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A work made of gelatin silver print.

Contact Printing the Stool's After-Image, Orange, California, June 27, 1978

Robert Cumming

A work made of woodblock print; oban, sumizuri-e.

Back to back, from a series of 12 prints, c. 1700

Furuyama Moroshige

A work made of etching, soft ground and roulette, printed in black, on paper.

Raped, 1907

Käthe Kollwitz

A work made of color woodblock print; oban triptych.

Sketch of a Copperplate Print of the City of Washington (Amerika shu no uchi washintonfu no kei doban no utsushi), 1861

Utagawa Yoshikazu

A work made of wood-block print in black ink on thin ivory japanese paper, partially laid down on white japanese paper.

Te arii vahine—opoi (Woman with Mangos—Tired), from the Suite of Late Wood-Block Prints, 1898/99

Paul Gauguin

A work made of wood-block print, printed twice in black over pale yellow ocher ink, on thin ivory japanese paper, partially laid down on white two-ply mat board.

Plate with the Head of a Horned Devil, from the Suite of Late Wood-Block Prints, 1898/99

Paul Gauguin

A work made of engraving in black ink on ivory laid paper.

The Happy Accident of the Swing, 1792

Nicolas Delaunay

A work made of lithograph on white wove paper.

Warrior, 1958

Jean Dubuffet

Earthenware plate decorated with colorful flower and grape border on the rim and central figurative scene depicting a fashionably dressed couple in the front with a barber serving a man at the back. The scene has an inscription "LE BARBIER DE SEVILLE" with five more lines at the bottom.

Commodore Perry, c. 1853/54

A work made of photogravure on white wove paper.

Touching the Earth and the Sky, from Re-print, 2009

Ronny Delrue

A work made of woodblock print; oban, sumizuri-e.

A trial of strength, no. 9 from a series of 12 prints, c. 1708

Okumura Masanobu

A work made of woodblock print; oban, sumizuri-e.

Artist signing a screen, no. 1 from the series of 12 prints, c. 1708

Okumura Masanobu

A work made of color lithograph on white wove paper.

Pienture=Poésie, 1976

Joan Miró

Print rendered in visible uniform lines of a 2/3 bust view of a dark-skinned mature woman looking to her left in a wide brim hat, a safety pin securing her black jacket. Her face and neck is a rich brown hue, while the rest of the portrait is rendered in black and white.

Sharecropper, 1952, printed 1970

Elizabeth Catlett

A work made of etching on paper.

Seated Youth Leaning Against an Urn, from Capricci, 1740/50, published 1785

Giovanni Battista Tiepolo

A work made of wood-block print in yellow ocher ink with gray-blue watercolor and touches of red watercolor on cream wove notebook paper ruled in blue.

Maoris and Animals, 1896/97

Paul Gauguin

A work made of color lithograph on paper.

Moonlight, from 1776 USA 1976: Bicentennial Prints, 1975

Joseph Raffael

A work made of graphite with smudging on cream wove paper, squared for transfer.

Study for Day (Truth), 1896/98

Ferdinand Hodler

A work made of pen and brush and black ink on off-white laid paper.

The Survivor, 1936

George Grosz

A work made of lithograph on wove paper, mounted on board.

Secession 49 Exhibition, 1918

Egon Schiele

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