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A work made of gelatin silver print.

Still Life with with Onion Skin, New York, 1947, printed 1991

Irving Penn

A work made of wood engraving on paper.

Thanksgiving in Camp, n.d.

Winslow Homer

A work made of etching, aquatint and drypoint on laid paper.

May God Repay You, 1800/04

Francisco José de Goya y Lucientes

A work made of etching in black on cream laid paper.

Jan Lievens, 1630/45

Lucas Emil Vorsterman

A work made of engraving in gray-black on paper.

The Prophet Amos, c. 1470

Baccio Baldini

A work made of gelatin silver print.

Cabbage Leaf, No. 1 from the "Fiftieth Anniversary Portfolio 1902–1952", 1931, printed 1952

Edward Weston

A work made of chromogenic print.

3.20.00 4:05-5:00 a.m., 2000, printed 2007

Richard Misrach

A work made of screenprint in red and black inks on yellow coated wove paper.

Cheek-Cargo's Own Eddie Foy, 1968

Karl Wirsum

A work made of aquatint and etching on copper in black on off-white laid paper.

The Ostrich, from Histoire naturelle, 1936, published May 26, 1942

Pablo Picasso

A work made of lithograph in black on thick grayish-ivory wove paper.

The Pinned Hat and the Bather, c. 1905

Pierre-Auguste Renoir

A work made of lithograph in black on cream wove paper.

Les-Parents-Terribles series: Come, come a ball's always the same, 1853

Paul Gavarni

A work made of sepia-toned gelatin silver print.

"How many things can you find wrong with this picture?", 1976, printed 1978

Leslie Robert Krims

A work made of gelatin silver print.

The Hand of Man, 1902, printed 1920/39

Alfred Stieglitz

A work made of gelatin silver print.

"E" Town, New Mexico, 1930, printed 1953/54

Edward Weston

A work made of graphite with touches of black chalk, on cream laid paper.

Studies of Male Figures, n.d.

Giovanni Paolo Panini

A work made of zincograph in black on dark yellow wove paper.

The Shower, 1894

Félix Edouard Vallotton

A work made of engraving on paper.

Château de Zinc, December 9, 1956

Pierre Courtin

A work made of etching, soft ground, drypoint, and aquatint on cream wove paper.

At the Café des Ambassadeurs, 1879–80

Hilaire Germain Edgar Degas

A work made of book cover for the previously bound text of 32 aquatint plates and text pages.

Cover to Histoire naturelle, published May 26, 1942

Pablo Picasso

A work made of aquatint, sugar lift etching, scraping, and drypoint on copper in black on ivory laid paper.

The Goldfinch, from Histoire naturelle, 1936, published May 26, 1942

Pablo Picasso

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