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A work made of color woodblock print.

Kakogawa Konami, Oboshi Rikiya and the Maidservant Suki, (Kakogawa Konami, Oboshi Rikiya, gejo Suki) from the series "Models of Love Talk: Clouds Form Over the Moon (Chiwa kagami tsuki no murakumo) ", c. 1798/1800

Kitagawa Utamaro

A work made of etching with open bite and drypoint in black ink on heavyweight cream wove paper.

The Dead Mother and Her Child, 1901

Edvard Munch

A work made of gelatin silver print.

Still Life with with Onion Skin, New York, 1947, printed 1991

Irving Penn

A work made of etching and engraving on ivory laid paper.

L'Heureux Moment (The Happy Moment), 1777

Nicolas Delaunay

A work made of zincograph in black on dark yellow wove paper.

The Accident, 1893

Félix Edouard Vallotton

Etching of a herd of sheep on a bank approaching water in the foreground as rain begins to fall, a man and dog behind them.

The Shower, c. 1851

Charles François Daubigny

A work made of soft ground etching and aquatint on cream laid paper.

Doorway to Illusion, 1919

Arthur B. Davies

A work made of woodcut in black on cream wove paper.

Swiss Peasant, 1917

Ernst Ludwig Kirchner

A crashing wave looms over two small ships, Mount Fuji in the background.

Under the Wave off Kanagawa (Kanagawa oki nami ura), also known as The Great Wave, from the series "Thirty-Six Views of Mount Fuji (Fugaku sanjūrokkei)", 1830/33

Katsushika Hokusai

A work made of etching and aquatint in black on cream japanese laid paper.

The Absinthe Drinker, 1867–68 or 1874

Édouard Manet

A work made of zincograph in black on dark yellow wove paper.

The Singers, 1893

Félix Edouard Vallotton

A work made of woodcut in black, and letterpress in black (recto and verso), on cream laid paper.

Battering Rams from De re militari (Concerning Military Matters), Plate 45 from Woodcuts from Books of the 15th Century, 1472, portfolio assembled 1929

Matteo de'Pasti

A work made of etching and aquatint on paper.

Psyche Wandering, plate 28 from Cupid and Psyche, 1880

Max Klinger

A work made of gelatin silver print.

Cabbage Leaf, No. 1 from the "Fiftieth Anniversary Portfolio 1902–1952", 1931, printed 1952

Edward Weston

A work made of chromogenic print.

3.20.00 4:05-5:00 a.m., 2000, printed 2007

Richard Misrach

A work made of zinc lithographic plate with corners removed and beveled edges, laid down on mauve board and taped to mat.

At the Concert, 1896

Henri de Toulouse-Lautrec

A work made of aquatint, sugar lift etching, and drypoint on ivory laid paper.

The Sparrow Hawk, from Histoire naturelle, 1936, published May 26, 1942

Pablo Picasso

A work made of brush and brown ink and brush and brown wash, over traces of black chalk, on ivory laid paper, laid down on tan wove paper.

Two Monks Contemplating a Skull, c. 1730–35

Giovanni Battista Tiepolo

A work made of soft ground etching, with aquatint, on cream wove paper.

Toil of Three, 1919–20

Arthur B. Davies

A work made of transfer lithograph on cream wove paper.

The Ballroom, 1968

June Leaf

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