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A work made of etching and aquatint on ivory laid paper.

To Rise and to Fall, plate 56 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of woodcut in black on ivory laid paper.

The Martyrdom of Saint John, from The Apocalypse, 1495–99

Albrecht Dürer

A work made of graphite on linen.

860–880 North Lake Shore Drive, First and Mezzanine Floor Elevations, 1/20/1950

Ludwig Mies van der Rohe

A work made of bone, staghorn, limewood, birchbark, rawhide, leather, and iron.

Saddle, 1400-20

A work made of black chalk, with touches of pen and black ink and white chalk, on tan laid paper.

Lot's Daughters Fleeing Sodom, 1615/20

Lucas Emil Vorsterman

A work made of pen and brown ink, with brush and gray wash, over traces of black chalk, on ivory laid paper, tipped on to light blue laid paper.

Martyrdom of Saint Peter, 1598/99

Andrea Boscoli

A work made of linen, plain weave; embroidered with silk floss, creped silk yarns, linen yarns, silvered-metal wire, silvered-metal-strip-wrapped silk, and silvered-metal strips, wire and coils in back, bullion, ceylon, overcast, oblique gobelin, plaited braid, satin, split, tent, and a variety of buttonhole stitches; laid work, couching, and turk's head knots with bullion picots; embellished with metal coils and paillettes; beaded with seed pearls, and glass and coral beads; applied braid of hammered gilt metal.

Picture Depicting the Queen of Sheba Before King Solomon, c. 1660

A work made of etching and burnishing on ivory wove paper with gilt edges.

Against the Common Good, plate 71 from The Disasters of War, 1815/20, published 1863

Francisco José de Goya y Lucientes

A work made of 99% wool- 1% other fiber.

Heather (Saffron), 1940s/50s

Knoll International, Inc.

A work made of 99% wool- 1% other fiber.

Heather (Red), 1940s/50s

Knoll International, Inc.

A work made of cotton, plain weave, pieced; appliquéd with cotton, plain weave, printed, embroidered in cotton threads in buttonhole and chain stitches; quilted; backed with cotton, plain weave.

Album Quilt, 1857

A work made of pewter with copper.

Flagon, 1765–80

William Will

A work made of oil on panel.

The Fairies, 1870–80

Adolphe Joseph Thomas Monticelli

A work made of pen and brown ink, brush and brown wash, and white gouache, over black chalk, on ivory wove paper.

The Bark, 1771/80

Pierre Ozanne

A work made of polyester and cotton, satin, twill, and plain weaves self-patterned by complementary wefts in satin, twill and plain interlacings; woven with cad/cam system connected to loom with jacquard attachment.

Sea Saw, 1991 (produced 1992/93)

Sheila O'Hara

A work made of pen and ink, two page, double-sided autograph letter, signed julia margaret cameron.

Autograph Letter, 20 June 1875

Julia Margaret Cameron

A work made of iron, wood, and paint.

Lance for Joust or Quintain Course, 1710-20

A work made of halftone relief print.

Peter Gowland, No. 20 from the series "The Baseball-Photographer Trading Cards", 1975

Mike Mandel

A work made of pen and brown ink over traces of black chalk, on tan laid paper, laid down on ivory laid card.

Cupid Tied to a Tree, 1570/99

Giorgio Picchi

A work made of etching on paper.

Plate Three of 38 from Oeuvres de J. B. Huet, 1796–99

Jean Baptiste Huet

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