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A work made of soft ground etching and aquatint on blue laid paper.

Against Green, 1918

Arthur B. Davies

A work made of soft ground etching and aquatint on cream laid paper.

Sisters, 1918–19

Arthur B. Davies

A work made of color screenprint and lithograph on white wove paper.

Servitude, from Re-print, 2009

Vincent Geyskens

A work made of hand-colored woodblock print; oban, sumizuri-e.

Sanbaso Dance in a Brothel (Ageya sanbaso), no. 1 from a series of 12 prints depicting parodies of plays, c. 1716/35

Okumura Masanobu

A work made of hand-colored woodblock print; oban, sumizuri-e.

Child Attendant and Bald Tengu of Mt. Kurama (Kaburo Kurama Tengu), no. 7 from a series of 12 prints depicting parodies of plays, c. 1716/35

Okumura Masanobu

A work made of lithograph in black on cream wove paper.

Les Propos de Thomas Vireloque: Man the Masterpiece of Creation, 1852

Paul Gavarni

A work made of color etching on cream tone paper.

Poisson III: La Fleur Marine, n.d.

Johnny Friedlaender

A work made of lithograph on cream wove paper.

Adolphe ou Le Jeune Homme Triste, 1894, published before 1910

Henri de Toulouse-Lautrec

A work made of hand-colored woodblock print; oban, sumizuri-e.

Comb Rashomon (Sashigushi Rashomon), no. 3 from a series of 12 prints depicting parodies of plays, c. 1716–35

Okumura Masanobu

A work made of woodblock print; oban, sumizuri-e.

An Impossible Feat by Imaginary Men, no. 8 from a series of 12 prints, c. 1708

Okumura Masanobu

A work made of wood-block print in black ink on thin ivory japanese paper, laid down on medium-weight, fibrous, off-white japanese paper.

The Ox Cart, from the Suite of Late Wood-Block Prints, 1898/99

Paul Gauguin

A work made of color screenprint on white wove paper.

Red, White and Blue, from 1776 USA 1976: Bicentennial Prints, 1975

Richard Anuszkiewicz

A work made of wood engraving on grayish-ivory china paper.

Funeral Rites in the Forest, plate 4 from Méndez: 25 Prints, 1945

Leopoldo Méndez

A work made of chiaroscuro woodcut in black, green, and buff on paper.

Demogorgon in the Cave of Eternity, plate one from Demogorgon and the Deities, c. 1588–90

Hendrick Goltzius

A work made of wood engraving on grayish-ivory china paper.

The Armadillo, plate 3 from Méndez: 25 Prints, 1945

Leopoldo Méndez

A work made of lithograph in black on white wove paper.

“- What a fuss this sour-face from the fifth floor is making! Wearing a hat just to buy two cups of milk for one sou! - Oh, Madame Capitaine, aren't we fancy today...,” plate 36 Types Parisiens, 1840

Honoré-Victorin Daumier

A work made of wood engraving on grayish-ivory china paper.

The Bat, plate 32 from Méndez: 25 Prints, 1945

Leopoldo Méndez

A work made of wood engraving in black on grayish-ivory china paper.

Rattlesnake, illustration for Melodic Incidents of the Irrational World, from Méndez: 25 Prints, 1944

Leopoldo Méndez

A work made of lithograph on ivory laid paper.

May Belfort, from Treize Lithographies, 1898, published before 1906

Henri de Toulouse-Lautrec

A work made of etching on tan laid paper.

Remembrance of Italy, c. 1866

Jean Baptiste Camille Corot

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