Curator

  • Art Institute Chicago
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A work made of lithograph on wove paper, mounted on board.

Secession 49 Exhibition, 1918

Egon Schiele

Half-disrobed woman viewed from behind washes in a basin in front of a vanity mirror. The rug and pitcher to her left both have a graphic floral motif.

Woman Bathing, 1890–91

Mary Cassatt

A work made of red chalk on cream laid paper.

Self-Portrait, c. 1779

John Flaxman

A work made of color burnished aquatint, inked à la poupée, on buff laid paper.

Boys Bathing, 1896

Edvard Munch

A work made of lithograph in black on ivory wove paper.

Masks and faces, 1857–58

Paul Gavarni

A work.

Tour du Gros Horloge, n.d.

Richard Parkes Bonington

A work made of color woodblock print.

Noh Actor, 1958

Yamaguchi Gen

A work made of color lithograph on paper.

Moonlight, from 1776 USA 1976: Bicentennial Prints, 1975

Joseph Raffael

A work made of woodblock print; edition 5/10.

Hara: A Line at the Foot of Mt. Fuji (Suso ichimonji), No. 14 from the series "Munakata's Tokaido (Tokaido Munakata hanga)", 1963; printed 1964

Munakata Shikô

A work made of etching on ivory laid paper.

The Drawing Room, 1783

François Dequevauviller

A work made of lithograph in black on ivory wove paper.

A New Outfit for the Lion's Hunt, plate 395 from Actualités, 1857

Honoré-Victorin Daumier

A work made of lithograph in black on white wove paper.

“- You seems to enjoy doing my work. In exchange I could offer doing your job: I will go for a ride in your coach!,” plate 249 from Les Parisiens A La Campagne, 1865

Honoré-Victorin Daumier

A work made of lithograph on cream wove paper.

Jane Hading, from Treize Lithographies, 1898, published before 1906

Henri de Toulouse-Lautrec

A work made of etching in black on off-white wove paper.

Study of a Woman Seen from the Back, 1833

Eugène Delacroix

A work made of color lithograph in seven colors on ivory wove paper.

At Sunset, Bird XVI, 1958

Georges Braque

A work made of color woodblock print; yoko-oban.

The Powhatan, c. 1854

Print of woman with distorted and exaggerated features holding handkerchief to face.

Weeping Woman I, July 1, 1937

Pablo Picasso

A work made of pen and black ink on cream wove paper.

Street, 1958

Harold Altman

A work made of wood engraving on grayish-ivory china paper.

The Song of Mr. Squirrel, plate 26 from Méndez: 25 prints, 1945

Leopoldo Méndez

Black-and-white view down a steeply sloping street lined by pedestrians and crumbling buildings. Thick smoke billows in the distance.

The Burning City, San Francisco Earthquake and Fire, April 1906, printed 1956

Arnold Genthe

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