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A work made of etching and drypoint on cream wove paper with simulated laid texture.

Marine I, 1911

Lyonel Feininger

A work made of etching and aquatint in black on ivory laid paper.

Grandmother: The Artist's Mother, 1889

Camille Pissarro

A work made of etching in warm black on ivory laid paper.

The Gypsies, 1862

Édouard Manet

A work made of dye imbibition print, plate 12 from a portfolio of fourteen images (1974).

Untitled, 1974, printed 1974

William Eggleston

A work made of woodcut, with hand-coloring, in black on paper.

Visitation, from Book of Hours, n.d.

Philippe Pigouchet

A work made of dye imbibition print.

Italian Still Life (B), New York, 1981, printed 1992

Irving Penn

A work made of woodcut on white japanese paper.

Dead Saint, 1960

Leonard Baskin

A work made of etching and drypoint in warm black on blue laid paper.

The Philosopher, 1865–66

Édouard Manet

A work made of aquatint, sugar lift etching, and drypoint on ivory laid paper.

The Bee, from Histoire naturelle, 1936, published May 26, 1942

Pablo Picasso

A work made of woodcut in black on cream wove paper.

The Other's Health, plate nine from Intimacies, 1898

Félix Edouard Vallotton

A work made of color woodblock print; hashira-e.

Komurasaki of the Miuraya and Shirai Gompachi (Miuraya Komurasaki, Shirai Gompachi), c. 1800

Kitagawa Utamaro

A work made of etching from a copper plate, in black ink, on cream wove paper.

The Bad Doctors, 1895

James Ensor

A work made of etching on copper in black on ivory wove paper.

Three Standing Nudes, With Sketches of Faces, plate nine from Le Chef d'oeuvre inconnu, 1927, printed and published 1931

Pablo Picasso

Etching of a large bull in profile, looking toward the viewer, with two additional cows and a milkmaid in the background.

The Bull, 1650

Paulus Potter

A work made of woodcut on cream wove paper.

Baltic Steamer (Ostsee Dampfer), 1918

Lyonel Feininger

A work made of 54 pages with period binding, including 20 drawings after old masters, redon's artistic, musical, and literary theories, and technical studies.

Sketchbook, 1860/65

Odilon Redon

A work made of etching on copper in black on ivory wove paper.

Painter Working Observed by Nude Model, plate eight from Le Chef d'oeuvre inconnu, 1927–28, printed and published 1931

Pablo Picasso

A work made of chiaroscuro woodcut in yellow, green, and black on paper.

Aether, plate six from Demogorgon and the Deities, c. 1588–90

Hendrick Goltzius

A work made of wood-block print in black and brown ink from two blocks on cream japanese paper with cream fibrous inclusions throughout.

Te atua (The God), from the Suite of Late Wood-Block Prints, 1899, printed 1995

Paul Gauguin

A work made of woodcut on japanese kozo paper.

Cathedral, 1919–23

Lyonel Feininger

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