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A work made of drypoint on cream laid paper.

Portrait of a Young Woman, 1913

Jacques Villon

A work made of color woodblock prints; oban triptych.

Artist, Block Carver, Applying Sizing (Eshi, hangashi, dosa-biki), from the series The Cultivation of Brocade Prints, a Famous Product of Edo (Edo meibutsu nishiki-e kosaku), About 1803

Kitagawa Utamaro

A work made of wood engraving on cream wove paper tipped at top to cream paper.

Ave Jesu Parvule, 1917

Eric Gill

A work made of wood engraving on grayish-ivory china paper.

The Mayor Talks, plate 21 from Méndez: 25 Prints, 1945

Leopoldo Méndez

A work made of color lithograph on white wove paper.

42, Rue Blomet, 1977

Joan Miró

A work made of etching on white wove paper.

Man Posing, 1985

Lucian Freud

A work made of graphite and black chalk, on ivory laid paper, laid down on cream wove board.

Interior with a Couple Before a Chimney-Piece, c. 1785

Hubert Robert

A work made of relief print in black on ivory wove paper.

Texture Print (Split Pea), plate 92 from 101 Prints, 1967

Norman Roland Eppink

A work made of lithograph in black, gray, blue, green, yellow and red on white wove paper.

Acrobat, 1956

Marino Marini

A work made of wood engraving on grayish-ivory china paper.

Pumpkins in the Sun, plate 29 from Méndez: 25 Prints, 1945

Leopoldo Méndez

A work made of etching on tan laid paper.

Remembrance of Italy, c. 1866

Jean Baptiste Camille Corot

A work made of etching on paper.

Death Giving Audience, from Capricci, 1740/50, published 1785

Giovanni Battista Tiepolo

A work made of etching and engraving, with drypoint, in black on off white laid paper.

Two Beggars Fighting, 1612–16

Jacques Bellange

A work made of etching in black and ochre on ivory wove paper.

Document, n.d.

Arthur Thrall

A work made of color woodblock print.

Nocturne, 1955

Uchima Ansei

A work made of woodblock print; oban, sumizuri-e.

A Professional Baffoon, from a untitled series of 12 prints, c. 1710

Torii Kiyonobu I

A work made of hand-colored engraving on paper.

The Prodigal Son with Harlots, n.d.

Amos Doolittle

A work made of second-state impression laid down on first-state impression wood-block print of second state in black ink on thin ivory japanese paper, laid down on wood-block print of first state in yellow ocher ink with traces of black ink on grayish-ivory wove paper (recto); wood-block print in black and yellow ocher ink and oxidized linseed oil (est.) on grayish-ivory wove paper (partial offset impression of the second state) (verso).

Soyez amoureuses, vous serez heureuses (Love, and You Will Be Happy), from the Suite of Late Wood-Block Prints, 1899

Paul Gauguin

A work made of lithograph in black on cream wove paper.

Les-Parents-Terribles series: Well, now, Achilles..., 1852

Paul Gavarni

A work made of color screenprint on coated white wove paper.

Out of Sight; Out of Mind, from Screen Prints 1970, 1970

Robert Esche

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