Results for Prints%20and%20Drawings

A work made of etching from one copper plate on white wove paper.

Paintbrush, 1971

Jim Dine

A work made of aquatint, sugar lift etching, and drypoint on ivory laid paper.

The Bull, from Histoire naturelle, 1936, published May 26, 1942

Pablo Picasso

Anne of Austria, Queen of France, 1660

Robert Nanteuil

Two Printing Blocks, c. 1860

A work made of 68 prints bound in a book.

Noh theatrical prints, 1898–1901

Sakamaki Kogyo

Collection of Prints, c. 18th/19th century

Collection of Prints, c. 17th-19th century

A work made of etching on ivory china paper laid down on white wove paper (china paper collé).

Mower Honing a Scythe, 1878

Jules Bastien-Lepage

A work made of etching on copper in black on off-white laid paper.

Wounded Minotaur VI, from the Vollard Suite, May 26, 1933, printed 1939

Pablo Picasso

A work made of woodcut in black on cream wove paper.

Money, plate five from Intimacies, 1898

Félix Edouard Vallotton

A work made of cliché verre on cream wove paper.

Tiger Ready to Spring, n.d.

Eugène Delacroix

A work made of aquatint, sugar lift etching, scraping, and drypoint on ivory laid paper.

The Grasshopper, from Histoire naturelle, 1936, published May 26, 1942

Pablo Picasso

Summer Sleep, New York, 1949, printed 1984

Irving Penn

A work made of woodcut printed from two blocks in red and blue, on ivory wove paper.

Portrait of Ferdinand Hodler, 1917

Ernst Ludwig Kirchner

A work made of color woodblock print; oban polyptych.

Revised Panoramic View of Yokohama (Saikai Yokohama fukei), 1861 and 1873

Utagawa Sadahide

A work made of hand-applied color printing ink on ivory wove paper.

Hand Print (Personal Data), plate 86 from 101 Prints, 1967

Norman Roland Eppink

A work made of color pochoir (stencil) on ivory wove paper.

Stencil Print (Rotten Stump), plate 94 from 101 Prints, 1967

Norman Roland Eppink

A work made of punch engraving and engraving in black on ivory wove paper.

Flock Print (Figure Composition), plate 15 from 101 Prints, 1967

Norman Roland Eppink

A work made of engraving and etching on paper.

Hyacinthe Rigaud, 1698

Gérard Edelinck

Paintbrush, 1971

The Bull, from Histoire naturelle, 1936, published May 26, 1942

Anne of Austria, Queen of France, 1660

Two Printing Blocks, c. 1860

Noh theatrical prints, 1898–1901

Collection of Prints, c. 18th/19th century

Collection of Prints, c. 17th-19th century

Mower Honing a Scythe, 1878

Wounded Minotaur VI, from the Vollard Suite, May 26, 1933, printed 1939

Money, plate five from Intimacies, 1898

Tiger Ready to Spring, n.d.

The Grasshopper, from Histoire naturelle, 1936, published May 26, 1942

Summer Sleep, New York, 1949, printed 1984

Portrait of Ferdinand Hodler, 1917

Revised Panoramic View of Yokohama (Saikai Yokohama fukei), 1861 and 1873

Hand Print (Personal Data), plate 86 from 101 Prints, 1967

Stencil Print (Rotten Stump), plate 94 from 101 Prints, 1967

Flock Print (Figure Composition), plate 15 from 101 Prints, 1967

Hyacinthe Rigaud, 1698

Design for a Printed Textile, 18th century

Paintbrush, 1971

The Bull, from Histoire naturelle, 1936, published May 26, 1942

Anne of Austria, Queen of France, 1660

Two Printing Blocks, c. 1860

Noh theatrical prints, 1898–1901

Collection of Prints, c. 18th/19th century

Collection of Prints, c. 17th-19th century

Mower Honing a Scythe, 1878

Wounded Minotaur VI, from the Vollard Suite, May 26, 1933, printed 1939

Money, plate five from Intimacies, 1898

Tiger Ready to Spring, n.d.

The Grasshopper, from Histoire naturelle, 1936, published May 26, 1942

Summer Sleep, New York, 1949, printed 1984

Portrait of Ferdinand Hodler, 1917

Revised Panoramic View of Yokohama (Saikai Yokohama fukei), 1861 and 1873

Hand Print (Personal Data), plate 86 from 101 Prints, 1967

Stencil Print (Rotten Stump), plate 94 from 101 Prints, 1967

Flock Print (Figure Composition), plate 15 from 101 Prints, 1967

Hyacinthe Rigaud, 1698

Design for a Printed Textile, 18th century