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  • Art Institute Chicago
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A work made of 68 prints bound in a book.

Noh theatrical prints, 1898–1901

Sakamaki Kogyo

A work made of wood and metal.

Two Printing Blocks, c. 1860

Collection of Prints

Collection of Prints, c. 18th/19th century

Collection of Prints

Collection of Prints, c. 17th-19th century

A work made of graphite on pale gray wove paper, tipped onto tan wove paper.

Town and Castle of Hay, 1844

Joseph Murray Ince

A work made of etching and aquatint on white wove paper.

Cushions, 1968

David Hockney

A work made of black chalk with scraping and graphite (recto), and charcoal and graphite (verso), on cream wove paper.

Sheet of Sketches: Head in Profile and Other Figures (recto); Sheet of Sketches: Figures and Horses (verso), 1880/1949

James Ensor

A work made of pen and brown ink with brush and brown wash, over traces of graphite(?), on ivory laid paper.

Bacino di San Marco with the Dogana del Mare and Santa Maria della Salute, c. 1793

Imitator of Francesco Guardi

A work made of gelatin silver print.

Still Life with with Onion Skin, New York, 1947, printed 1991

Irving Penn

A work made of lithograph on ivory wove paper.

Apples on a Black Base, 1954

Georges Braque

A work made of etching on ivory laid paper.

Nude Study, 1907–08

Georges Braque

A work made of soft ground etching, with aquatint, on cream wove paper.

Song of Sleep, 1919

Arthur B. Davies

A work made of woodcut printed in black, on japanese laid paper.

Church or Gelmeroda, 1918

Lyonel Feininger

A work made of woodcut on paper.

Leaf from New Kreuterbuch by Hieronymus Bock, plate 98 from Woodcuts from Books of the XVI Century, 1580, assembled into portfolio 1937

David Kandel

A work made of engraving in black on cream laid paper.

Daniel Mytens, 1630/45

Paul Pontius

A work made of watercolor on paper.

Design for a Printed Textile, 18th century

A work made of gelatin silver print.

Cabbage Leaf, No. 1 from the "Fiftieth Anniversary Portfolio 1902–1952", 1931, printed 1952

Edward Weston

A work made of punch engraving and engraving in black on ivory wove paper.

Flock Print (Figure Composition), plate 15 from 101 Prints, 1967

Norman Roland Eppink

A work made of hand-applied color printing ink on ivory wove paper.

Hand Print (Personal Data), plate 86 from 101 Prints, 1967

Norman Roland Eppink

A work made of color pochoir (stencil) on ivory wove paper.

Stencil Print (Rotten Stump), plate 94 from 101 Prints, 1967

Norman Roland Eppink

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