“- Here, Eudoxie, take my bear skin... since from now on I will not have the pleasure any more to wear it, I give it to you to make a muff out of it... This way I have at least the satisfaction of seeing it from time to time”, 1848
Honoré-Victorin Daumier
Footit et chocolat, n.d.
Henri de Toulouse-Lautrec
Le Char, 1955
Georges Braque
The Eunuch from Terenti cum directorio, Plate 29 from Woodcuts from Books of the 15th Century, 1496, portfolio assembled 1929
Unknown artist
Macbeth and the Witches, 1825
Eugène Delacroix
Cancellation sheet, fragments of ten woodblocks from Intimacies, 1898
Félix Edouard Vallotton
The Steerage, 1907, printed 1915
Alfred Stieglitz
Sculptor Before his Sculpture, with a Young Girl in a Turban and Sculpted Head, plate one from Le Chef d'oeuvre inconnu, 1927, printed and published 1931
Pablo Picasso
Maternity, 1896
Édouard Jean Vuillard
Floatagraph (Dancers), plate 97 from 101 Prints, 1967
Norman Roland Eppink
Place du Pantheon, Night of December 22 to 23, 1830, 1831
Denis Auguste Marie Raffet
Woman Standing before a Corpse, plate four from Death and Resurrection, 1922
Otto Dix
The Funeral, 1891
Félix Edouard Vallotton
Venus, 1927, printed 1929
Arthur B. Davies
The Artist's Son, 1952
Sekino Jun’ichirō
In Times of Harmony, 1895–96
Paul Signac
Anita [Nude Back], 1925, printed 1953/54
Edward Weston
Theuerdank Received by Ehrenreich, from Teuerdank, plate 22 from Woodcuts from Books of the XVI Century, 1517
Leonhard Beck
Les Propos de Thomas Vireloque: Under the Roof of Heavens, 1852
Paul Gavarni
Portrait of Ambroise Vollard, 1924
Pierre Bonnard