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A work made of wood-block print in black, with a transferred twill impression, on tan wove paper.

Noa Noa (Fragrant), from the Noa Noa Suite, 1893/94

Paul Gauguin

A work made of lithograph in black on white wove paper.

“- Here, Eudoxie, take my bear skin... since from now on I will not have the pleasure any more to wear it, I give it to you to make a muff out of it... This way I have at least the satisfaction of seeing it from time to time”, 1848

Honoré-Victorin Daumier

A work made of etching and engraving on ivory laid paper..

Le danger du tete-a-tete (The Danger of a Private Conversation), c.1775

Jean Baptiste Blaise Simonet

A work made of lithograph in black on white wove paper.

“- Ah yes, those comets, they always predict great misfortunes. It doesn't surprise me at all that poor Madame Galuchet suddenly died last night,” plate 573 from Actualités, October 30, 1858

Honoré-Victorin Daumier

A work made of lithograph on paper.

Château d'Arlay, n.d.

Richard Parkes Bonington

A work made of watercolor on paper.

Drawing for Eizo and Matsuomaru, 1947

Sekino Jun’ichirō

A work made of platinum-palladium print.

Cigarette No. 17, New York, 1972, printed December 1974

Irving Penn

A work made of lithograph in black on ivory wove paper.

Mail Coach, 1818

Horace Vernet

A work made of etching on paper.

Satyr Family with the Obelisk, from Scherzi, 1735–40

Giovanni Battista Tiepolo

A work made of etching on copper in black on ivory wove paper.

Bull and Horse in the Arena, plate three from Le Chef d'oeuvre inconnu, probably 1929, printed and published 1931

Pablo Picasso

A work made of gelatin silver print.

Still Life with with Onion Skin, New York, 1947, printed 1991

Irving Penn

A work made of zincograph in black on dark yellow wove paper.

Box Office, 1893, published 1894

Félix Edouard Vallotton

A work made of screenprint in black and yellow inks on silver paper.

Arles Foyer, De Fop, 1968

Jim Nutt

A work made of 54 pages with period binding, including 20 drawings after old masters, redon's artistic, musical, and literary theories, and technical studies.

Sketchbook, 1860/65

Odilon Redon

A work made of etching and drypoint on cream wove paper with simulated laid texture.

Marine I, 1911

Lyonel Feininger

A work made of etching and aquatint in black on ivory laid paper.

Grandmother: The Artist's Mother, 1889

Camille Pissarro

A work made of etching in warm black on ivory laid paper.

The Gypsies, 1862

Édouard Manet

A work made of woodcut, with hand-coloring, in black on paper.

Visitation, from Book of Hours, n.d.

Philippe Pigouchet

A work made of chiaroscuro woodcut in yellow, green, and black on paper.

Aether, plate six from Demogorgon and the Deities, c. 1588–90

Hendrick Goltzius

A work made of gelatin silver print.

Cabbage Leaf, No. 1 from the "Fiftieth Anniversary Portfolio 1902–1952", 1931, printed 1952

Edward Weston

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