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A work made of aquatint, sugar lift etching, scraping, and drypoint on copper in black on ivory laid paper.

The Goldfinch, from Histoire naturelle, 1936, published May 26, 1942

Pablo Picasso

A work made of engraving in black on ivory laid paper.

Jeronimo de Bran, c. 1615–75

Lucas Emil Vorsterman

A work made of engraving on paper.

Morning Walk, from Monument du Costume Physique et Moral de la fin du Dix-huitième siècle, 1774

Charles Louis Lingée

A work made of drypoint on paper.

Suicide, plate one from Death and Resurrection, 1922

Otto Dix

A work made of watercolor on paper.

Design for a Printed Textile, 18th century

A work made of punch engraving and engraving in black on ivory wove paper.

Flock Print (Figure Composition), plate 15 from 101 Prints, 1967

Norman Roland Eppink

A work made of hand-applied color printing ink on ivory wove paper.

Hand Print (Personal Data), plate 86 from 101 Prints, 1967

Norman Roland Eppink

A work made of color pochoir (stencil) on ivory wove paper.

Stencil Print (Rotten Stump), plate 94 from 101 Prints, 1967

Norman Roland Eppink

A work made of gelatin silver print.

The Hand of Man, 1902, printed 1920/39

Alfred Stieglitz

A work made of sepia-toned gelatin silver print.

"How many things can you find wrong with this picture?", 1976, printed 1978

Leslie Robert Krims

A work made of graphite on pale gray wove paper, tipped onto tan wove paper.

Town and Castle of Hay, 1844

Joseph Murray Ince

Etching of four tall oak trees standing together amid thick, lush ground cover and trees with dense foliage.

Old Oaks at Bas Bréau, c. 1865

Adolphe Martial Potémont

A work made of etching and aquatint on white wove paper.

Cushions, 1968

David Hockney

A work made of black chalk with scraping and graphite (recto), and charcoal and graphite (verso), on cream wove paper.

Sheet of Sketches: Head in Profile and Other Figures (recto); Sheet of Sketches: Figures and Horses (verso), 1880/1949

James Ensor

A work made of gelatin silver print.

Café du Dome, Paris, 1925, printed 1970s

André Kertész

A work made of pen and brown ink with brush and brown wash, over traces of graphite(?), on ivory laid paper.

Bacino di San Marco with the Dogana del Mare and Santa Maria della Salute, c. 1793

Imitator of Francesco Guardi

A work made of lithograph on ivory wove paper.

Apples on a Black Base, 1954

Georges Braque

A work made of etching on ivory laid paper.

Nude Study, 1907–08

Georges Braque

A work made of letterpress on white wove paper.

Weeping Lincoln, 1963, printed 2007

Bill Mauldin

A work made of soft ground etching, with aquatint, on cream wove paper.

Song of Sleep, 1919

Arthur B. Davies

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