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A work made of etching and aquatint in warm black on ivory laid paper.

Until Death, plate 55 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

Page 20, from Tetrascroll

Page 20, from Tetrascroll, 1975–77

Richard Buckminster Fuller

A work made of gelatin silver print.

Untitled (3/20/35), March 20, 1935

Unknown Maker

A work made of gelatin silver print.

Light Calligram II (20), 1993

Joan Fontcuberta

A work made of gelatin silver print (2), chromogenic print (1).

Section 20 of The Blind, 1986/89

Sophie Calle

A work made of offset lithograph in black (recto); offset lithograph in black, with red and black ink stamps, typeset label in purple, and postage stamp (verso) on cream wove paper.

Art & Project, Bulletin 20, Jan. 1970

Gilbert & George

A work made of albumen print.

Entrance to Hotel du Soleil, 1910/20

Jean-Eugène-Auguste Atget

A work made of graphite on white tracing paper, green and brown pencil added.

Alexander Hamilton Memorial, Lincoln Park, Chicago, Perspective, 4/18/1950

Marx, Flint & Schonne Architects

A work made of etching and aquatint on ivory laid paper.

What a Sacrifice!, plate 14 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of etching and aquatint on ivory laid paper.

Correction, plate 46 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of wood-block print in black ink on thin ivory japanese paper.

Tahitian Carrying Bananas, from the Suite of Late Wood-Block Prints, 1898/99

Paul Gauguin

A work made of gelatin silver print.

Two American Flags, Freed Iranian Hostage Tickertape Parade, New York City, January 20, 1981

Thomas Frederick Arndt

A work made of etching, burin, drypoint and burnishing on ivory wove paper with gilt edges.

Sad Forebodings of What is Going to Happen, plate one from The Disasters of War, 1814/20, published 1863

Francisco José de Goya y Lucientes

Compass, sundial, and perpetual calendar inside of a square thin ivory box decorated with leaf etched motives.

Portable Diptych with Compass, Sundial, and Perpetual Calendar, 1660/80

Charles Bloud

A work made of pen and brown ink over red and black chalk on tan laid paper, laid down on ivory wove paper.

Study for Commerce or the Triumph of the Thames, 1767/80

James Barry

A work made of various.

Patti Adams Shriner, House and Studio, Number 2, 1928

Bruce Goff

A work made of collotype, pl. xx from the album "illustrations of china and its people, volume i" (1873).

Physic Street, Canton, c. 1868

John Thomson

A work made of collotype, pl. xx from the album "illustrations of china and its people, volume ii" (1873).

Part of Foochow Foreign Settlement; Terracing Hills; Foochow Field Women; A Memorial Arch, c. 1868

John Thomson

A work made of silk, plain weave; screen printed.

Prolog (Prologue) (Dress or Furnishing Fabric), 1922

Maria Likarz-Strauss

A work made of linen, plain weave; screen printed.

Variations (Furnishing Fabric), 1955

Angelo Testa

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