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A work made of dye imbibition print, plate 12 from a portfolio of fourteen images (1974).

Untitled, 1974, printed 1974

William Eggleston

A work made of dye imbibition print.

Italian Still Life (B), New York, 1981, printed 1992

Irving Penn

A work made of aquatint and etching on copper in black on off-white laid paper.

The Ostrich, from Histoire naturelle, 1936, published May 26, 1942

Pablo Picasso

A work made of screenprint in red and black inks on yellow coated wove paper.

Cheek-Cargo's Own Eddie Foy, 1968

Karl Wirsum

A work made of drypoint and open bite in black on cream wove paper.

Consolation, 1894

Edvard Munch

A work made of lithograph in black on thick grayish-ivory wove paper.

The Pinned Hat and the Bather, c. 1905

Pierre-Auguste Renoir

A work made of lithograph in black on cream wove paper.

Les-Parents-Terribles series: Come, come a ball's always the same, 1853

Paul Gavarni

A work made of watercolor on paper.

Design for a Printed Textile, 18th century

A work made of punch engraving and engraving in black on ivory wove paper.

Flock Print (Figure Composition), plate 15 from 101 Prints, 1967

Norman Roland Eppink

A work made of hand-applied color printing ink on ivory wove paper.

Hand Print (Personal Data), plate 86 from 101 Prints, 1967

Norman Roland Eppink

A work made of color pochoir (stencil) on ivory wove paper.

Stencil Print (Rotten Stump), plate 94 from 101 Prints, 1967

Norman Roland Eppink

A work made of graphite with touches of black chalk, on cream laid paper.

Studies of Male Figures, n.d.

Giovanni Paolo Panini

Etching of a large bull in profile, looking toward the viewer, with two additional cows and a milkmaid in the background.

The Bull, 1650

Paulus Potter

A work made of engraving on paper.

Château de Zinc, December 9, 1956

Pierre Courtin

A work made of zincograph in black on dark yellow wove paper.

The Shower, 1894

Félix Edouard Vallotton

A work made of aquatint, sugar lift etching, scraping, and drypoint on copper in black on ivory laid paper.

The Goldfinch, from Histoire naturelle, 1936, published May 26, 1942

Pablo Picasso

A work made of book cover for the previously bound text of 32 aquatint plates and text pages.

Cover to Histoire naturelle, published May 26, 1942

Pablo Picasso

A work made of color woodblock print; hashira-e.

Komurasaki of the Miuraya and Shirai Gompachi (Miuraya Komurasaki, Shirai Gompachi), c. 1800

Kitagawa Utamaro

A work made of etching, soft ground, drypoint, and aquatint on cream wove paper.

At the Café des Ambassadeurs, 1879–80

Hilaire Germain Edgar Degas

A work made of etching in black on white wove paper.

Mukfa, c. 1964

Ronald Markman

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