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A work made of gelatin silver print.

Contact Printing the Stool's After-Image, Orange, California, June 27, 1978

Robert Cumming

Print rendered in visible uniform lines of a 2/3 bust view of a dark-skinned mature woman looking to her left in a wide brim hat, a safety pin securing her black jacket. Her face and neck is a rich brown hue, while the rest of the portrait is rendered in black and white.

Sharecropper, 1952, printed 1970

Elizabeth Catlett

A work made of wood-block print in dark-orange (burnt sienna) ink on cream wove paper.

Soyez amoureuses, vous serez heureuses (Love, and You Will Be Happy), from the Suite of Late Wood-Block Prints, 1899

Paul Gauguin

A work made of woodblock print; oban, sumizuri-e.

Back to back, from a series of 12 prints, c. 1700

Furuyama Moroshige

A work made of engraving in black ink on ivory laid paper.

The Happy Accident of the Swing, 1792

Nicolas Delaunay

Earthenware plate decorated with colorful flower and grape border on the rim and central figurative scene depicting a fashionably dressed couple in the front with a barber serving a man at the back. The scene has an inscription "LE BARBIER DE SEVILLE" with five more lines at the bottom.

Commodore Perry, c. 1853/54

A work made of lithograph on white wove paper.

Warrior, 1958

Jean Dubuffet

A work made of wood-block print in black ink on thin ivory japanese paper, partially laid down on white japanese paper.

Te arii vahine—opoi (Woman with Mangos—Tired), from the Suite of Late Wood-Block Prints, 1898/99

Paul Gauguin

A work made of color woodblock print; oban triptych.

Sketch of a Copperplate Print of the City of Washington (Amerika shu no uchi washintonfu no kei doban no utsushi), 1861

Utagawa Yoshikazu

A work made of photogravure on white wove paper.

Touching the Earth and the Sky, from Re-print, 2009

Ronny Delrue

A work made of color lithograph on white wove paper.

Pienture=Poésie, 1976

Joan Miró

A work made of wood-block print, printed twice in black over pale yellow ocher ink, on thin ivory japanese paper, partially laid down on white two-ply mat board.

Plate with the Head of a Horned Devil, from the Suite of Late Wood-Block Prints, 1898/99

Paul Gauguin

A work made of woodblock print; oban, sumizuri-e.

A trial of strength, no. 9 from a series of 12 prints, c. 1708

Okumura Masanobu

A work made of woodblock print; oban, sumizuri-e.

Artist signing a screen, no. 1 from the series of 12 prints, c. 1708

Okumura Masanobu

A work made of etching on paper.

Seated Youth Leaning Against an Urn, from Capricci, 1740/50, published 1785

Giovanni Battista Tiepolo

A work made of wood-block print in yellow ocher ink with gray-blue watercolor and touches of red watercolor on cream wove notebook paper ruled in blue.

Maoris and Animals, 1896/97

Paul Gauguin

A work made of graphite with smudging on cream wove paper, squared for transfer.

Study for Day (Truth), 1896/98

Ferdinand Hodler

A work made of pen and brush and black ink on off-white laid paper.

The Survivor, 1936

George Grosz

A work made of lithograph on wove paper, mounted on board.

Secession 49 Exhibition, 1918

Egon Schiele

A work made of color lithograph on paper.

Moonlight, from 1776 USA 1976: Bicentennial Prints, 1975

Joseph Raffael

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