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A work made of graphite and black chalk, on ivory laid paper, laid down on cream wove board.

Interior with a Couple Before a Chimney-Piece, c. 1785

Hubert Robert

A work made of lithograph in black, gray, blue, green, yellow and red on white wove paper.

Acrobat, 1956

Marino Marini

A work made of etching in black and ochre on ivory wove paper.

Document, n.d.

Arthur Thrall

A work made of etching and engraving, with drypoint, in black on off white laid paper.

Two Beggars Fighting, 1612–16

Jacques Bellange

A work made of etching on paper.

Death Giving Audience, from Capricci, 1740/50, published 1785

Giambattista Tiepolo

A work made of color woodblock print.

Nocturne, 1955

Uchima Ansei

A work made of hand-colored engraving on paper.

The Prodigal Son with Harlots, n.d.

Amos Doolittle

A work made of lithograph in black on cream wove paper.

Les-Parents-Terribles series: Well, now, Achilles..., 1852

Paul Gavarni

A work made of soft ground etching and aquatint on blue laid paper.

Against Green, 1918

Arthur B. Davies

A work made of soft ground etching and aquatint on cream laid paper.

Sisters, 1918–19

Arthur B. Davies

A work made of color screenprint on cream wove paper.

Oh Boy Betsy Ross! What The Fuck Would You Do Now?, from Screen Prints 1970, 1970

Don Kingman

A work made of color etching on cream tone paper.

Poisson III: La Fleur Marine, n.d.

Johnny Friedlaender

A work made of lithograph in black on cream wove paper.

Les Propos de Thomas Vireloque: Man the Masterpiece of Creation, 1852

Paul Gavarni

A work made of wood engraving in black on grayish-ivory china paper.

Revenge, illustration for Melodic Incidents of the Irrational World, from Méndez: 25 Prints, 1944

Leopoldo Méndez

A work made of lithograph on cream wove paper.

Adolphe ou Le Jeune Homme Triste, 1894, published before 1910

Henri de Toulouse-Lautrec

A work made of ink on paper.

Letterpress print (as companion to Doorframe, 2008.554), 1850/1900

Unknown artist

A work made of chiaroscuro woodcut in black, green, and buff on paper.

Demogorgon in the Cave of Eternity, plate one from Demogorgon and the Deities, c. 1588–90

Hendrick Goltzius

A work made of color soft ground etching, from botanical specimens, inked à la poupée, on off-white wove paper.

Nature Print of Moonwort and Adder's Tongue Ferns, plate 51 from The Ferns of Great Britain and Ireland, 1855

Henry Bradbury

A work made of lithograph in black on white wove paper.

“- What a fuss this sour-face from the fifth floor is making! Wearing a hat just to buy two cups of milk for one sou! - Oh, Madame Capitaine, aren't we fancy today...,” plate 36 Types Parisiens, 1840

Honoré-Victorin Daumier

A work made of gelatin silver print.

Contact Printing the Stool's After-Image, Orange, California, June 27, 1978

Robert Cumming

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