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A work made of relief print in black on ivory wove paper.

Foil Print (Twigs and Pebbles), plate 98 from 101 Prints, 1967

Norman Roland Eppink

A work made of soft ground etching, with aquatint, on cream wove paper.

Toil of Three, 1919–20

Arthur B. Davies

A work made of brush and brown ink and brush and brown wash, over traces of black chalk, on ivory laid paper, laid down on tan wove paper.

Two Monks Contemplating a Skull, c. 1730–35

Giovanni Battista Tiepolo

A work made of transfer lithograph on cream wove paper.

The Ballroom, 1968

June Leaf

A work made of linocut with monotype inking in black and blue on cream wove paper.

Untitled, 1976

Georg Baselitz

A work made of pastel, with colored pencil, on dark brown wove paper.

Untitled, c. 1979

John F. Miller

A work made of gelatin silver print.

Still Life with with Onion Skin, New York, 1947, printed 1991

Irving Penn

Etching of a snowy landscape with a horse-drawn carriage stopped on a path next to a building. The horse is eating or drinking from a trough, and a man nearby holds a bucket.

L'Auberge du soleil levant, n.d.

Charles Joseph Beauverie

A work made of gelatin silver print.

Onion, Halved, 1930, printed 1953/54

Edward Weston

A work made of gelatin silver print.

Tina [nude on the azotea], 1923, printed 1953/54

Edward Weston

A work made of color screenprint on ivory wove paper.

Organic Variant, 1956

Dean Jackson Meeker

A work made of engraving on paper.

Jeremiah, 1547

Nicolas Beatrizet

A work made of lithograph in black on cream japanese tissue.

The Law is too Slow, 1923

George Wesley Bellows

A work made of linocut and letterpress in red and black on tan wove paper.

Victory!, 1945

Ángel Bracho

A work made of gelatin silver print.

Cabbage Leaf, No. 1 from the "Fiftieth Anniversary Portfolio 1902–1952", 1931, printed 1952

Edward Weston

A work made of lithograph in black on white wove paper.

A European Concert. Not allowed to participate in this part, plate 171 from Actualités, 1867

Honoré-Victorin Daumier

A work made of chromogenic print.

3.20.00 4:05-5:00 a.m., 2000, printed 2007

Richard Misrach

A work made of wood engraving on paper.

The Apple Bee, n.d.

Winslow Homer

A work made of woodcut in black with pen and gray ink additions, and letterpress in black with rubrication (recto and verso), on cream laid paper.

Saint Otilia from Plenarium, Plate 27 from Woodcuts from Books of the 15th Century, c. 1483, portfolio assembled 1929

Unknown artist

A work made of etching on laid paper.

La Balanceuse, plate 98 from "L'Oeuvre d'Antoine Watteau", c.1729-1731

Jacques Philippe Le Bas

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