Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
Compass, sundial, and perpetual calendar inside of a square thin ivory box decorated with leaf etched motives.

Portable Diptych with Compass, Sundial, and Perpetual Calendar, 1660/80

Charles Bloud

A work made of pen and brown ink over red and black chalk on tan laid paper, laid down on ivory wove paper.

Study for Commerce or the Triumph of the Thames, 1767/80

James Barry

A work made of hard-paste porcelain, black enamel (schwarzlot), and gilding.

Vase and Cover (one of a pair), 1715/20

Meissen Porcelain Manufactory

A work made of rattan, square knotted netting; painted.

Black Net, 1982

Joanne Segal Brandford

A work made of engraving in black on ivory laid paper.

The Grand Duke Fortifies the Port of Livorno, from The Life of Ferdinando I de’ Medici, 1616/20

Jacques Callot

A work made of graphite on white tracing paper, green and brown pencil added.

Alexander Hamilton Memorial, Lincoln Park, Chicago, Perspective, 4/18/1950

Marx, Flint & Schonne Architects

A work made of etching and aquatint on ivory laid paper.

Hush, plate 28 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of etching on paper.

Plate 31 of 38 from Oeuvres de J. B. Huet, 1796–99

Jean Baptiste Huet

A work made of etching and aquatint on ivory laid paper.

She Prays for Her, plate 31 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of etching and aquatint on ivory laid paper.

They Spin Finely, plate 44 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of cotton, plain weave; screen printed.

Staccato (Furnishing Fabric), 1951

Angelo Testa

A work made of gelatin silver print.

Untitled [from Circulation, October 12 #80], 1971, printed 2017

Takuma Nakahira

A work made of etching on paper.

The Naval Battle, from Various Scenes Designed in Florence, 1618–20

Jacques Callot

A work made of steel, leather, and iron.

Roundel Dagger and Scabbard, 1500/20

A work made of etching and aquatint on ivory laid paper.

No One Has Seen Us, plate 79 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of tin-glazed earthenware.

Fecundity Platter, 1675–80

A work made of stoneware.

Jug, 1850–80

John Bell

A work made of screenprint on ivory wove paper.

Flowers (Black and White), 1974

Andy Warhol

Swingline Stapler

Swingline Stapler, 1998/99

Scott Wilson

A work made of cotton, plain weave; screen printed.

Corrals (Furnishing Fabric), 1951

Angelo Testa

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