Curator

  • Art Institute Chicago
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A work made of chromogenic print.

3.20.00 4:05-5:00 a.m., 2000, printed 2007

Richard Misrach

A work made of etching, soft ground, drypoint, and aquatint on cream wove paper.

At the Café des Ambassadeurs, 1879–80

Hilaire Germain Edgar Degas

A work made of graphite with touches of black chalk, on cream laid paper.

Studies of Male Figures, n.d.

Giovanni Paolo Panini

A work made of zincograph in black on dark yellow wove paper.

The Shower, 1894

Félix Edouard Vallotton

A work made of engraving on paper.

Château de Zinc, December 9, 1956

Pierre Courtin

A work made of gelatin silver print.

The Hand of Man, 1902, printed 1920/39

Alfred Stieglitz

A work made of book cover for the previously bound text of 32 aquatint plates and text pages.

Cover to Histoire naturelle, published May 26, 1942

Pablo Picasso

A work made of aquatint, sugar lift etching, scraping, and drypoint on copper in black on ivory laid paper.

The Goldfinch, from Histoire naturelle, 1936, published May 26, 1942

Pablo Picasso

A work made of sepia-toned gelatin silver print.

"How many things can you find wrong with this picture?", 1976, printed 1978

Leslie Robert Krims

A work made of lithograph on cream wove paper.

Anna Held, from Treize Lithographies, 1898, published before 1906

Henri de Toulouse-Lautrec

A work made of lithograph, with lithotint, on zinc on cream card.

Trinket, 1919–20

Arthur B. Davies

A work made of etching in black on white wove paper.

Mukfa, c. 1964

Ronald Markman

A work made of etching on ivory wove paper.

The Etcher's Press - The Printmaker's Shop, 1642

Abraham Bosse

A work made of color woodcut on off-white paper.

Pine and Rocks, n.d.

Eugene Larkin

A work made of engraving on paper.

The Sheep of this Pasture, n.d.

Edward Calvert

A work made of gelatin silver print.

"E" Town, New Mexico, 1930, printed 1953/54

Edward Weston

A work made of gelatin silver print.

Café du Dome, Paris, 1925, printed 1970s

André Kertész

Print of two children seated across from one another in a wooden seat, swinging high above the heads of onlookers.

The Boat Swing, 1924

Eileen Alice Soper

A work made of graphite on pale gray wove paper, tipped onto tan wove paper.

Town and Castle of Hay, 1844

Joseph Murray Ince

A work made of letterpress on white wove paper.

Weeping Lincoln, 1963, printed 2007

Bill Mauldin

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