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A work made of lithograph in black on ivory wove paper.

Beautification, 1932

Max Weber

A work made of sepia-toned gelatin silver print.

"How many things can you find wrong with this picture?", 1976, printed 1978

Leslie Robert Krims

A work made of etching, aquatint, drypoint, and engraving in black on blue wove paper.

Hat and Guitar, frontispiece for the edition of fourteen etchings, 1874

Édouard Manet

A work made of offset lithograph, from the portfolio "time exposed" (1991).

Caribbean Sea, Jamaica, 1980, printed 1991

Hiroshi Sugimoto

A work made of woodcut on green laid paper.

Group Portrait, Eden Bar, 1923

Max Beckmann

A work made of etching, from a zinc plate, in olive-green on white wove paper.

Two Sisters, 1908

Ernst Ludwig Kirchner

A work made of gelatin silver print.

The Hand of Man, 1902, printed 1920/39

Alfred Stieglitz

A work made of woodcut in black on cream wove paper.

The Lie, plate one from Intimacies, 1897

Félix Edouard Vallotton

A work made of color woodblock print.

Kakogawa Konami, Oboshi Rikiya and the Maidservant Suki, (Kakogawa Konami, Oboshi Rikiya, gejo Suki) from the series "Models of Love Talk: Clouds Form Over the Moon (Chiwa kagami tsuki no murakumo) ", c. 1798/1800

Kitagawa Utamaro

A work made of gelatin silver print.

Café du Dome, Paris, 1925, printed 1970s

André Kertész

A work made of etching with open bite and drypoint in black ink on heavyweight cream wove paper.

The Dead Mother and Her Child, 1901

Edvard Munch

A work made of zincograph in black on dark yellow wove paper.

The Accident, 1893

Félix Edouard Vallotton

A work made of letterpress on white wove paper.

Weeping Lincoln, 1963, printed 2007

Bill Mauldin

A work made of etching on paper.

Happy Moment, n.d.

Nicolas Delaunay

A work made of platinum-palladium print.

Woman in Palace (Lisa Fonssagrives-Penn), Marrakech, Morocco, 1951, printed 1983

Irving Penn

A work made of woodcut in black on cream wove paper.

Swiss Peasant, 1917

Ernst Ludwig Kirchner

A work made of soft ground etching and aquatint on cream laid paper.

Doorway to Illusion, 1919

Arthur B. Davies

Abstract etching of circular forms assembled into groups against a background of dense crosshatch marks.

Globes, 1930

Jacques Villon

A work made of zincograph in black on dark yellow wove paper.

The Singers, 1893

Félix Edouard Vallotton

A work made of woodcut in black, and letterpress in black (recto and verso), on cream laid paper.

Battering Rams from De re militari (Concerning Military Matters), Plate 45 from Woodcuts from Books of the 15th Century, 1472, portfolio assembled 1929

Matteo de'Pasti

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