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A work made of wood engraving on grayish-ivory china paper.

Funeral Rites in the Forest, plate 4 from Méndez: 25 Prints, 1945

Leopoldo Méndez

A work made of color screenprint on white wove paper.

Red, White and Blue, from 1776 USA 1976: Bicentennial Prints, 1975

Richard Anuszkiewicz

A work made of wood-block print in black ink on thin ivory japanese paper, laid down on medium-weight, fibrous, off-white japanese paper.

The Ox Cart, from the Suite of Late Wood-Block Prints, 1898/99

Paul Gauguin

A work made of woodblock print; oban, sumizuri-e.

An Impossible Feat by Imaginary Men, no. 8 from a series of 12 prints, c. 1708

Okumura Masanobu

A work made of hand-colored woodblock print; oban, sumizuri-e.

Comb Rashomon (Sashigushi Rashomon), no. 3 from a series of 12 prints depicting parodies of plays, c. 1716–35

Okumura Masanobu

A work made of wood engraving on grayish-ivory china paper.

The Bat, plate 32 from Méndez: 25 Prints, 1945

Leopoldo Méndez

A work made of wood engraving in black on grayish-ivory china paper.

Rattlesnake, illustration for Melodic Incidents of the Irrational World, from Méndez: 25 Prints, 1944

Leopoldo Méndez

A work made of ink and red pigment on paper.

Gathering Seaweed at Omori, n.d.

Utagawa Kuniyoshi

A work made of opaque watercolor, watercolor, ink, and graphite on machine-made wove paper.

Part of a Ten-Piece Set of Printed Ritual Stakes (Khram Shing), 19th–20th century

A work made of lithograph in black on cream wove paper.

Les Propos de Thomas Vireloque: The old story, my lambkins, 1852

Paul Gavarni

A work made of wood engraving on grayish-ivory china paper.

The Mayor Talks, plate 21 from Méndez: 25 Prints, 1945

Leopoldo Méndez

A work made of relief print in black on ivory wove paper.

Texture Print (Split Pea), plate 92 from 101 Prints, 1967

Norman Roland Eppink

A work made of color woodblock prints; oban triptych.

Artist, Block Carver, Applying Sizing (Eshi, hangashi, dosa-biki), from the series The Cultivation of Brocade Prints, a Famous Product of Edo (Edo meibutsu nishiki-e kosaku), About 1803

Kitagawa Utamaro

A work made of wood engraving on grayish-ivory china paper.

Pumpkins in the Sun, plate 29 from Méndez: 25 Prints, 1945

Leopoldo Méndez

A work made of woodblock print; oban, sumizuri-e.

A Professional Baffoon, from a untitled series of 12 prints, c. 1710

Torii Kiyonobu I

A work made of carved wood and metal.

Three Printing Blocks, 1890s/1910

A work made of color screenprint on coated white wove paper.

Out of Sight; Out of Mind, from Screen Prints 1970, 1970

Robert Esche

A work made of woodblock print; oban, sumizuri-e.

Measuring Daikoku's height, no. 5 from a series of 12 prints, c. 1708

Okumura Masanobu

A work made of wood engraving on grayish-ivory china paper.

The Tiger's Skin, plate 15 from Méndez: 25 Prints, 1945

Leopoldo Méndez

A work made of second-state impression laid down on first-state impression
wood-block print of second state in black ink on thin ivory japanese paper, laid down on wood-block print of first state in yellow ocher ink with traces of black ink on grayish-ivory wove paper (recto); wood-block print in black and yellow ocher ink and oxidized linseed oil (est.) on grayish-ivory wove paper (partial offset impression of the second state) (verso).

Soyez amoureuses, vous serez heureuses (Love, and You Will Be Happy), from the Suite of Late Wood-Block Prints, 1899

Paul Gauguin

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