Curator

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Loose black lines form two men, possibly vagrants, in baggy, layered clothing. At left, one with tiny round glasses on his forehead and straggly hair leans on a fence. The other, with a round nose and full cheeks, snoozes on the ground at right.

Les Propos de Thomas Vireloque: His Majesty the King of beasts, 1852

Paul Gavarni

A work made of color screenprint on white wove paper.

Three Lamps, from Screen Prints 1970, 1970

Daniel Burgevin

A work made of gelatin silver print.

Equivalent, from Set A (Third Set, Print 8), 1929

Alfred Stieglitz

A work made of hand-colored woodblock print; hosoban, urushi-e.

Summer: Planting Rice (Natsu: taue no zu), No. 2 from the series "The Four Seasons of Farmers (Shiki no hyakusho)", c. 1730s

Torii Kiyomasu II

A work made of screenprint on off-white wove paper.

Notebook Page, from Screen Prints 1970, 1970

Francis Piatek

A work made of screenprint on coated white wove paper.

Untitled, from Screen Prints 1970, 1970

Alan Peters

A work made of lithograph in black on ivory chine, laid down on ivory wove paper (chine collé).

Berthe Morisot in Silhouette, 1872–74, printed 1884

Édouard Manet

A work made of wood engraving on grayish-ivory china paper.

The New Song, plate 24 from Mendez: 25 Prints, 1945

Leopoldo Méndez

A work made of color mezzotint, with touches of engraving on cream laid paper, varnished.

Cranial Dissection, plate five from Anatomy of the Head, in Printed Paintings, 1748

Jacques Fabien Gautier d'Agoty

A work made of carved wood, treated in a variety of techniques.

Six Printing Blocks, before 1850

A work made of lithograph from two stones in black and white on gray wove paper.

Study for An Untitled Print, 1979–82

Lee Bontecou

A work made of color screenprint on off-white wove card.

Sibley Lumber, from Screen Prints 1970, 1970

Donna Livermore

A work made of ink and red pigment on paper.

Gathering Seaweed at Omori, n.d.

Utagawa Kuniyoshi

A work made of wood engraving on grayish-ivory china paper.

Remembrance of Youthful Scenes, I , plate 11 from Méndez: 25 Prints, 1945

Leopoldo Méndez

A work made of wood engraving on grayish-ivory china paper.

Dance of Death, II, plate 17 from Méndez: 25 Prints, 1945

Leopoldo Méndez

A work made of wood engraving on grayish-ivory china paper.

Revenge, plate 22 from Méndez: 25 Prints, 1945

Leopoldo Méndez

A work made of lithograph in black on cream wove paper.

Les Propos de Thomas Vireloque: The old story, my lambkins, 1852

Paul Gavarni

A work made of hand-colored woodblock print; oban, sumizuri-e.

Sleeve-Letter Takasago (Sodefumi Takasago), no. 2 from a series of 12 prints depicting parodies of plays, c. 1716/35

Okumura Masanobu

A work made of second-state impression laid down on first-state impression wood-block print of second state in black ink on lunette-shaped, thin ivory japanese paper, laid down on wood-block print of first state in brownish-black ink on lunette-shaped ivory wove paper.

Te atua (The God), from the Suite of Late Wood-Block Prints, 1898/99

Paul Gauguin

A work made of wood engraving on grayish-ivory china paper.

The Reply of Madame Snail, plate 6 from Méndez: 25 Prints, 1945

Leopoldo Méndez

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