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A work made of pen and brown ink and brush and brown wash heightened with lead white (partially oxidixed) (recto), and black chalk (verso), on tan laid paper, squared in red chalk.

Virgin and Child with Saints (recto); Study of Arm (verso), 1560/80

Bartolomeo Ramenghi, the elder

A work made of color woodblock print; chuban.

Act Eight: Bridal Journey from the play Chushingura (Treasury of Loyal Retainers), c. 1779/80

Katsukawa Shunsho

A work made of etching and aquatint on ivory laid paper.

It is Better to Be Lazy, plate 73 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of silk, plain weave; screen printed.

Prolog (Prologue) (Dress or Furnishing Fabric), 1922

Maria Likarz

A work made of linen, plain weave; screen printed.

Variations (Furnishing Fabric), 1955

Angelo Testa

A work made of etching and aquatint on ivory laid paper.

That certainly is being able to read, plate 29 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

Page 20, from Tetrascroll

Page 20, from Tetrascroll, 1975–77

Richard Buckminster Fuller

A work made of gelatin silver print.

Light Calligram II (20), 1993

Joan Fontcuberta

A work made of gelatin silver print.

Untitled (3/20/35), March 20, 1935

Unknown Maker

A work made of gelatin silver print (2), chromogenic print (1).

Section 20 of The Blind, 1986/89

Sophie Calle

A work made of collage of cut-and-pasted various commercially printed papers, graphite on tan wove papers, and watercolor on off-white wove paper, selectively varnished and found paper items, and on off-white paperboard with graphite and pen and brush and black ink.

Untitled (Collage with Photos, Ticket Stubs, and Hotel Bill), 1970/80

Saul Steinberg

A work made of red chalk with stumping, on ivory laid paper, tipped onto cream laid paper.

Infant Oedipus Brought Home by Shepherd, 1675/99

Pietro da Cortona

A work made of etching and aquatint on ivory laid paper.

Why Hide Them?, plate 30 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of wool and silk, slit and double interlocking tapestry weave.

Chancellerie, 1718/20

Manufacture Royale de Beauvais

A work made of color woodblock print; oban.

No. 20: Rain on the Hiratsuka Plain near Kutsukake Station (Niju: Kutsukake no eki, Hiratsukahara uchu no kei), from the series "[Sixty-nine Stations of the] Kisokaido (Kisokaido [rokujukyu tsugi no uchi])", c. 1835/36

Keisai Eisen

A work made of sepia and wash on paper.

River Estuary, 1675/99

Nicolas Poussin

A work made of albumen print.

Entrance to Hotel du Soleil, 1910/20

Jean-Eugène-Auguste Atget

A work made of gelatin silver print.

Two American Flags, Freed Iranian Hostage Tickertape Parade, New York City, January 20, 1981

Thomas Frederick Arndt

A work made of etching, burin, drypoint and burnishing on ivory wove paper with gilt edges.

Sad Forebodings of What is Going to Happen, plate one from The Disasters of War, 1814/20, published 1863

Francisco José de Goya y Lucientes

A work made of etching and aquatint on ivory laid paper.

Look How Solemn They Are!, plate 63 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

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