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A work made of color screenprint on off-white wove card.

Sibley Lumber, from Screen Prints 1970, 1970

Donna Livermore

A work made of lithograph in black on ivory wove paper.

Les-Parents-Terribles series: Will you read that chapter over again..., 1853

Paul Gavarni

A work made of wood engraving on grayish-ivory china paper.

Dance of Death, II, plate 17 from Méndez: 25 Prints, 1945

Leopoldo Méndez

A work made of wood engraving on grayish-ivory china paper.

Revenge, plate 22 from Méndez: 25 Prints, 1945

Leopoldo Méndez

A work made of lithograph in black on paper.

Sleep, 1932

Diego Rivera

A work made of color lithograph on ivory wove paper.

Painter, 1962

Paul Wunderlich

A work made of hand-colored woodblock print; oban, sumizuri-e.

Sleeve-Letter Takasago (Sodefumi Takasago), no. 2 from a series of 12 prints depicting parodies of plays, c. 1716/35

Okumura Masanobu

A work made of etching on off-white wove paper.

Night on the El Train, 1918

Edward Hopper

A work made of lithograph in black on cream wove paper.

Les-Parents-Terribles series: It's Pretty, But..., 1852

Paul Gavarni

A work made of second-state impression laid down on first-state impression wood-block print of second state in black ink on lunette-shaped, thin ivory japanese paper, laid down on wood-block print of first state in brownish-black ink on lunette-shaped ivory wove paper.

Te atua (The God), from the Suite of Late Wood-Block Prints, 1898/99

Paul Gauguin

A work made of etching in black on ivory laid paper.

Feste Bacchique, plate 97 from " L'Oeuvre d'Antoine Watteau", 1729-1731

Jean Moyreau

A work made of wood engraving on grayish-ivory china paper.

The Reply of Madame Snail, plate 6 from Méndez: 25 Prints, 1945

Leopoldo Méndez

A work made of wood engraving on grayish-ivory china paper.

Squash with Squirrel Skeleton, plate 35 from Méndez: 25 Prints, 1945

Leopoldo Méndez

A work made of lithograph on ivory wove paper.

Two Untitled Prints, 1961

Rico (Frederico) LeBrun

A work made of zinc alloy plate etched with nitric acid and engraved with burin nailed to wood block (photo-relief etching).

Printing block for Calavera of the Masses, no. 2, 1910

José Guadalupe Posada

A work made of lithograph in black on cream wove paper.

Les Partageuses: Thursday you dined at Vachette's, 1853

Paul Gavarni

A work made of enamel and black ink on coated off-white wove paper.

Untitled, from Screen Prints 1970, 1970

Tom Seghi

A work made of second-state impression laid down on first-state impression wood-block print of second state in black ink on thin ivory japanese paper, laid down on wood-block print of first state in ocher ink on grayish-ivory wove paper (recto); wood-block print in black ink and oxidized linseed oil (est.) on grayish-ivory wove paper (partial offset impression of the second state) (verso).

Change of Residence, from the Suite of Late Wood-Block Prints, 1899

Paul Gauguin

A work made of color screenprint on white wove paper.

Magic Carpet, from Screen Prints 1970, 1970

Margaret McKenna

A work made of color screenprint on coated white wove paper, laid down on silver gelatin print on coated white wove paper, laid down on white wove paper.

Censor: Position without Qualification, from Screen Prints 1970, 1970

Kathy Dulen

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