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A work made of platinum-palladium print.

Black & White Vogue Cover (Jean Patchett), New York, 1950, printed 1968

Irving Penn

A work made of woodcut in black on cream wove paper.

The Lie, plate one from Intimacies, 1897

Félix Edouard Vallotton

A crashing wave looms over two small ships, Mount Fuji in the background.

Under the Wave off Kanagawa (Kanagawa oki nami ura), also known as The Great Wave, from the series "Thirty-Six Views of Mount Fuji (Fugaku sanjūrokkei)", 1830/33

Katsushika Hokusai

A work made of zincograph in black on dark yellow wove paper.

The Accident, 1893

Félix Edouard Vallotton

A work made of etching and engraving on ivory laid paper.

L'Heureux Moment (The Happy Moment), 1777

Nicolas Delaunay

A work made of zincograph in black on dark yellow wove paper.

The Singers, 1893

Félix Edouard Vallotton

A work made of woodcut in black, and letterpress in black (recto and verso), on cream laid paper.

Battering Rams from De re militari (Concerning Military Matters), Plate 45 from Woodcuts from Books of the 15th Century, 1472, portfolio assembled 1929

Matteo de'Pasti

A work made of soft ground etching and aquatint on cream laid paper.

Doorway to Illusion, 1919

Arthur B. Davies

A work made of woodcut in black on cream wove paper.

Swiss Peasant, 1917

Ernst Ludwig Kirchner

A work made of etching and aquatint on paper.

Psyche Wandering, plate 28 from Cupid and Psyche, 1880

Max Klinger

A work made of etching and aquatint in black on cream japanese laid paper.

The Absinthe Drinker, 1867–68 or 1874

Édouard Manet

A work made of aquatint, sugar lift etching, and drypoint on ivory laid paper.

The Sparrow Hawk, from Histoire naturelle, 1936, published May 26, 1942

Pablo Picasso

A work made of dye imbibition print.

Cottage Tulip: Sorbet, New York, 1967, printed 1986

Irving Penn

A work made of aquatint, sugar lift etching, and drypoint on ivory laid paper.

The Spanish Bull, from Histoire naturelle, 1936, published May 26, 1942

Pablo Picasso

A work made of aquatint, sugar lift etching, scraping, and drypoint on ivory laid paper.

The Spider, from Histoire naturelle, 1936, published May 26, 1942

Pablo Picasso

A work made of zinc lithographic plate with corners removed and beveled edges, laid down on mauve board and taped to mat.

At the Concert, 1896

Henri de Toulouse-Lautrec

A work made of color lithograph in green, blue, yellow, red, and peach with scraping on plate, from a zinc plate on buff wove paper.

In Times of Harmony, 1895–96

Paul Signac

A work made of pastel, with colored pencil, on dark brown wove paper.

Untitled, c. 1979

John F. Miller

A work made of brush and brown ink and brush and brown wash, over traces of black chalk, on ivory laid paper, laid down on tan wove paper.

Two Monks Contemplating a Skull, c. 1730–35

Giovanni Battista Tiepolo

A work made of soft ground etching, with aquatint, on cream wove paper.

Toil of Three, 1919–20

Arthur B. Davies

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