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A work made of relief print in black on ivory wove paper.

Texture Print (Split Pea), plate 92 from 101 Prints, 1967

Norman Roland Eppink

A work made of lithograph in black on ivory wove paper.

Masks and faces: Women afraid of a glass of wine..., 1857–58

Paul Gavarni

A work made of wood engraving on grayish-ivory china paper.

Pumpkins in the Sun, plate 29 from Méndez: 25 Prints, 1945

Leopoldo Méndez

A work made of etching, soft ground and roulette, printed in black, on paper.

Raped, 1907

Käthe Kollwitz

A work made of etching on tan laid paper.

Remembrance of Italy, c. 1866

Jean Baptiste Camille Corot

A work made of woodblock print; oban, sumizuri-e.

A Professional Baffoon, from a untitled series of 12 prints, c. 1710

Torii Kiyonobu I

Earthenware plate decorated with colorful flower and grape border on the rim and central figurative scene depicting a fashionably dressed couple in the front with a barber serving a man at the back. The scene has an inscription "LE BARBIER DE SEVILLE" with five more lines at the bottom.

Commodore Perry, c. 1853/54

A work made of lithograph on white wove paper.

Warrior, 1958

Jean Dubuffet

A work made of engraving in black ink on ivory laid paper.

The Happy Accident of the Swing, 1792

Nicolas Delaunay

A work made of second-state impression laid down on first-state impression wood-block print of second state in black ink on thin ivory japanese paper, laid down on wood-block print of first state in yellow ocher ink with traces of black ink on grayish-ivory wove paper (recto); wood-block print in black and yellow ocher ink and oxidized linseed oil (est.) on grayish-ivory wove paper (partial offset impression of the second state) (verso).

Soyez amoureuses, vous serez heureuses (Love, and You Will Be Happy), from the Suite of Late Wood-Block Prints, 1899

Paul Gauguin

A work made of color screenprint on coated white wove paper.

Out of Sight; Out of Mind, from Screen Prints 1970, 1970

Robert Esche

Black-and-white horizontal photograph of people in a temporary encampment, ruins in the background.

Refugee Camp, Ruins in Background, San Francisco Earthquake and Fire, April 1906, printed 1956

Arnold Genthe

A work made of woodblock print; oban, sumizuri-e.

Measuring Daikoku's height, no. 5 from a series of 12 prints, c. 1708

Okumura Masanobu

Black-and-white photograph of broken brick pillars, stone wall panels with pointed arches, and a prominent belltower.

Ruins of Church Looking North-East or East; Yerba Buena Island in far Right Distance) San Francisco Earthquake and Fire, April 1906, printed 1956

Arnold Genthe

A work made of color lithograph on white wove paper.

Pienture=Poésie, 1976

Joan Miró

A work made of wood engraving on grayish-ivory china paper.

The Tiger's Skin, plate 15 from Méndez: 25 Prints, 1945

Leopoldo Méndez

A work made of carved wood and metal.

Three Printing Blocks, 1890s/1910

A work made of etching on paper.

Seated Youth Leaning Against an Urn, from Capricci, 1740/50, published 1785

Giovanni Battista Tiepolo

A work made of color woodblock print; section of harimaze sheet.

Bullfinch, section of an untitled harimaze print, c. 1840s

Utagawa Hiroshige

A work made of graphite with smudging on cream wove paper, squared for transfer.

Study for Day (Truth), 1896/98

Ferdinand Hodler

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