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A work made of etching on copper in black on ivory wove paper.

Bull and Horse in the Arena, plate three from Le Chef d'oeuvre inconnu, probably 1929, printed and published 1931

Pablo Picasso

A work made of gelatin silver print.

Anita [Nude Back], 1925, printed 1953/54

Edward Weston

A work made of etching and drypoint on cream wove paper with simulated laid texture.

Marine I, 1911

Lyonel Feininger

A work made of etching and aquatint in black on ivory laid paper.

Grandmother: The Artist's Mother, 1889

Camille Pissarro

A work made of etching in warm black on ivory laid paper.

The Gypsies, 1862

Édouard Manet

A work made of gelatin silver print, no. 1 from "portfolio three: yosemite valley" (1959).

Monolith, The Face of Half Dome, Yosemite National Park, 1927, printed 1959

Ansel Adams

Print in thick black lines of two women, pictured from the shoulders up, in front of three apartment buildings. The woman on the left wears a headwrap. She looks directly at the viewer with eyebrows raised and mouth slightly frowning. The woman on the right is in profile, looking at the other woman.

Special Houses, from The Black Woman (formerly The Negro Woman) (published 1946-47), 1946, printed 1989

Elizabeth Catlett

A work made of woodcut, with hand-coloring, in black on paper.

Visitation, from Book of Hours, n.d.

Philippe Pigouchet

A work made of woodcut on white japanese paper.

Dead Saint, 1960

Leonard Baskin

A work made of 54 pages with period binding, including 20 drawings after old masters, redon's artistic, musical, and literary theories, and technical studies.

Sketchbook, 1860/65

Odilon Redon

A work made of etching and drypoint in warm black on blue laid paper.

The Philosopher, 1865–66

Édouard Manet

A work made of gelatin silver print.

Three Asaro Mud Men, New Guinea, 1970, printed 1984

Irving Penn

A work made of aquatint, sugar lift etching, and drypoint on ivory laid paper.

The Bee, from Histoire naturelle, 1936, published May 26, 1942

Pablo Picasso

A work made of woodcut in black on cream wove paper.

The Other's Health, plate nine from Intimacies, 1898

Félix Edouard Vallotton

A work made of lithograph (crayon) in violet or purple on cream wove paper hinged at top corners to gray-brown wove paper.

Linger, longer, loo, plate seven from Yvette Guilbert, 1898, printed 1930

Henri de Toulouse-Lautrec

A work made of etching from a copper plate, in black ink, on cream wove paper.

The Bad Doctors, 1895

James Ensor

A work made of etching on copper in black on ivory wove paper.

Three Standing Nudes, With Sketches of Faces, plate nine from Le Chef d'oeuvre inconnu, 1927, printed and published 1931

Pablo Picasso

A work made of woodcut on cream wove paper.

Baltic Steamer (Ostsee Dampfer), 1918

Lyonel Feininger

A work made of wood-block print in black and brown ink from two blocks on cream japanese paper with cream fibrous inclusions throughout.

Te atua (The God), from the Suite of Late Wood-Block Prints, 1899, printed 1995

Paul Gauguin

A work made of etching on copper in black on ivory wove paper.

Painter Working Observed by Nude Model, plate eight from Le Chef d'oeuvre inconnu, 1927–28, printed and published 1931

Pablo Picasso

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