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A work made of color soft ground etching, from botanical specimens, inked à la poupée, on off-white wove paper.

Nature Print of Moonwort and Adder's Tongue Ferns, plate 51 from The Ferns of Great Britain and Ireland, 1855

Henry Bradbury

A work made of opaque watercolor with traces of graphite on cream wove paper.

Design for a Woven, Printed, or Embroidered Skirt Border, Mid-19th century

A work made of gelatin silver print.

Contact Printing the Stool's After-Image, Orange, California, June 27, 1978

Robert Cumming

Earthenware plate decorated with colorful flower and grape border on the rim and central figurative scene depicting a fashionably dressed couple in the front with a barber serving a man at the back. The scene has an inscription "LE BARBIER DE SEVILLE" with five more lines at the bottom.

Commodore Perry, c. 1853/54

A work made of wood-block print in dark-orange (burnt sienna) ink on cream wove paper.

Soyez amoureuses, vous serez heureuses (Love, and You Will Be Happy), from the Suite of Late Wood-Block Prints, 1899

Paul Gauguin

A work made of woodblock print; ōban, sumizuri-e.

Back to back, from a series of 12 prints, c. 1700

Furuyama Moroshige

A work made of lithograph on white wove paper.

Warrior, 1958

Jean Dubuffet

A work made of engraving in black ink on ivory laid paper.

The Happy Accident of the Swing, 1792

Nicolas Delaunay

A work made of wood-block print in black ink on thin ivory japanese paper, partially laid down on white japanese paper.

Te arii vahine—opoi (Woman with Mangos—Tired), from the Suite of Late Wood-Block Prints, 1898/99

Paul Gauguin

A work made of color woodblock print; oban triptych.

Sketch of a Copperplate Print of the City of Washington (Amerika shu no uchi washintonfu no kei doban no utsushi), 1861

Utagawa Yoshikazu

A work made of photogravure on white wove paper.

Touching the Earth and the Sky, from Re-print, 2009

Ronny Delrue

A work made of wood-block print, printed twice in black over pale yellow ocher ink, on thin ivory japanese paper, partially laid down on white two-ply mat board.

Plate with the Head of a Horned Devil, from the Suite of Late Wood-Block Prints, 1898/99

Paul Gauguin

A work made of color lithograph on white wove paper.

Pienture=Poésie, 1976

Joan Miró

Half-disrobed woman viewed from behind washes in a basin in front of a vanity mirror. The rug and pitcher to her left both have a graphic floral motif.

Woman Bathing, 1890–91

Mary Cassatt

A work made of lithograph (crayon with scraper) in olive-green on cream wove paper hinged at top corners to gray-brown wove paper.

Taking a Bow, plate eight from Yvette Guilbert, 1898, printed 1930

Henri de Toulouse-Lautrec

A work made of woodblock print; oban, sumizuri-e.

A trial of strength, no. 9 from a series of 12 prints, c. 1708

Okumura Masanobu

A work made of woodblock print; oban, sumizuri-e.

Artist signing a screen, no. 1 from the series of 12 prints, c. 1708

Okumura Masanobu

A work made of etching on paper.

Seated Youth Leaning Against an Urn, from Capricci, 1740/50, published 1785

Giovanni Battista Tiepolo

A work made of graphite with smudging on cream wove paper, squared for transfer.

Study for Day (Truth), 1896/98

Ferdinand Hodler

A work made of wood-block print in yellow ocher ink with gray-blue watercolor and touches of red watercolor on cream wove notebook paper ruled in blue.

Maoris and Animals, 1896/97

Paul Gauguin

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