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A work made of albumen print.

Entrance to Hotel du Soleil, 1910/20

Jean-Eugène-Auguste Atget

A work made of wood-block print, printed twice in black over pale yellow ocher ink, on thin ivory japanese paper, partially laid down on white two-ply mat board.

Plate with the Head of a Horned Devil, from the Suite of Late Wood-Block Prints, 1898/99

Paul Gauguin

A work made of stoneware (jasperware).

Portland Vase, 1860/80

Wedgwood Manufactory

A work made of stipple and line etching on paper.

Captain Alexander Bielaski, Date unknown

Unknown artist

A work made of etching and aquatint on ivory laid paper.

What One Does to Another, plate 77 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of gelatin silver print.

Two American Flags, Freed Iranian Hostage Tickertape Parade, New York City, January 20, 1981

Thomas Frederick Arndt

A work made of albumen print, stereo.

War Chief of the Zuni Indians, No. 20 from the series "Geographical Explorations and Surveys West of the 100th Meridian", 1873

Timothy O'Sullivan

A work made of etching, burin, drypoint and burnishing on ivory wove paper with gilt edges.

Sad Forebodings of What is Going to Happen, plate one from The Disasters of War, 1814/20, published 1863

Francisco José de Goya y Lucientes

A work made of etching and aquatint on ivory laid paper.

For Heaven's Sake: and it was Her Mother, plate 16 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of etching and aquatint on ivory laid paper.

How they Pluck Her, plate 21 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of pen and brown ink and brush and brown wash heightened with lead white (partially oxidixed) (recto), and black chalk (verso), on tan laid paper, squared in red chalk.

Virgin and Child with Saints (recto); Study of Arm (verso), 1560/80

Bartolomeo Ramenghi, the elder

A work made of etching and aquatint in warm black on ivory laid paper.

Until Death, plate 55 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of gelatin silver print.

Freed Iranian Hostage, Tickertape Parade, New York City, January 20, 1981

Thomas Frederick Arndt

A work made of color woodblock print; chuban.

Act Eight: Bridal Journey from the play Chushingura (Treasury of Loyal Retainers), c. 1779/80

Katsukawa Shunsho

A work made of linen, plain weave; embroidered with silk floss, creped silk yarns, linen yarns, silvered-metal wire, silvered-metal-strip-wrapped silk, and silvered-metal strips, wire and coils in back, bullion, ceylon, overcast, oblique gobelin, plaited braid, satin, split, tent, and a variety of buttonhole stitches; laid work, couching, and turk's head knots with bullion picots; embellished with metal coils and paillettes; beaded with seed pearls, and glass and coral beads; applied braid of hammered gilt metal.

Picture Depicting the Queen of Sheba Before King Solomon, c. 1660

A work made of linen, plain weave; screen printed.

Poco Check (Furnishing Fabric), 1960

Angelo Testa

A work made of oil on canvas.

The Gulf of Salerno, 1783–85

Joseph Wright of Derby

A work made of etching and aquatint on ivory laid paper.

What a Sacrifice!, plate 14 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of etching and aquatint on ivory laid paper.

Correction, plate 46 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of wood-block print in black ink on thin ivory japanese paper.

Tahitian Carrying Bananas, from the Suite of Late Wood-Block Prints, 1898/99

Paul Gauguin

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