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A work made of wood-block print, printed in black ink on cream wove paper.

Maruru (Offerings of Gratitude), from the Noa Noa Suite, 1893/94, printed 1941/42

Paul Gauguin

A work made of woodblock print; oban, sumizuri-e.

Daikoku revealing the contents of Hotei's bag, no. 2 from the series of 12 prints, c. 1708

Okumura Masanobu

A work made of lithograph in black on white wove paper.

“- Alright, alright, I'm coming - one would think the house was on fire! - Enough about your fire!... I'm freezing. For two hours I've been pounding on the door. -(aside) that will teach you next time, not to give a tip!,” plate 32 from Émotions Parisiens, 1840

Honoré-Victorin Daumier

A work made of drypoint with scraping, engraving and roulette on copper in black on off-white laid paper.

The Combat in the Arena, October 10, 1937, published 1943

Pablo Picasso

A work made of woodcut on japanese paper.

Daasdorf, 1918

Lyonel Feininger

A work made of dye imbibition print.

Eye in Keyhole, New York, 1953, printed 1984

Irving Penn

A work made of etching and drypoint on buff japanese paper.

The Wedding, plate sixteen from Mein Leben, 1922, published 1923

Marc Chagall

A work made of etching and drypoint on cream japanese paper.

Self-Portrait, plate seventeen from Mein Leben, 1922, published 1923

Marc Chagall

A work made of woodcut in black on ivory laid paper.

Illustration to Vier Bücher von der Menschlichen Proportion, plate one from Woodcuts from Books of the XVI Century, 1528, assembled into portfolio 1937

Albrecht Dürer

A work made of aquatint and sugar lift etching on copper in black on off-white laid paper.

The Wolf, from Histoire naturelle, 1936, published May 26, 1942

Pablo Picasso

Engraving of a man with curly, shoulder-length hair and moustache, wearing a loose-fitting tunic with a large square collar.

Gaspar Charrier, King's Secretary, n.d.

Antoine Masson

A work made of transfer lithograph in black on gray china paper.

The Chair ("That shadow that lies floating on the floor..."), from The Raven (Le Corbeau), 1875

Édouard Manet

Etching printed in reddish brown ink of man in armor, his wrists and ankles bound with rope to a tree.

Saint William of Maleval, c. 1780

Salvator Rosa

A work made of woodcut printed through rubbing, from two blocks, one in black and red and the other in yellow and green, on ivory japanese paper.

Toilette, 1922

Ernst Ludwig Kirchner

A work made of graphite on cream laminate board (discolored).

Woman with Folded Hands, n.d.

John La Farge

A work made of woodcut on paper.

Illustration from Von dem Troianischen Krieg, plate 24 from Woodcuts from Books of the XVI Century, 1536, assembled into portfolio 1937

Hans Weiditz, II

A work made of aquatint, sugar lift etching, scratching, and drypoint on ivory laid paper.

The Donkey, from Histoire naturelle, February 9, 1936, published May 26, 1942

Pablo Picasso

A work made of etching on copper in black on cream wove (simili-japan) paper.

Demons Teasing Me, 1895

James Ensor

A work made of etching on copper in black on cream wove paper.

Devils Thrashing Angels and Archangels, 1888

James Ensor

A work made of lithograph in black on white wove paper.

Crinolines are suddenly getting to be suspicious, plate 419 from Actualités, 1857

Honoré-Victorin Daumier

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