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A work made of wood engraving on grayish-ivory china paper.

The New Song, plate 24 from Mendez: 25 Prints, 1945

Leopoldo Méndez

A work made of carved wood, treated in a variety of techniques.

Six Printing Blocks, before 1850

A work made of color etching, engraving and lift ground aquatint on white wove paper.

Glowing Tree, 1958

Gabor Peterdi

A work made of lithograph from two stones in black and white on gray wove paper.

Study for An Untitled Print, 1979–82

Lee Bontecou

A work made of color screenprint on off-white wove card.

Sibley Lumber, from Screen Prints 1970, 1970

Donna Livermore

A work made of wood engraving on grayish-ivory china paper.

Remembrance of Youthful Scenes, I , plate 11 from Méndez: 25 Prints, 1945

Leopoldo Méndez

A work made of lithograph in black on ivory wove paper.

Les Propos de Thomas Vireloque: Misere et corde - first speech, then..., 1852–53

Paul Gavarni

A work made of wood engraving on grayish-ivory china paper.

Dance of Death, II, plate 17 from Méndez: 25 Prints, 1945

Leopoldo Méndez

A work made of wood engraving on grayish-ivory china paper.

Revenge, plate 22 from Méndez: 25 Prints, 1945

Leopoldo Méndez

A work made of hand-colored woodblock print; oban, sumizuri-e.

Sleeve-Letter Takasago (Sodefumi Takasago), no. 2 from a series of 12 prints depicting parodies of plays, c. 1716/35

Okumura Masanobu

A work made of second-state impression laid down on first-state impression wood-block print of second state in black ink on lunette-shaped, thin ivory japanese paper, laid down on wood-block print of first state in brownish-black ink on lunette-shaped ivory wove paper.

Te atua (The God), from the Suite of Late Wood-Block Prints, 1898/99

Paul Gauguin

A dense group of many adults, the men in top hats, sit atop a stagecoach pulled by four horses at full gallop.

A Stagecoach, 1818

Horace Vernet

A work made of color woodblock print; hashira-e.

The Courtesan Sugawara of the Tsuruya and Her Attendant, c. 1776/81

Isoda Koryusai

A work made of wood engraving on grayish-ivory china paper.

The Reply of Madame Snail, plate 6 from Méndez: 25 Prints, 1945

Leopoldo Méndez

A work made of wood engraving on grayish-ivory china paper.

Squash with Squirrel Skeleton, plate 35 from Méndez: 25 Prints, 1945

Leopoldo Méndez

A work made of lithograph on ivory wove paper.

Two Untitled Prints, 1961

Rico (Frederico) LeBrun

A work made of enamel and black ink on coated off-white wove paper.

Untitled, from Screen Prints 1970, 1970

Tom Seghi

A work made of zinc alloy plate etched with nitric acid and engraved with burin nailed to wood block (photo-relief etching).

Printing block for Calavera of the Masses, no. 2, 1910

José Guadalupe Posada

Loose black lines form two men, possibly vagrants, in baggy, layered clothing. At left, one with tiny round glasses on his forehead and straggly hair leans on a fence. The other, with a round nose and full cheeks, snoozes on the ground at right.

Les Propos de Thomas Vireloque: His Majesty the King of beasts, 1852

Paul Gavarni

A work made of second-state impression laid down on first-state impression wood-block print of second state in black ink on thin ivory japanese paper, laid down on wood-block print of first state in ocher ink on grayish-ivory wove paper (recto); wood-block print in black ink and oxidized linseed oil (est.) on grayish-ivory wove paper (partial offset impression of the second state) (verso).

Change of Residence, from the Suite of Late Wood-Block Prints, 1899

Paul Gauguin

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