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A work made of wool and silk, slit and double interlocking tapestry weave.

Chancellerie, 1718/20

Manufacture Royale de Beauvais

A work made of collage of cut-and-pasted various commercially printed papers, graphite on tan wove papers, and watercolor on off-white wove paper, selectively varnished and found paper items, and on off-white paperboard with graphite and pen and brush and black ink.

Untitled (Collage with Photos, Ticket Stubs, and Hotel Bill), 1970/80

Saul Steinberg

A work made of etching and aquatint on ivory laid paper.

Don't scream, stupid, plate 74 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of wood-block print in black ink on thin ivory japanese paper, tipped on thin white japanese paper.

Tahitian Carrying Bananas, from the Suite of Late Wood-Block Prints, 1898/99

Paul Gauguin

A work made of albumen print.

Entrance to Hotel du Soleil, 1910/20

Jean-Eugène-Auguste Atget

A work made of stipple and line etching on paper.

Captain Alexander Bielaski, Date unknown

Unknown artist

A work made of wood-block print, printed twice in black over pale yellow ocher ink, on thin ivory japanese paper, partially laid down on white two-ply mat board.

Plate with the Head of a Horned Devil, from the Suite of Late Wood-Block Prints, 1898/99

Paul Gauguin

A work made of gelatin silver print.

Two American Flags, Freed Iranian Hostage Tickertape Parade, New York City, January 20, 1981

Thomas Frederick Arndt

A work made of etching and aquatint on ivory laid paper.

What One Does to Another, plate 77 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of etching, burin, drypoint and burnishing on ivory wove paper with gilt edges.

Sad Forebodings of What is Going to Happen, plate one from The Disasters of War, 1814/20, published 1863

Francisco José de Goya y Lucientes

A work made of etching and aquatint on ivory laid paper.

For Heaven's Sake: and it was Her Mother, plate 16 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of etching and aquatint on ivory laid paper.

How they Pluck Her, plate 21 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

Page 20, from Tetrascroll

Page 20, from Tetrascroll, 1975–77

Richard Buckminster Fuller

A work made of gelatin silver print.

Untitled (3/20/35), March 20, 1935

Unknown Maker

A work made of gelatin silver print.

Light Calligram II (20), 1993

Joan Fontcuberta

A work made of offset lithograph in black (recto); offset lithograph in black, with red and black ink stamps, typeset label in purple, and postage stamp (verso) on cream wove paper.

Art & Project, Bulletin 20, Jan. 1970

Gilbert & George

A work made of gelatin silver print (2), chromogenic print (1).

Section 20 of The Blind, 1986/89

Sophie Calle

A work made of color woodblock print; oban.

No. 20: Rain on the Hiratsuka Plain near Kutsukake Station (Niju: Kutsukake no eki, Hiratsukahara uchu no kei), from the series "[Sixty-nine Stations of the] Kisokaido (Kisokaido [rokujukyu tsugi no uchi])", c. 1835/36

Keisai Eisen

A work made of gelatin silver print.

Freed Iranian Hostage, Tickertape Parade, New York City, January 20, 1981

Thomas Frederick Arndt

A work made of etching and aquatint in warm black on ivory laid paper.

Until Death, plate 55 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

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