Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of gelatin silver print.

Two American Flags, Freed Iranian Hostage Tickertape Parade, New York City, January 20, 1981

Thomas Frederick Arndt

A work made of stoneware, glazes.

Untitled, 1990–99

Toshiko Takaezu

A work made of stoneware, glazes.

Untitled, 1990–99

Toshiko Takaezu

A work made of etching, burin, drypoint and burnishing on ivory wove paper with gilt edges.

Sad Forebodings of What is Going to Happen, plate one from The Disasters of War, 1814/20, published 1863

Francisco José de Goya y Lucientes

A work made of color woodblock print; oban.

No. 20: Rain on the Hiratsuka Plain near Kutsukake Station (Niju: Kutsukake no eki, Hiratsukahara uchu no kei), from the series "[Sixty-nine Stations of the] Kisokaido (Kisokaido [rokujukyu tsugi no uchi])", c. 1835/36

Keisai Eisen

A work made of wood-block print in black ink on thin ivory japanese paper, laid down on medium-weight, fibrous, off-white japanese paper.

The Ox Cart, from the Suite of Late Wood-Block Prints, 1898/99

Paul Gauguin

A work made of gelatin silver print.

Freed Iranian Hostage, Tickertape Parade, New York City, January 20, 1981

Thomas Frederick Arndt

A work made of linen, plain weave; embroidered with silk floss, creped silk yarns, linen yarns, silvered-metal wire, silvered-metal-strip-wrapped silk, and silvered-metal strips, wire and coils in back, bullion, ceylon, overcast, oblique gobelin, plaited braid, satin, split, tent, and a variety of buttonhole stitches; laid work, couching, and turk's head knots with bullion picots; embellished with metal coils and paillettes; beaded with seed pearls, and glass and coral beads; applied braid of hammered gilt metal.

Picture Depicting the Queen of Sheba Before King Solomon, c. 1660

A work made of oil on canvas.

The Gulf of Salerno, 1783/85

Joseph Wright of Derby

Compass, sundial, and perpetual calendar inside of a square thin ivory box decorated with leaf etched motives.

Portable Diptych with Compass, Sundial, and Perpetual Calendar, 1660/80

Charles Bloud

A work made of pen and brown ink over red and black chalk on tan laid paper, laid down on ivory wove paper.

Study for Commerce or the Triumph of the Thames, 1767/80

James Barry

A work made of linen, plain weave; screen printed.

Poco Check (Furnishing Fabric), 1960

Angelo Testa

A work made of steel.

Fingered Gauntlet for the Left Hand, c. 1600/20

A work made of graphite on white tracing paper, green and brown pencil added.

Alexander Hamilton Memorial, Lincoln Park, Chicago, Perspective, 4/18/1950

Marx, Flint & Schonne Architects

A work made of engraving on paper.

Pantalone, from Three Italian Comedians, 1618–20

Jacques Callot

A work made of etching and aquatint on ivory laid paper.

What a Golden Beak!, plate 53 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of etching and aquatint on ivory laid paper.

They've Already Got a Seat (i.e. bottom), plate 26 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of polyester and cotton, satin, twill, and plain weaves self-patterned by complementary wefts in satin, twill and plain interlacings; woven with cad/cam system connected to loom with jacquard attachment.

Sea Saw, 1991 (produced 1992/93)

Sheila O'Hara

A work made of etching on paper.

The Captain or The Lover, from Three Italian Comedians, 1618–20

Jacques Callot

A work made of tin-glazed earthenware.

Fecundity Platter, 1675–80

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