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A work made of etching on paper.

The Captain or The Lover, from Three Italian Comedians, 1618–20

Jacques Callot

A work made of hard-paste porcelain, black enamel (schwarzlot), and gilding.

Vase and Cover (one of a pair), 1715/20

Meissen Porcelain Manufactory

A work made of etching and aquatint on ivory laid paper.

Hush, plate 28 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of engraving in black on ivory laid paper.

The Grand Duke Fortifies the Port of Livorno, from The Life of Ferdinando I de’ Medici, 1616/20

Jacques Callot

A work made of tin-glazed earthenware.

Fecundity Platter, 1675–80

A work made of stoneware.

Jug, 1850–80

John Bell

A work made of etching on paper.

Plate 31 of 38 from Oeuvres de J. B. Huet, 1796–99

Jean Baptiste Huet

A work made of etching and aquatint on ivory laid paper.

She Prays for Her, plate 31 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of etching and aquatint on ivory laid paper.

They Spin Finely, plate 44 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of color woodblock print; chuban.

Act Six: Yoichibei's House from the play Chushingura (Treasury of Loyal Retainers), c. 1779/80

Katsukawa Shunsho

A work made of linen, plain weave; screen printed.

Poco Check (Furnishing Fabric), 1960

Angelo Testa

A work made of graphite on white tracing paper, green and brown pencil added.

Alexander Hamilton Memorial, Lincoln Park, Chicago, Perspective, 4/18/1950

Marx, Flint & Schonne Architects

A work made of etching on paper.

The Naval Battle, from Various Scenes Designed in Florence, 1618–20

Jacques Callot

A work made of steel, leather, and iron.

Roundel Dagger and Scabbard, 1500/20

A work made of etching and aquatint on ivory laid paper.

No One Has Seen Us, plate 79 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of gelatin silver print.

Untitled [from Circulation, October 12 #80], 1971, printed 2017

Takuma Nakahira

A work made of watercolor and gouache with scraping, over graphite, on cream wove paper, laid down on board.

Scene at Lutworth, 1870/80

Joseph Mallord William Turner

Swingline Stapler

Swingline Stapler, 1998/99

Scott Wilson

A work made of linen, plain weave; embroidered with silk floss, creped silk yarns, linen yarns, silvered-metal wire, silvered-metal-strip-wrapped silk, and silvered-metal strips, wire and coils in back, bullion, ceylon, overcast, oblique gobelin, plaited braid, satin, split, tent, and a variety of buttonhole stitches; laid work, couching, and turk's head knots with bullion picots; embellished with metal coils and paillettes; beaded with seed pearls, and glass and coral beads; applied braid of hammered gilt metal.

Picture Depicting the Queen of Sheba Before King Solomon, c. 1660

A work made of polyester and cotton, satin, twill, and plain weaves self-patterned by complementary wefts in satin, twill and plain interlacings; woven with cad/cam system connected to loom with jacquard attachment.

Sea Saw, 1991 (produced 1992/93)

Sheila O'Hara

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