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A work made of woodcut in black with pen and gray ink additions, and letterpress in black with rubrication (recto and verso), on cream laid paper.

Saint Otilia from Plenarium, Plate 27 from Woodcuts from Books of the 15th Century

c. 1483, portfolio assembled 1929

Unknown Artist (Strassburg, late 15th century) printed and published by Martin Schott (German, active 1481–1499) portfolio text by Wilhelm Ludwig Schreiber (German, 1855–1932)

Germany

When is a book illustration not a book illustration? These leaves (1938.86.27 and 1938.88.52) were removed from their original texts in the early twentieth century and grouped into portfolios celebrating fifteenth and sixteenth-century book illustrations. Yet the Saint Otilia bears an early owner’s mark from her previous life, and this viewer or another early user has augmented the saint’s halo; the border of the altar showing Christ’s Resurrection; and the muscles on the soul escaping the mouth of hell in Otilia’s vision. In contrast, Jost Amman’s book boasted many woodcuts with spaces intentionally left blank for viewers to complete with their personal coats of arms, an option not realized on this particular sheet.

Woodcut in black with pen and gray ink additions, and letterpress in black with rubrication (recto and verso), on cream laid paper

Prints and Drawings