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A work made of woodcut on japanese kozo paper.

Cathedral, 1919–23

Lyonel Feininger

A work made of lithograph in black on ivory wove paper.

The Check Cloth Bodice, March 26, 1949

Pablo Picasso

Etching of a male figure with a halo, wearing elaborate drapery, a book open on his knee and dipping a pen into ink. A dove flies in the upper-right corner, and an eagle sits in the lower left.

Saint John the Evangelist, 1567

Paolo Farinati

A work made of 54 pages with period binding, including 20 drawings after old masters, redon's artistic, musical, and literary theories, and technical studies.

Sketchbook, 1860/65

Odilon Redon

A work made of etching on copper in black on ivory laid paper.

Head of a Man with a Pipe, 1912

Pablo Picasso

A work made of lithograph in black on ivory wove paper.

The Lithograph Seller, c. 1819

Nicolas Toussaint Charlet

A work made of etching and drypoint on cream japanese paper.

House at Witebsk, plate eleven from Mein Leben, 1922, published 1923

Marc Chagall

A work made of etching and drypoint printed in brown on cream wove paper.

Town at the World's End, 1919

Lyonel Feininger

A work made of color woodblock print; edition 4/20.

Ancient No. 1 (Mukashi No. 1), 1960

Yoshida Masaji

A work made of lithograph in black on off-white wove paper.

“Come on in, Monsieur, don't be shy. It's a living picture.... just like (you'd see) at the Porte St. Martin,” plate 62 from Les Bons Bourgeois, 1847

Honoré-Victorin Daumier

A work made of gelatin silver print, no. 1 from "portfolio three: yosemite valley" (1959).

Monolith, The Face of Half Dome, Yosemite National Park, 1927, printed 1959

Ansel Adams

Etching of a herd of sheep on a bank approaching water in the foreground as rain begins to fall, a man and dog behind them.

The Shower, c. 1851

Charles François Daubigny

A work made of screenprint in red ink on tan envelope.

Da Hairy Who Foyer - For Ya Prince, 1967–68

The Hairy Who (Art Green, Gladys Nilsson, Jim Nutt, Jim Falconer, Suellen Rocca, and Karl Wirsum)

Print in thick black lines of two women, pictured from the shoulders up, in front of three apartment buildings. The woman on the left wears a headwrap. She looks directly at the viewer with eyebrows raised and mouth slightly frowning. The woman on the right is in profile, looking at the other woman.

Special Houses, from The Black Woman (formerly The Negro Woman) (published 1946-47), 1946, printed 1989

Elizabeth Catlett

A work made of color lithograph in green, blue, yellow, red, and peach with scraping on plate, from a zinc plate on buff wove paper.

In Times of Harmony, 1895–96

Paul Signac

A work made of lithograph on cream wove paper.

Don Quixote, 1952

David Smith

A work made of sugar-lift, with aquatint and spit-bite etching, on copper in black on ivory laid paper.

Portrait of Vollard II, from the Vollard Suite, March 4, 1937, printed and published 1939

Pablo Picasso

A work made of wood-block print in black and brown ink from two blocks on cream japanese paper with cream fibrous inclusions throughout.

Te atua (The God), from the Suite of Late Wood-Block Prints, 1899, printed 1995

Paul Gauguin

A work made of wood engraving on paper.

April Showers, n.d.

Winslow Homer

A work made of gelatin silver print.

Anita [Nude Back], 1925, printed 1953/54

Edward Weston

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