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A work made of etching on copper in black on cream wove (simili-japan) paper.

Demons Teasing Me, 1895

James Ensor

A work made of aquatint, sugar lift etching, scratching, and drypoint on ivory laid paper.

The Donkey, from Histoire naturelle, February 9, 1936, published May 26, 1942

Pablo Picasso

A work made of etching on copper in black on cream wove paper.

Devils Thrashing Angels and Archangels, 1888

James Ensor

Engraving of a nude woman with her wrists chained to a rock. At her feet lie human bones, including a skull, and in the background a man in amour rides a flying horse, holding a sword.

Andromeda, 1601

Jan Saenredam

A work made of lithograph in black on white wove paper.

Crinolines are suddenly getting to be suspicious, plate 419 from Actualités, 1857

Honoré-Victorin Daumier

A work made of chiaroscuro woodcut from four blocks in black and light, medium and dark greenish gray on off-white laid paper.

Triumph of Caesar, 1599

Andrea Andreani

Etching of a snowy landscape with a horse-drawn carriage stopped on a path next to a building. The horse is eating or drinking from a trough, and a man nearby holds a bucket.

L'Auberge du soleil levant, n.d.

Charles Joseph Beauverie

A work made of woodblock print; oban.

Sketch of a High-Ranking Officer's Portrait, from the Great United States of America (Kita Amerika dai gasshukokujin, Jokan shozo no utsushi, 1854

A work made of lithograph in black on buff wove paper.

“- All right Rigobert, my old friend.... we are going to make a long trip today.... did you bring enough provisions on board of our vessel? - Don't talk about it.... all I was able to bring along are two biscuits and a red herring,” plate 1 from Les Canotiers Parisiens, 1843

Honoré-Victorin Daumier

A work made of dye imbibition print, plate 12 from a portfolio of fourteen images (1974).

Untitled, 1974, printed 1974

William Eggleston

A work made of lithograph in black from two stones on china paper, laid down on cream wove paper.

Portrait of Auguste Rodin, 1897

Eugène Carrière

A work made of drypoint in black on ivory wove paper.

The Giantess, 1938

Joan Miró

A work made of lithograph on white wove paper.

An Activist, from Les Femmes Socialistes, 1849

Honoré-Victorin Daumier

A work made of dye imbibition print.

Italian Still Life (B), New York, 1981, printed 1992

Irving Penn

A work made of hand-colored woodcut on paper.

Christwurz (Hellebore) from Herbarium (Kräuterbuch), plate 96 from Woodcuts from Books of the XVI Century, 1532, assembled into portfolio 1937

Hans Weiditz, II

Color print of a light-skinned woman sitting in front of a mirror in a red- and white-striped plushy chair, pulling her brown hair into a bun. Her breasts and torso are visible in the reflected image, while a white cloth covers her legs.

The Coiffure, 1890–91

Mary Cassatt

A work made of etching and drypoint on white laid paper.

Moonlight at Valmondois, 1877

Charles François Daubigny

A work made of lithograph in black on white wove paper.

The usefulness of the crinoline when cheating the customs, plate 414 from Actualités, 1857

Honoré-Victorin Daumier

A work made of etching on ivory laid paper.

Satyrs Dancing from Bacchanales, or Satyrs' Games, 1763

Jean Honoré Fragonard

A work made of aquatint, sugar lift etching, scraping, and drypoint on ivory laid paper.

The Rooster, from Histoire naturelle, February 7, 1936, published May 26, 1942

Pablo Picasso

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