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A work made of chiaroscuro woodcut from four blocks in black and light, medium and dark greenish gray on off-white laid paper.

Triumph of Caesar, 1599

Andrea Andreani

A work made of lithograph in black on buff wove paper.

“- All right Rigobert, my old friend.... we are going to make a long trip today.... did you bring enough provisions on board of our vessel? - Don't talk about it.... all I was able to bring along are two biscuits and a red herring,” plate 1 from Les Canotiers Parisiens, 1843

Honoré-Victorin Daumier

A work made of woodblock print; oban.

Sketch of a High-Ranking Officer's Portrait, from the Great United States of America (Kita Amerika dai gasshukokujin, Jokan shozo no utsushi, 1854

A work made of lithograph in black from two stones on china paper, laid down on cream wove paper.

Portrait of Auguste Rodin, 1897

Eugène Carrière

A work made of lithograph on white wove paper.

An Activist, from Les Femmes Socialistes, 1849

Honoré-Victorin Daumier

A work made of drypoint in black on ivory wove paper.

The Giantess, 1938

Joan Miró

A work made of watercolor on paper.

Design for a Printed Textile, 18th century

A work made of hand-colored woodcut on paper.

Christwurz (Hellebore) from Herbarium (Kräuterbuch), plate 96 from Woodcuts from Books of the XVI Century, 1532, assembled into portfolio 1937

Hans Weiditz, II

A work made of punch engraving and engraving in black on ivory wove paper.

Flock Print (Figure Composition), plate 15 from 101 Prints, 1967

Norman Roland Eppink

A work made of hand-applied color printing ink on ivory wove paper.

Hand Print (Personal Data), plate 86 from 101 Prints, 1967

Norman Roland Eppink

A work made of color pochoir (stencil) on ivory wove paper.

Stencil Print (Rotten Stump), plate 94 from 101 Prints, 1967

Norman Roland Eppink

A work made of etching and drypoint on white laid paper.

Moonlight at Valmondois, 1877

Charles François Daubigny

A work made of lithograph in black on white wove paper.

The usefulness of the crinoline when cheating the customs, plate 414 from Actualités, 1857

Honoré-Victorin Daumier

A work made of etching on ivory laid paper.

Satyrs Dancing from Bacchanales, or Satyrs' Games, 1763

Jean Honoré Fragonard

A work made of aquatint, sugar lift etching, scraping, and drypoint on ivory laid paper.

The Rooster, from Histoire naturelle, February 7, 1936, published May 26, 1942

Pablo Picasso

A work made of dye imbibition print.

Summer Sleep, New York, 1949, printed 1984

Irving Penn

Color print of travelers of foot and horseback following a grassy route flanked by Japanese bungalows and groves of trees.

Hamamatsu, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido), c. 1837/42

Utagawa Hiroshige

A work made of lithograph in black on cream wove paper.

Husbands Always Make Me Laugh: Come, Mme. Rabat-joie, shut up, 1853

Paul Gavarni

A work made of engraving on cream laid paper.

Forest Crossed by a Stream, from The Small Landscapes, c. 1638

Schelte Adamsz. Bolswert

A work made of woodcut on paper.

The Passage of the Red Sea (recto) and The Burial of Jacob (verso) from Neuwe Biblische Figuren, plate 48 from Woodcuts from Books of the XVI Century, 1565, assembled into portfolio 1937

Jost Amman

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