Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of lithograph in black on paper.

Zapata, 1932

Diego Rivera

A work made of color woodblock print; edition 4/50.

Rescued Bird, 1957

Azechi Umetaro

A work made of woodblock print; oban, sumizuri-e.

A Professional Baffoon, from a untitled series of 12 prints, c. 1710

Torii Kiyonobu I

A work made of second-state impression laid down on first-state impression wood-block print of second state in black ink on thin ivory japanese paper, laid down on wood-block print of first state in yellow ocher ink with traces of black ink on grayish-ivory wove paper (recto); wood-block print in black and yellow ocher ink and oxidized linseed oil (est.) on grayish-ivory wove paper (partial offset impression of the second state) (verso).

Soyez amoureuses, vous serez heureuses (Love, and You Will Be Happy), from the Suite of Late Wood-Block Prints, 1899

Paul Gauguin

A work made of color screenprint on coated white wove paper.

Out of Sight; Out of Mind, from Screen Prints 1970, 1970

Robert Esche

A work made of woodblock print; oban, sumizuri-e.

Measuring Daikoku's height, no. 5 from a series of 12 prints, c. 1708

Okumura Masanobu

A work made of wood engraving on grayish-ivory china paper.

The Tiger's Skin, plate 15 from Méndez: 25 Prints, 1945

Leopoldo Méndez

A work made of etching on paper.

A Nymph with a Small Satyr and Two Goats, from Capricci, 1740/50, published 1785

Giovanni Battista Tiepolo

A work made of carved wood and metal.

Three Printing Blocks, 1890s/1910

A work made of etching on ivory wove paper.

A Corner, 1919

Edward Hopper

A work made of etching and engraving with burin, on paper.

The Bohemians Marching, from The Bohemians, 1621

Jacques Callot

A work made of color woodblock print; section of harimaze sheet.

Bullfinch, section of an untitled harimaze print, c. 1840s

Utagawa Hiroshige

A work made of etching on tan laid paper.

Remembrance of Italy, c. 1866

Jean Baptiste Camille Corot

A work made of color lithograph on ivory laid paper.

The Englishman at the Moulin Rouge, 1892

Henri de Toulouse-Lautrec

A work made of mezzotint, with burnishing and engraving, in black on pale pink satin.

Thesis Print of Melchior Anton Eberschlager, 1696

Elias Christoph Heiss

A work made of drypoint on cream laid paper.

Portrait of a Young Woman, 1913

Jacques Villon

A work made of wood engraving on cream wove paper tipped at top to cream paper.

Ave Jesu Parvule, 1917

Eric Gill

A work made of etching on white wove paper.

Man Posing, 1985

Lucian Freud

A work made of color lithograph on white wove paper.

42, Rue Blomet, 1977

Joan Miró

A work made of color lithograph with digital elements on paper.

Both are 2D, Flat and Printed, from The Top Ten Historical Similarities (and Differences) Between Prints and Photographs, 2012

Allen Rawson Ruppersberg

<<<14151617 >>>