Soper

A work made of zinc lithographic plate with corners removed and beveled edges, laid down on mauve board and taped to mat.

At the Concert, 1896

Henri de Toulouse-Lautrec

A work made of aquatint, sugar lift etching, and drypoint on ivory laid paper.

The Spanish Bull, from Histoire naturelle, 1936, published May 26, 1942

Pablo Picasso

A work made of aquatint, sugar lift etching, scraping, and drypoint on ivory laid paper.

The Spider, from Histoire naturelle, 1936, published May 26, 1942

Pablo Picasso

A work made of lithograph (crayon) in violet or purple on cream wove paper hinged at top corners to gray-brown wove paper.

Linger, longer, loo, plate seven from Yvette Guilbert, 1898, printed 1930

Henri de Toulouse-Lautrec

A work made of pastel, with colored pencil, on dark brown wove paper.

Untitled, c. 1979

John F. Miller

A work made of soft ground etching, with aquatint, on cream wove paper.

Toil of Three, 1919–20

Arthur B. Davies

A work made of brush and brown ink and brush and brown wash, over traces of black chalk, on ivory laid paper, laid down on tan wove paper.

Two Monks Contemplating a Skull, c. 1730–35

Giovanni Battista Tiepolo

A work made of transfer lithograph on cream wove paper.

The Ballroom, 1968

June Leaf

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