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A work made of etching and aquatint on ivory laid paper.

It is Nicely Stretched, plate 17 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of silk, warp-float faced 7:1 satin weave; embroidered with silk in chain, satin, single satin and stem stitches; french knot.

Fragment, 1775/80

Philippe de La Salle

A work made of etching and aquatint on ivory laid paper.

Yes, He Broke the Pot, plate 25 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of polyester and cotton, satin, twill, and plain weaves self-patterned by complementary wefts in satin, twill and plain interlacings; woven with cad/cam system connected to loom with jacquard attachment.

Sea Saw, 1991 (produced 1992/93)

Sheila O'Hara

A work made of wood engraving on paper.

"Snap-the-Whip", published September 20, 1873

Winslow Homer

A work made of gold, enamel, and glass.

Snuff Box: Portrait of Tsar Alexander I, 1816

Black and brown painting of man in suit composed of fractured geometric shapes

Sample (Up 80 X #2), 1945/49

Robert D. Sailors

A work made of gelatin silver prints (triptych).

Untitled Triptych 80/134/82, 1987

Carl Chiarenza

A work made of silk and cotton, pieced plain, twill and satin weaves; some with supplementary patterning warps or wefts; some self-patterned by main ground or complementary ground wefts; some with supplementary pile warps forming cut solid velvet, cut and uncut solid velvet, cut and uncut voided velvet, cut solid stamped velvet and 'velours au sabre'; some printed painted or warp painted (chiné); some (moiré); one appliqué with silk and cotton, plain weave with supplementary pile warps forming cut solid velvet; embroidered with silk in buttonhole, chain, detached chain, feather, double feather, herringbone, stem, straight and sheaf stitch variations; some stitches interlaced; french knots; lined with silk 7:1 satin weave self-patterned by areas of plain weave and ground weft floats.

Bedcover (Crazy Quilt), 1875/80

A work made of etching and aquatint on ivory laid paper.

Devout profession, plate 70 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of etching on paper.

The Watermill, from Various Scenes Designed in Florence, 1618–20

Jacques Callot

A work made of relief print on paper.

El cancionero popular, num. 20 (The Popular Songbook, no. 20), n.d.

Unknown artist

A work made of etching with foul biting in black ink on ivory laid paper.

The Two Doorways, 1879/80

James McNeill Whistler

A work made of etching and burnishing on ivory wove paper with gilt edges.

Truth has died, plate 79 from The Disasters of War, 1815/20, published 1863

Francisco José de Goya y Lucientes

A work made of wood-block print in black ink on thin ivory japanese paper, tipped on thin white japanese paper.

Tahitian Carrying Bananas, from the Suite of Late Wood-Block Prints, 1898/99

Paul Gauguin

A work made of etching and aquatint on ivory laid paper.

Don't scream, stupid, plate 74 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of silver.

Tetradrachm (Coin) Depicting the Goddess Tyche, 80-79 BCE

Ancient Greek

A work made of wood-block print, printed twice in black over pale yellow ocher ink, on thin ivory japanese paper, partially laid down on white two-ply mat board.

Plate with the Head of a Horned Devil, from the Suite of Late Wood-Block Prints, 1898/99

Paul Gauguin

A work made of graphite on linen.

860–880 North Lake Shore Drive, Exterior Details, 1/20/1950

Ludwig Mies van der Rohe

A work made of etching and aquatint on ivory laid paper.

What One Does to Another, plate 77 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

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