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A work made of drypoint with scraping, engraving and roulette on copper in black on off-white laid paper.

The Combat in the Arena, October 10, 1937, published 1943

Pablo Picasso

A work made of lithograph in black on white wove paper.

“- Alright, alright, I'm coming - one would think the house was on fire! - Enough about your fire!... I'm freezing. For two hours I've been pounding on the door. -(aside) that will teach you next time, not to give a tip!,” plate 32 from Émotions Parisiens, 1840

Honoré-Victorin Daumier

A work made of woodcut on japanese paper.

Daasdorf, 1918

Lyonel Feininger

A work made of chromogenic print.

Lenny, Minneapolis, Minnesota, 2002, printed 2006

Alec Soth

A work made of etching and drypoint on buff japanese paper.

The Wedding, plate sixteen from Mein Leben, 1922, published 1923

Marc Chagall

A work made of etching and drypoint on cream japanese paper.

Self-Portrait, plate seventeen from Mein Leben, 1922, published 1923

Marc Chagall

A work made of aquatint and sugar lift etching on copper in black on off-white laid paper.

The Wolf, from Histoire naturelle, 1936, published May 26, 1942

Pablo Picasso

A work made of woodcut in black on ivory laid paper.

Illustration to Vier Bücher von der Menschlichen Proportion, plate one from Woodcuts from Books of the XVI Century, 1528, assembled into portfolio 1937

Albrecht Dürer

A work made of woodcut printed through rubbing, from two blocks, one in black and red and the other in yellow and green, on ivory japanese paper.

Toilette, 1922

Ernst Ludwig Kirchner

A work made of transfer lithograph in black on gray china paper.

The Chair ("That shadow that lies floating on the floor..."), from The Raven (Le Corbeau), 1875

Édouard Manet

A group of people of varying skin tones stand in line, some of them holding baskets and bags. Behind them is a billboard with a picture of four smiling, light-skinned figures in a car, under the slogan "World's Highest Standard of Living. There's no way like the American Way."

World's Highest Standard of Living, 1937, printed later

Margaret Bourke-White

A work made of platinum-palladium print.

Rochas Mermaid Dress (Lisa Fonssagrives-Penn), Paris, 1950, printed June 1979

Irving Penn

A work made of etching on copper in black on cream wove (simili-japan) paper.

Demons Teasing Me, 1895

James Ensor

A work made of graphite on cream laminate board (discolored).

Woman with Folded Hands, n.d.

John La Farge

A work made of woodcut on paper.

Illustration from Von dem Troianischen Krieg, plate 24 from Woodcuts from Books of the XVI Century, 1536, assembled into portfolio 1937

Hans Weiditz, II

A work made of aquatint, sugar lift etching, scratching, and drypoint on ivory laid paper.

The Donkey, from Histoire naturelle, February 9, 1936, published May 26, 1942

Pablo Picasso

A work made of etching on copper in black on cream wove paper.

Devils Thrashing Angels and Archangels, 1888

James Ensor

A work made of photogravure.

The Steerage, 1907, printed 1915

Alfred Stieglitz

A work made of lithograph in black on white wove paper.

Crinolines are suddenly getting to be suspicious, plate 419 from Actualités, 1857

Honoré-Victorin Daumier

A work made of chiaroscuro woodcut from four blocks in black and light, medium and dark greenish gray on off-white laid paper.

Triumph of Caesar, 1599

Andrea Andreani

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