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A crashing wave looms over two small ships, Mount Fuji in the background.

Under the Wave off Kanagawa (Kanagawa oki nami ura), also known as The Great Wave, from the series "Thirty-Six Views of Mount Fuji (Fugaku sanjūrokkei)", 1830/33

Katsushika Hokusai

A work made of gelatin silver print.

"E" Town, New Mexico, 1930, printed 1953/54

Edward Weston

A work made of black crayon, with incising, on off-white wove paper.

In the Light of the Moon, 1951

Edward Balchowsky

A work made of woodcut on japanese yellow-gold carbon-copy tissue.

Gelmeroda with the Fir Tree, 1918

Lyonel Feininger

A work made of zincograph in black on green imitation japanese wove paper.

Cover for Paris Intense, 1894

Félix Edouard Vallotton

A work made of engraving in black on ivory laid paper.

Genius with the Alphabet, 1542

Hans Sebald Beham

A work made of gelatin silver print.

Antique Shop, Pine Street, Philadelphia, 1938, printed 1990

Irving Penn

A work made of lithograph in black on off-white wove paper.

“- Aren't you getting dressed? - No... I remain like this in my swimming gear all day long, outside the swimming pool. - Even in winter? - Then I put on my hat!,” plate 28 from Croquis D'été, 1858

Honoré-Victorin Daumier

A work made of color lithograph on white wove paper.

Watermelon, 1952

Rufino Tamayo

A work made of lithograph on buff wove paper.

Short Bull, from 1776 USA 1976: Bicentennial Prints, 1975

Barbara Sandler

A work made of woodcut on china paper.

Gables in Luneburg, 1924

Lyonel Feininger

A work made of aquatint, with scraping and drypoint on white wove paper.

The Hen, June 23, 1952

Pablo Picasso

A work made of etching in black on cream wove paper.

The Bathers, 1651, printed 1906

Donald Shaw MacLaughlan

A work made of etching, roulette and drypoint on white wove paper.

The Swineherd, 1843

Alexandre Gabriel Decamps

A work made of woodcut printed through rubbing in black, partially inked in red and blue on the same block, on white wove paper.

Mother Müller, 1918

Ernst Ludwig Kirchner

A work made of 54 pages with period binding, including 20 drawings after old masters, redon's artistic, musical, and literary theories, and technical studies.

Sketchbook, 1860/65

Odilon Redon

A work made of platinum-palladium print.

Black & White Vogue Cover (Jean Patchett), New York, 1950, printed 1968

Irving Penn

A work made of transfer lithograph printed in black on ivory china paper laid down on white wove paper.

The Isolated Fort, 1874

Jean Baptiste Camille Corot

A work made of color screenprint on red coated paper.

Da Hairy Who Foyer - For Ya Prince, 1968

Art Green

A work made of lithograph in black on ivory wove paper.

Beautification, 1932

Max Weber

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