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A work made of wood-block print in black ink on thin ivory japanese paper, tipped on thin white japanese paper.

Tahitian Carrying Bananas, from the Suite of Late Wood-Block Prints, 1898/99

Paul Gauguin

A work made of etching and burnishing on ivory wove paper with gilt edges.

Truth has died, plate 79 from The Disasters of War, 1815/20, published 1863

Francisco José de Goya y Lucientes

A work made of wood-block print, printed twice in black over pale yellow ocher ink, on thin ivory japanese paper, partially laid down on white two-ply mat board.

Plate with the Head of a Horned Devil, from the Suite of Late Wood-Block Prints, 1898/99

Paul Gauguin

A work made of etching and aquatint on ivory laid paper.

What One Does to Another, plate 77 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of graphite on linen.

860–880 North Lake Shore Drive, Exterior Details, 1/20/1950

Ludwig Mies van der Rohe

A work made of cotton, plain weave; screen printed.

Filo (Furnishing Fabric), 1942

Angelo Testa

A work made of etching and aquatint on ivory laid paper.

For Heaven's Sake: and it was Her Mother, plate 16 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of etching and aquatint on ivory laid paper.

How they Pluck Her, plate 21 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of silk, warp-float faced 7:1 satin weave; embroidered with silk in chain, satin, single satin and stem stitches; french knot.

Fragment, 1775/80

Philippe de La Salle

A work made of etching and aquatint in warm black on ivory laid paper.

Until Death, plate 55 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of steel and silver.

Rapier, 1610-20

A work made of gold, enamel, and glass.

Snuff Box: Portrait of Tsar Alexander I, 1816

A work made of 99% wool- 1% other fiber.

Heather (Cooper), 1940s/50s

Knoll International, Inc.

A work made of silk and cotton, pieced plain, twill and satin weaves; some with supplementary patterning warps or wefts; some self-patterned by main ground or complementary ground wefts; some with supplementary pile warps forming cut solid velvet, cut and uncut solid velvet, cut and uncut voided velvet, cut solid stamped velvet and 'velours au sabre'; some printed painted or warp painted (chiné); some (moiré); one appliqué with silk and cotton, plain weave with supplementary pile warps forming cut solid velvet; embroidered with silk in buttonhole, chain, detached chain, feather, double feather, herringbone, stem, straight and sheaf stitch variations; some stitches interlaced; french knots; lined with silk 7:1 satin weave self-patterned by areas of plain weave and ground weft floats.

'Crazy Quilt', 1875/80

A work made of cotton and rayon, weft-float faced satin weave; screen printed.

Textura Plaid (Furnishing Fabric), 1950

Angelo Testa

A work made of cotton, linen, and wool and nylon bouclé, plain weave.

Blue Sheik (Furnishing Fabric), 1956

Angelo Testa

A work made of etching and aquatint on ivory laid paper.

What a Sacrifice!, plate 14 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of etching and aquatint on ivory laid paper.

Correction, plate 46 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of wood-block print in black ink on thin ivory japanese paper.

Tahitian Carrying Bananas, from the Suite of Late Wood-Block Prints, 1898/99

Paul Gauguin

A work made of gelatin silver print.

Max Ernst & Dorothea Tanning, New York, March 20, 1947, printed 1983

Irving Penn

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