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A work made of etching and aquatint in black on cream japanese laid paper.

The Absinthe Drinker, 1867–68 or 1874

Édouard Manet

A work made of etching and aquatint on paper.

Psyche Wandering, plate 28 from Cupid and Psyche, 1880

Max Klinger

Engraving of a seated woman wearing a period fabric ruff collar that extends outward beyond her ears.

Portrait of a Sixty-year-old Woman, from Recueil d'estampes d'après les plus célèbres tableaux de la Galerie Royale de Dresde, c. 1757

Pieter Tanjé

A work made of zincograph in black on dark yellow wove paper.

The Singers, 1893

Félix Edouard Vallotton

A work made of woodcut in black, and letterpress in black (recto and verso), on cream laid paper.

Battering Rams from De re militari (Concerning Military Matters), Plate 45 from Woodcuts from Books of the 15th Century, 1472, portfolio assembled 1929

Matteo de'Pasti

A work made of gelatin silver print.

Onion, Halved, 1930, printed 1953/54

Edward Weston

A work made of gelatin silver print.

Tina [nude on the azotea], 1923, printed 1953/54

Edward Weston

Engraving of a man with shoulder-length curly hair and flared mustache wearing a fur hat and clutching a heavy gold chain.

Pierre Dupuis, Painter to the King, 1663

Antoine Masson

Mezzotint of a light-skinned bearded man in left profile wearing a twisted band of fabric wrapped around his head.

Head of Executioner, from John Evelyn's Sculptura, 1755

Richard Houston

A work made of zinc lithographic plate with corners removed and beveled edges, laid down on mauve board and taped to mat.

At the Concert, 1896

Henri de Toulouse-Lautrec

A work made of lithograph in black on cream japanese tissue.

The Law is too Slow, 1923

George Wesley Bellows

Engraving of a woman with a wide collar and an intricately braided hairstyle, curls framing her face.

Portrait Bust of a Woman with a Large Collar, from Perfect School to Learn How to Draw the Entire Human Body (English translation), n.d.

Luca Ciamberlano

A work made of aquatint, sugar lift etching, and drypoint on ivory laid paper.

The Sparrow Hawk, from Histoire naturelle, 1936, published May 26, 1942

Pablo Picasso

A work made of brush and brown ink and brush and brown wash, over traces of black chalk, on ivory laid paper, laid down on tan wove paper.

Two Monks Contemplating a Skull, c. 1730–35

Giovanni Battista Tiepolo

A work made of soft ground etching, with aquatint, on cream wove paper.

Toil of Three, 1919–20

Arthur B. Davies

A work made of transfer lithograph on cream wove paper.

The Ballroom, 1968

June Leaf

A work made of linocut with monotype inking in black and blue on cream wove paper.

Untitled, 1976

Georg Baselitz

A work made of aquatint, sugar lift etching, and drypoint on ivory laid paper.

The Spanish Bull, from Histoire naturelle, 1936, published May 26, 1942

Pablo Picasso

A work made of aquatint, sugar lift etching, scraping, and drypoint on ivory laid paper.

The Spider, from Histoire naturelle, 1936, published May 26, 1942

Pablo Picasso

A work made of pastel, with colored pencil, on dark brown wove paper.

Untitled, c. 1979

John F. Miller

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