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A work made of woodcut in black, and letterpress in black (recto and verso), on cream laid paper.

Battering Rams from De re militari (Concerning Military Matters), Plate 45 from Woodcuts from Books of the 15th Century, 1472, portfolio assembled 1929

Matteo de'Pasti

A work made of gelatin silver print.

Onion, Halved, 1930, printed 1953/54

Edward Weston

A work made of gelatin silver print.

Tina [nude on the azotea], 1923, printed 1953/54

Edward Weston

A work made of zinc lithographic plate with corners removed and beveled edges, laid down on mauve board and taped to mat.

At the Concert, 1896

Henri de Toulouse-Lautrec

A work made of gelatin silver print.

Emiliano and Eufemio Zapata with their Wives, 1911, printed 1970s

Hugo Brehme

A work made of lithograph in black on cream japanese tissue.

The Law is too Slow, 1923

George Wesley Bellows

A work made of aquatint, sugar lift etching, and drypoint on ivory laid paper.

The Sparrow Hawk, from Histoire naturelle, 1936, published May 26, 1942

Pablo Picasso

A work made of transfer lithograph on cream wove paper.

The Ballroom, 1968

June Leaf

A work made of soft ground etching, with aquatint, on cream wove paper.

Toil of Three, 1919–20

Arthur B. Davies

A work made of brush and brown ink and brush and brown wash, over traces of black chalk, on ivory laid paper, laid down on tan wove paper.

Two Monks Contemplating a Skull, c. 1730–35

Giovanni Battista Tiepolo

A work made of linocut with monotype inking in black and blue on cream wove paper.

Untitled, 1976

Georg Baselitz

A work made of aquatint, sugar lift etching, and drypoint on ivory laid paper.

The Spanish Bull, from Histoire naturelle, 1936, published May 26, 1942

Pablo Picasso

A work made of aquatint, sugar lift etching, scraping, and drypoint on ivory laid paper.

The Spider, from Histoire naturelle, 1936, published May 26, 1942

Pablo Picasso

A work made of color woodblock print; hashira-e.

Komurasaki of the Miuraya and Shirai Gompachi (Miuraya Komurasaki, Shirai Gompachi), c. 1800

Kitagawa Utamaro

Etching of a large bull in profile, looking toward the viewer, with two additional cows and a milkmaid in the background.

The Bull, 1650

Paulus Potter

A work made of pastel, with colored pencil, on dark brown wove paper.

Untitled, c. 1979

John F. Miller

A work made of engraving on paper.

Jeremiah, 1547

Nicolas Beatrizet

A work made of color screenprint on ivory wove paper.

Organic Variant, 1956

Dean Jackson Meeker

Engraving of a seated woman wearing a period fabric ruff collar that extends outward beyond her ears.

Portrait of a Sixty-year-old Woman, from Recueil d'estampes d'après les plus célèbres tableaux de la Galerie Royale de Dresde, c. 1757

Pieter Tanjé

A work made of color lithograph on tan wove paper.

La revue blanche, 1895

Henri de Toulouse-Lautrec

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