Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of gelatin silver print, no. 6 from "a portfolio of photographs by jacques henri lartigue" (1972).

Zissou in his Tire Boat, Chateau de Rouzat, 1911, printed 1972

Jacques-Henri Lartigue

A work made of woodcut on japanese kozo paper.

Cathedral, 1919–23

Lyonel Feininger

A work made of lithograph in black on ivory wove paper.

The Check Cloth Bodice, March 26, 1949

Pablo Picasso

Engraving of a man with shoulder-length curly hair and flared mustache wearing a fur hat and clutching a heavy gold chain.

Pierre Dupuis, Painter to the King, 1663

Antoine Masson

Mezzotint of a light-skinned bearded man in left profile wearing a twisted band of fabric wrapped around his head.

Head of Executioner, from John Evelyn's Sculptura, 1755

Richard Houston

A work made of etching on copper in black on ivory laid paper.

Head of a Man with a Pipe, 1912

Pablo Picasso

A work made of lithograph in black on ivory wove paper.

The Lithograph Seller, c. 1819

Nicolas Toussaint Charlet

A work made of etching and drypoint on cream japanese paper.

House at Witebsk, plate eleven from Mein Leben, 1922, published 1923

Marc Chagall

Engraving of a woman with a wide collar and an intricately braided hairstyle, curls framing her face.

Portrait Bust of a Woman with a Large Collar, from Perfect School to Learn How to Draw the Entire Human Body (English translation), n.d.

Luca Ciamberlano

A work made of linocut on cream wove paper.

1952 Exhibition Poster, 1952

Pablo Picasso

A work made of 54 pages with period binding, including 20 drawings after old masters, redon's artistic, musical, and literary theories, and technical studies.

Sketchbook, 1860/65

Odilon Redon

A work made of etching and drypoint printed in brown on cream wove paper.

Town at the World's End, 1919

Lyonel Feininger

A work made of color woodblock print; edition 4/20.

Ancient No. 1 (Mukashi No. 1), 1960

Yoshida Masaji

A work made of lithograph in black on off-white wove paper.

“Come on in, Monsieur, don't be shy. It's a living picture.... just like (you'd see) at the Porte St. Martin,” plate 62 from Les Bons Bourgeois, 1847

Honoré-Victorin Daumier

A work made of wood-block print in black and brown ink from two blocks on cream japanese paper with cream fibrous inclusions throughout.

Te atua (The God), from the Suite of Late Wood-Block Prints, 1899, printed 1995

Paul Gauguin

A colored print of two women in dresses, one with a child, with bus windows revealing a bridge behind them.

In the Omnibus, 1890–91

Mary Cassatt

A work made of screenprint in red ink on tan envelope.

Da Hairy Who Foyer - For Ya Prince, 1967–68

The Hairy Who (Art Green, Gladys Nilsson, Jim Nutt, Jim Falconer, Suellen Rocca, and Karl Wirsum)

A work made of gelatin silver print, no. 1 from "portfolio three: yosemite valley" (1959).

Monolith, The Face of Half Dome, Yosemite National Park, 1927, printed 1959

Ansel Adams

Engraving of a seated nude woman washing her feet in a small fountain, two men and town buildings behind.

Susanna Surprised by the Elders, from The Story of Susanna, 1555

Heinrich Aldegrever

Print in thick black lines of two women, pictured from the shoulders up, in front of three apartment buildings. The woman on the left wears a headwrap. She looks directly at the viewer with eyebrows raised and mouth slightly frowning. The woman on the right is in profile, looking at the other woman.

Special Houses, from The Black Woman (formerly The Negro Woman) (published 1946-47), 1946, printed 1989

Elizabeth Catlett

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