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A work made of wood-block print in black and brown ink from two blocks on cream japanese paper with cream fibrous inclusions throughout.

Te atua (The God), from the Suite of Late Wood-Block Prints, 1899, printed 1995

Paul Gauguin

A work made of etching and drypoint in warm black on blue laid paper.

The Philosopher, 1865–66

Édouard Manet

A work made of linocut on cream wove paper.

1952 Exhibition Poster, 1952

Pablo Picasso

A work made of woodcut in black on cream wove paper.

The Other's Health, plate nine from Intimacies, 1898

Félix Edouard Vallotton

A work made of aquatint, sugar lift etching, and drypoint on ivory laid paper.

The Bee, from Histoire naturelle, 1936, published May 26, 1942

Pablo Picasso

A work made of etching from a copper plate, in black ink, on cream wove paper.

The Bad Doctors, 1895

James Ensor

A work made of etching on copper in black on ivory wove paper.

Three Standing Nudes, With Sketches of Faces, plate nine from Le Chef d'oeuvre inconnu, 1927, printed and published 1931

Pablo Picasso

A work made of woodcut on cream wove paper.

Baltic Steamer (Ostsee Dampfer), 1918

Lyonel Feininger

A work made of etching on copper in black on ivory wove paper.

Painter Working Observed by Nude Model, plate eight from Le Chef d'oeuvre inconnu, 1927–28, printed and published 1931

Pablo Picasso

A colored print of two women in dresses, one with a child, with bus windows revealing a bridge behind them.

In the Omnibus, 1890–91

Mary Cassatt

A work made of woodcut on japanese kozo paper.

Cathedral, 1919–23

Lyonel Feininger

A work made of lithograph in black on ivory wove paper.

The Check Cloth Bodice, March 26, 1949

Pablo Picasso

A work made of etching on copper in black on ivory laid paper.

Head of a Man with a Pipe, 1912

Pablo Picasso

A work made of lithograph in black on ivory wove paper.

The Lithograph Seller, c. 1819

Nicolas Toussaint Charlet

A work made of platinum-palladium print.

Cigarette No. 17, New York, 1972, printed December 1974

Irving Penn

A work made of etching and drypoint on cream japanese paper.

House at Witebsk, plate eleven from Mein Leben, 1922, published 1923

Marc Chagall

A work made of etching and drypoint printed in brown on cream wove paper.

Town at the World's End, 1919

Lyonel Feininger

A work made of gelatin silver print.

Still Life with with Onion Skin, New York, 1947, printed 1991

Irving Penn

A work made of color woodblock print; edition 4/20.

Ancient No. 1 (Mukashi No. 1), 1960

Yoshida Masaji

A work made of lithograph in black on off-white wove paper.

“Come on in, Monsieur, don't be shy. It's a living picture.... just like (you'd see) at the Porte St. Martin,” plate 62 from Les Bons Bourgeois, 1847

Honoré-Victorin Daumier

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