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A work made of woodblock print; oban, sumizuri-e.

Reading a Letter in Front of a Screen, from an untitled series of 12 prints, c. 1710

Torii Kiyonobu I

A work made of stipple engraving in sanguine on cream laid paper.

Bathsheba, from A Collection of Prints in Imitation of Drawings, 1764, published 1778

William Wynne Ryland

A work made of graphite and black chalk, on ivory laid paper, laid down on cream wove board.

Interior with a Couple Before a Chimney-Piece, c. 1785

Hubert Robert

A work made of lithograph in black, gray, blue, green, yellow and red on white wove paper.

Acrobat, 1956

Marino Marini

A work made of etching on paper.

Death Giving Audience, from Capricci, 1740/50, published 1785

Giovanni Battista Tiepolo

A work made of etching and engraving, with drypoint, in black on off white laid paper.

Two Beggars Fighting, 1612–16

Jacques Bellange

A work made of etching in black and ochre on ivory wove paper.

Document, n.d.

Arthur Thrall

A work made of color woodblock print.

Nocturne, 1955

Uchima Ansei

A work made of wood-block print in black ink on thin ivory japanese paper.

Tahitian Carrying Bananas, from the Suite of Late Wood-Block Prints, 1898/99

Paul Gauguin

A work made of hand-colored engraving on paper.

The Prodigal Son with Harlots, n.d.

Amos Doolittle

A work made of lithograph in black on cream wove paper.

Les-Parents-Terribles series: Well, now, Achilles..., 1852

Paul Gavarni

A work made of soft ground etching and aquatint on blue laid paper.

Against Green, 1918

Arthur B. Davies

A work made of color screenprint on coated off-white wove paper.

Untitled, from Screen Prints 1970, 1970

Mike Schumacher

A work made of color screenprint on white wove paper.

Apartment III, from Re-print, 2008, signed 2009

Tina Gillen

A work made of soft ground etching and aquatint on cream laid paper.

Sisters, 1918–19

Arthur B. Davies

A work made of screenprint on coated white wove paper.

Around the House, from Screen Prints 1970, 1970

Tony Phillips

A work made of lithograph in black on cream wove paper.

Les Propos de Thomas Vireloque: Man the Masterpiece of Creation, 1852

Paul Gavarni

A work made of color etching on cream tone paper.

Poisson III: La Fleur Marine, n.d.

Johnny Friedlaender

A work made of wood engraving on grayish-ivory china paper.

The Friendly Wild Boar, plate 2 from Méndez: 25 Prints, 1945

Leopoldo Méndez

A work made of lithograph on cream wove paper.

Adolphe ou Le Jeune Homme Triste, 1894, published before 1910

Henri de Toulouse-Lautrec

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